Tag: Grand Prix

  • Leo Burnett bags a Grand Prix

     

     

    By Our Staff

     

    The big news on Day 2 of Goafest was the awarding of the second Grand Prix of the festival and the first amongst the Creative Awards. Leo Burnett India was awarded a Grand Prix for Airtel’s ‘Airtel 175 Replayed’ campaign. The agency was also recognised as Digital Specialist Agency of The Year with a total of 15 metals. The category saw a total of 6 Gold, 15 Silver, and 37 Bronze Metals. There were six merits in the category.

     

    Meanwhile, COG Culture was awarded as Design Specialist Agency of The Year, with a total of 16 metals. The category saw a total of 3 Gold, 13 Silver and 16 Bronze Metals along with 17 merits.

     

    With a total of three Metals, Mindshare was recognised as Mobile Specialist Agency of The Year. The category witnessed a total of 15 metals with 2 Gold, 5 Silver, 4 Bronze and 4 merits.

     

    Mindshare was also recognised as Specialist Agency of The Year with four metals. The category had 3 Gold, 6 Silver, 7 Bronze and 4 Merits being awarded.

     

    FCB Group India was recognised as Direct Specialist Agency of The Year with 10 Metals in total. The category saw a total of 3 Gold, 12 Silver, 13 Bronze and 10 Merits being awarded.

     

    FCB Group India was recognised as Public Relations Specialist Agency of The Year with 8 Metals. The category had 6 Gold, 9 Silver, 7 Bronze, and 4 Merits in total.

     

    Meanwhile, with a total of 9 metals, Zee Entertainment Enterprises Limited was awarded as the Broadcaster of The Year Award. The category witnessed a total of 6 Gold, 8 Silver, 4 Bronze and 1 Merit.

     

  • DDB Mudra wins ‘Asia Pacific Agency of the Year’ title at Spikes Asia 2022

    By Our Staff

     

    DDB Mudra Group announces its win as ‘Asia Pacific Agency of the Year’ title at Spikes Asia 2022. It is the first Indian agency to win this award. With its spectacular performance at Spikes Asia 2022, DDB Mudra Group has been named ‘Spikes Asia Agency of the Year’ along with ‘India’s Agency of the Year’.

     

    The recognition comes on the back of the Group’s ‘Unexpected Works’ positioning, which reflected in its work on McDonald’s ‘EatQual’ (1 Grand Prix, 1 Gold, 3 Silvers, 1 Bronze) Battlegrounds Mobile India’s ‘Machine Gun Mouth’ (1 Gold, 1 Silver, 3 Bronzes), ‘Daughter’s Day’ for Stayfree (1 Silver) and ‘Red Notice Shop’ for Netflix (1 Bronze).

     

    The group shared a Grand Prix and a Gold with its production partner Early Man Film for BGMI’s ‘Machine Gun Mouth’ in the Film Craft category. With this, Early Man Film has also become the first Indian Production House to win the coveted Spikes Palm Award.

     

    Talking about the performance, Rahul Mathew, Chief Creative Officer, DDB Mudra Group said: “When Aditya (CEO & MD) and I took on our roles, we had a very simple goal – to build a creative company that’s respected in every forum; be it clients, talent, platforms such as Spikes Asia and the industry at large. Over the last four years, we’ve worked towards it by building creativity into our core. To become the first agency from India to win Agency of the Year at Spikes showcases this belief.”

     

  • What’s ‘Said’ Scratches the Surface of What’s ‘Experienced’

     

     

    The second in our 10-part series where Shaziya Khan focuses on the allyship of brands for financial savviness of women and girls. Link to the first part: Is there a Burden of Hidden Emotions Women carry in it?

     

    Shaziya KhanBy Shaziya Khan

    Women are known to be prudent shoppers and savers. Yet, women need to become more savvy in personal finance. This is a key and progressive attitude shift among, both, men and women.

     

    Several women, confess to being uncomfortable about taking decisions in financial matters (seeking validation, often procrastinating etc.). Also, women feel emotionally vulnerable taking financial decisions in a life context of dependency (spouse, father, brother), social “rules” and roles, subtle conditioning favoring a persona that “knows little about such matters”. These ‘silent yet significant’ barriers, lurk deep, generationally and must be surfaced and reassuringly addressed. Thereby, enabling financial savviness of women and girls as a happy ‘normal’ in the present and future. Guided by the truth that the spoken word is different from the lived experience, we looked far below the surface of what is merely ‘said’.

     

    GNAWING FINANCIAL WORRY EXPERIENCED SILENTLY. Women experience a gnawing threat and worry related to “their safety net”. Research reveals that one of the biggest advocates for purchasing general insurance, is the woman of the house, albeit with a deeply subdued voice. Wives and mothers instinctively, quickly, silently understand that “if anything were to happen”, it would sadly, blow a big hole in the family’s savings. They especially worry about the adverse impact on children’s education and future, etc. Yet, despite this threat perception being experienced deeply, they rarely voice it. Why?

    There are ‘obvious’ restrictions to voicing a ‘bad omen’, even if one is speaking practically or thoughtfully, with ‘good intention’. Due to the ‘bad omen’ factor and related manifestations of it, women barely voice their financial inclinations. This could be with regard to banking, investing, insurance, earning etc. Thus, out of fright, superstition, “not speaking out of turn”, “being a nag”, “having a black tongue” etc. women learn to live with their gnawing financial worries. Unable to voice their inclination towards purchasing relevant financial instruments. Unable to actively ‘solve for’ financial needs, protective financial measures, in good time.

     

    SOFT SKILLS MASK THE INTENSITY OF THE FINANCIAL NEED OR DESIRE. Women know, there is an art and science of successfully navigating any financial discussion. Personal finance, being a sensitive topic, and theirs being a layered authority, it needs careful ‘handling’. For instance, even blurting out a spontaneous practical suggestion, takes practice. At other times, they learn, or are taught, silence is golden. Many women “have to” master diplomacy, timing and discretion to adroitly discuss a financial matter at home. Mustering courage, faultless logic, impeccable timing and pitch perfect tone of voice are intangible and tangible ‘notes of harmony’ that women orchestrate. These soft skilled expressions, others like them, are common. “I’ll try and cajole over a few days”, “after meals is best time to discuss it”, “so and so, was suggesting”.

    Women admit to picking their battles carefully, wisely, especially financial ones. They fear that if a stray remark is seen by their spouse, elders, ‘authority figures’ of the family, to be strident or ill timed, several of their future financial needs and wishes might never see light of day. Or be denied for a long time.

     

    LACK OF ASSERTION OF FINANCIAL AUTHORITY. Many women admit that even when their financial rights exist, they feel, or are made to feel awkward, uncomfortable or guilty, when asserting them. Anecdotally there is much, varied evidence pointing to this lack of assertion. Seeking “permission” to assert what is financially due. Forgoing some part of their financial rights, is ‘taken for granted’. Being the last in the queue to get their financial due is “accepted”. Withdrawal of other familial support, if she claims her financial rights, is familiar to many middle-class women.

    This could be partly due to early subtle conditioning, across several aspects. To take just one aspect, several parents mention observing, early on, differing behavior related to gifts. The girl child is passive or vague about what she wants as a gift, versus, a boy child assertively negotiates a gift in return for “x”. Years later, this gets cemented as a ‘pattern’. Women passively “let go” of personal financial matters, preferring vagueness over ‘details’. They candidly admit to being carefree, haphazard, even “lost”, about ‘their own’ finances! Some learn a ‘hard lesson’, better their ways.

     

    ALLIES MUST EMPATHISE WITH THE EXPERIENCE BEHIND THE WORDS. We are learning, that alongside the rational budgeting and saving skills, women have an emotional (roller coaster) experience of personal finances. They live silently, or with hushed words, or muted expressions, with this experience. With gnawing financial worry, a marshalling of soft skills to mask intensity of financial needs, desires and ‘letting go’ rather than asserting financial authority. Words seem to scratch the surface of these deeply felt and lived daily “normal” experience. Brands, keen on allyship with women, must empathize with their lived experience, behind the words.

    To ally with a woman on her onward journey of financial savviness – let her know you ‘get’ her experience. Let that inspire innovation, communication, inclusivity to enable her financial savviness. You might hear just a muted phrase or see just a passive nod, trust me, her heart is probably jumping with joy, hope. It is just that her words don’t capture that. Yet.

     

    Shaziya Khan is National Planning Director, Wunderman Thompson. She has won the Jay Chiat Grand Prix  for Strategy and Three WPP Atticus Global Awards for ‘Original Thinking in Marketing Communication’. Her views here are personal.

     

  • WARC announces winners of ‘Effective Use of Brand Purpose’ award

    By A Correspondent

     

    Campaigns for premium vodka Absolut, fast-food restaurant KFC, museum Louvre Abu Dhabi, antiperspirant Rexona and feminine care brand Stayfree are among the winners of the Effective Use of Brand Purpose category of this year’s WARC Awards, a global search for next-generation marketing effectiveness.

     

    Thirteen campaigns from around the world – one Grand Prix, four Golds, three Silvers and five Bronzes – have been selected as winners in the category, which rewards marketing initiatives that have successfully embraced a brand purpose and achieved commercial success as well as a benefit for a wider community. Three special awards, recognising specific areas of excellence, have also been given.

     

    Mindshare India won a Gold and the Evaluation Award with a campaign for Lifebuoy from Hindustan Unilever. ‘The Adaptive Data Lighthouse’ campaign targeted the people most at risk of infections preventable by good hand hygiene to increase sales in rural

     

    A campaign by FP7 McCann Dubai for Babyshop has won the Grand Prix and the Smart Spender Award. In ‘Al Umobuwah – Putting ‘Mum’ into ‘Parenthood’, the children’s retailer used a multichannel approach and created a new Arabic word that embraced the concepts of both motherhood and fatherhood (the Arabic word for parenthood translates only to fatherhood) in order to drive brand meaning – and sales – in the Middle East.

     

    Commenting on the Grand Prix winner, judge Nazia du Bois, Founder, Principal Consultant, rice bowl, said: “Inserting a word into what’s essentially a hermetically sealed language is remarkable, especially given the 50k budget.”

     

     

  • 1 Gold, 1 Silver & 5 Bronzes on Day 4

     

     

    By Delshad Irani

     

    DDB Mudra Chief Operations Officer Pratap Bose put up this picture with the Design Gold on his Facebook page

    Cannes on Day 4 won more gold for India, taking its tally to two. ‘The Hinglish Project’ from DDB Mudra Group took home a gold Lion in design.

     

    The design entry is part of the ministry of tourism’s Incredible India campaign. Abhijit Bansod, jury member and principal designer and creative head, Studio ABD, said this is perhaps a new beginning for hybrid typographic design work that combines cultures.

     

    “It really stood out amongst the typographic work we saw during the judging process,” he adds. India had a total of eight entries on the shortlist with three originating in DDB Mudra Group, including a campaign for Volkswagen India.

     

    ‘The Hinglish Project’ has been awarded a bronze Lion, too. A total of four categories were judged on the day. Press, a traditional favourite with Indian entrants, kept India’s ad engine chugging along. There is one silver Lion in Press for Leo Burnett’s work for Bajaj Electricals.

     

    Ogilvy took home two bronze Lions in the same category for its work for Perfetti Van Melle and Mattel Toys’ Hot Wheels brand. And, BBDO India has one bronze Lion, courtesy its work for White Collar Creatives.

     

    The Grand Prix winner in Press is United Colors of Benetton’s Unhate campaign that cooked up a storm in many places around the world and got it the much-coveted top prize at the Cannes Lions.

     

    In radio there’s a lone win, another bronze Lion for India as well as Leo Burnett. Titled ‘Punishment’, the work interestingly was written entirely in Hindi. The work for Mumbai-based book store Strand Book Stall is in the form of a conversation between Mahatma Gandhi and a little boy.

     

    According to Rob McLellan, executive creative director, Network BBDO South Africa, and Radio Lions’ jury president: “It is a heart-warming piece of work. India is very similar to South Africa in many ways. Radio is still the most popular medium and sometimes the only way to reach people. I think the piece is a worthy winner.”

     

    This brings us to Cyber category, a disappointment of digital proportions. Out of the 27 entrants, not one made the shortlist. About India’s non-existent presence in this category Anita Varma, jury member and director of Digital Driftwood, said it’s a shame because we are great storytellers but falter on how best to use the technology at our disposal.

     

    Source: The Economic Times

    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Creativeland Asia wins big at FAB Awards

    By A Correspondent

     

    Creativeland Asia won two FABulous Awards (equivalent of Grand Prix) for ‘Plan-T’, the campaign created by them to help Hippo track inventory through social media (Twitter), at the recently concluded FAB Awards in London. The Grand Prix was awarded, one in the category of Advertising/Integrated/Sales Promotion/Direct/Collateral and POS/Best Use of Media; and the other in Mobile/Digital/Interactive/Non Traditional.

     

    The FAB Awards is an international Creative Awards programme focused entirely on work done for Food and Beverage brands. The 14th International Food and Beverage (FAB) Creative Excellence Awards, were announced on May 29 inLondon.

     

    The campaign also won FAB awards (equivalent of Gold) in Best Use of Media, Best Use of Technology and Social Media. Apart from having won accolades and awards, the Hippo campaign has been presented as case study in institutions and seminars including TWTRCON for ‘The most innovative use of social media’.

     

    On this occasion, Sajan Raj Kurup, Founder & Creative Chairman, Creativeland Asia, commented: “I am extremely delighted with the news of our new set of golds and grand prix. To win it at a prestigious global award alongside the best in the category makes the win even sweeter.”

     

    Founded by Sajan Raj Kurup in 2007, Creativeland has grown to be a belief shared among more than 80 people across two full-fledged offices in Indiaand 9 strategic offices in Asia. Creativeland’s work has been awarded at the D&Ad, One Show, Adfest, Cannesand Effies. At Cannes Lions 2010, Creativeland Asia was ranked at No. 4 in the list of the most creative agencies from India. Creativeland’s client-partners include brands like Audi India, Godrej, Parle Agro, Café Coffee Day, Cholayil.

     

  • @Goafest, Taproot emerges tall. And how!

     

    By Tuhina Anand (with inputs from Robin Thomas)

    Photographs by Shailesh Mule/Fotocorp

     

    When Big Dad of Indian advertising Ogilvy pockets 51 metals at Creative Abbys at the Goafest 2012, it is something that one expects, so no surprise here really. But when a three-year-old agency goes on to become the runner-up, leaving behind the much settled Leo Burnett, DDB Mudra, Grey and JWT, it is indeed a proud moment for Indian advertising. It says that all is not lost and what still matters in the advertising business is creativity and if you have the ingredients right then there’s no one to stop you from writing your success story. Taproot India and its founders Agnello Dias and Santosh Padhi have shown the industry the might of small and given hope to many aspirants on the same path.

     

    Talking about Taproot’s success, Agnello Dias said: “It’s been great, a satisfying feeling, but it is also slightly scary because we have got to do even better than last year as expectations have gone up, but as of now, we are just happy that we have performed well at the awards.”

     

    On Taproot missing out on the Grand Prix as there were huge expectations from Airtel campaign, Santosh Padhi said: “Yes, a lot of people said that our Airtel or Pepsi campaign would win us a Grand Prix, so I think that itself is a Grand Prix for us. Therefore, we have no grudge and we are happy with the way things have turned out for us. And definitely there were two strong competitors against us for the Grand Prix.”

     

    The victorious Ogilvy team

     

    The most awarded work at the Goafest was for  brands, including The Times of India, Volkswagen India and Airtel. Even for Ogilvy India, the work that fetched them maximum awards was for Fox Crime. Also the work that got CreativeLand Asia its Grand Prix in the Integrated category was for Audi 8L 3D.

     

    TOI’s ‘Wake Up Chennai’ (that fetched accolades at Goafest) has been embroiled in controversy as it spoofed its rival, The Hindu. the ad showed how reading the old player (read The Hindu) puts people to sleep and the readers should wake up to something more exciting – The Times of India. The ad was crafted by Taproot which also created Airtel’s Har Friend Zaroori Hai that fetched many awards for the agency across various categories. In fact, Har Friend… can be dubbed among the most popular campaigns of the year.

     

    A happy Creativeland Asia team

     

    Ogilvy’s work for Fox Crime titled The Photographs case, made by Good Morning, is in keeping with the genre of the channel and creates a mini thriller for its audience, building anticipation for what to expect on the channel. Talking about the wins, Abhijit Avasthi, NCD, O&M said: “It’s been a great year as always and I think the best part is that we have done well in every category, from design to direct to digital to integrated. Obviously there are some works where one wishes we had got more recognition, like the Cadbury in home campaign, but, overall, we are very happy. I think we have got the best clients who allow us to do really some very interesting work.”

     

    “It’s very reassuring that we have managed to win the Grand Prix back to back and this year I hold the digital grand prix to a greater importance, simply because it demolishes the myth of lots of clients that digital is something big network agencies cannot do,” he added.

     

    Volkswagen, which brought awards to DDB Mudra, Grey India and Nomad Films, is a brand that has caught attention because of its innovative use of media since its launch inIndia. While the fraternity may not have lauded all the innovations that Volkswagen did, but it cannot be disputed that the work did catch the attention of the people and fraternity.

     

    However, if one were to look at the Creative Abbys 2012, it will be remembered for Taproot India, which carved a name for itself among the behemoths, only because of its creative supremacy. More power to all those who want to chart their own path and keep in mind that great ideas zaroori hai and the rest will follow. Right, sirji?

     

    Click here to view all Goafest 2012 stories

     

  • Special to MxM: Shashi Sinha on Day 2

    By Shashi Sinha

     

    The good thing about the last day at Goafest was the quality and number of gold and silver metals that were given out this year. A number of members came on the jury this year and there were much more metals that were handed out this year compared to last year.

     

    As for the sessions, the big one for me was the one by John Philip Jones, which was media-based and I really found it interesting. It must have been a complex thing for the students and youngsters gathered at the venue, as it was based on investments and so on, but it was a good one for those in upper hierarchy. It was all about how one can spend clients’ money smartly; in fact I am going to do a detailed presentation for my team later on.

     

    While that was about sessions, the event had its share of fun too. Rain dance was an occasion that was enjoyed to the fullest by the young adlanders. It was good to see so many youngsters revelling together. Unfortunately for me, again I was stuck up with a press conference and had to give it a skip. But that said, I think the Creative Abbys were the highlight of the evening. Compared to Media, Creative Abbys had more Grand Prix on offer and were bagged by deserving candidates, including Ogilvy and Creativeland Asia.

     

    As the president of AAAI and we were discussing that if we had ten thousand to spend, how would we spend them. So while the focus till now was to get the event going, the plan going forward would be to plan three years’ ahead and see what can be planned for the future. But having said that, the event will continue to remain big and will continue to stay as relevant going forward.

     

    So it will not be only about 2013, but about the next 3-5 years because right now we have attained the critical mass and the focus would be to maintain the success levels going forward.

     

    Click here to view all Goafest 2012 stories

     

  • Digital is tomorrow and we’ve to be ready for it: Piyush Pandey

    Since three of the Creative Abby categories were awarded on Friday night, Piyush Pandey and his team in black were in attendance and celebrating as they walked away with several honours. A quick chat with Big Man:

     

    How did you find the awards show hosted Friday night?

    I think it was a fantastic awards night where the media had a lot of innovative ideas and a lot of good things came out, which should be an inspiration to the youngsters, especially from the digital and design verticals. Also, I am very proud of the work my team is doing, particularly Fox Crime – they have swept the show by winning the Grand Prix so I am a very happy man. The key is: digital is tomorrow and we have to be ready today for tomorrow.

     

    One of the big things to happen this year is the addition of Grand Prix in the Media Abby. What are your thoughts behind the inclusion?

    I think there should always be a Grand Prix. We must always recognize the best work that is done. I am not a believer that Grand Prix is a world record that was broken in 1982, which we just work for this year. Personally, I believe there should be Grand Prix every time, but then juries are subjective and they will have their own point of view but I would always give a Grand Prix, no matter where in the world I judge. I have done that everywhere and I will continue to do it.

     

    The emphasis this year was on getting young marketers at the event…

    I think India is a very young country – the marketers are young, the advertising agencies are young, the youth is such a huge composition of our population, so let’s all try and be a little young and I think that’s what is important.

     

    A message you would want to relay…

    I think I can give only one message where advertising is concerned. Always celebrate your success, don’t be indulgent in terms of creating hype but celebrate your successes. If you don’t enjoy the day how will you enjoy the next day.

     

    Click here to view all Goafest 2012 stories

     

  • Abby should be Indian in approach: Nandini Dias

    Nandini Dias, COO, Lodestar UM speaks to MxM India on being the agency to bag the highest number of awards at Media Abby and what the Goafest committee needs to do for the future. Excerpts:

     

    How would you rate Lodestar UM’s performance this year at the Abbys?

    I think we have performed very well this year. The total number of awards is only 27, which I guess is quite a small number. But within that we have won 6 awards, which is amongst the highest this year.

     

    Your opinion on the inaugural Grand Prix being constituted?

    Grand Prix has been a regular award in all the other advertising festivals, so it is a good thing that it has come here. We had all agreed in the pre-juding session that it has to be made a part of the awards and it has begun from this year. So I am glad about the outcome.

     

    Inclusion of South Asian countries at Abbys

    I am not sure about their participation. I think this is an Indian award and there are enough of other global awards, so I am not sure whether the vision is to make Abbys as big as other global awards like Cannes. But if that is the vision, then why just South Asia – there can be many other countries. I think we should continue these awards as Indian awards and not otherwise.

     

    Comparisons between Goafest and Cannes…

    The awards, I guess, could be better conducted and done in cooler times. It is too hot and for people like me who hail from here, this is a tough time to be here. Frankly, if India wants to do it global, then it can do anything as it is as good a style as anything else in the world. I have no doubt about the capability or the ability of the people concerned, but the question is: do you want another award that is international, global and fighting or do you want to make it an Indian award. So that’s a different division altogether.

     

    Click here to view all Goafest 2012 stories

     

  • All roads to a bigger, beerier Goafest!

     

    By A Correspondent

     

    It’s the time of the year when the adfrat congregates in Goa for the sun, sand and loads of learning. And may we add: gallons of beer. As Goafest 2012 begins at The Zuri White Sands in South Goa today with the industry conclave, one will see more than 3,000 people get together to celebrate creativity.

     

    Says an ecstatic Arvind Sharma, Chairman, Goafest 2012: “We were ourselves surprised with such an encouraging response. This year will see the biggest crowd gather in the history of Goafest.” If the number of registrations has skyrocketed, guess will so be the consumption of beer and assorted liquids. Remember, the excise levies are perhaps the lowest in the country in Goa!

     

    “Goafest 2012 is a brand owned by the advertising and marketing fraternity. The high numbers that will attend the festival goes to show that fraternity looks at it as an extremely responsible event that is representative of the industry. We have an outstanding line-up of speakers this year, the process of judging has been rule-based and transparent and the jury has been extremely happy with the quality of entries that have come in. I just hope that people will enjoy the Goafest, Mr Sharma adds”

     

    Goafest will start, as has been the norm, with the Advertising Conclave with the theme Ideas That Impact the Full Circle. The session will begin with the welcome address by Nagesh Alai, President, AAAI. Srinivasan K Swamy, Chairman, Goafest Advertising Conclave will give his address on the theme of the Conclave. This will be followed by introduction of speakers by Arvind Sharma, Chairman, Goafest 2012.

     

    Jean-Yves Naouri, COO, Publicis Groupe and Tim Love, CEO, APIMA, Vice Chairman, Omnicom Group will give a global insight to the theme of the conclave. Jayant Murty, Director of Strategy, Media and Integrated Marketing, Asia Pacific Region, Intel Corp will speak on building brands in the era of multiple degrees of freedom. The last session will be a panel discussion on the theme which will be moderated by Anuradha Sengupta of CNBC TV18.

     

    Post the Conclave, April 20-21would have seminars during the day and awards night. On Day 1, the sessions will start from 2.30pm and the speakers would include Lucas Watson of Youtube, Jonathan Mildenhall of Coca-Cola, Tim Love of Omnicom, Charles Wright of Wolff Olins. On Day 2, one would get to hear author and brand guru Prof John Philip Jones, Rishad Tobaccowaala of Vivaki, Erik Vervroegen, Publicis Worldwide and Simon Wardle. These sessions will begin from 11.30 am.

     

    This year, Goafest has included segments that would appeal and include the marketers to their fold. During the seminars, a leading marketer would pose questions to the speaker and also bring an Indian context to the entire session even giving his or her interpretation.

     

    Some of the marketers who would be part of the sessions include: N Rajaram of Airtel, Sanjay Behl of Reliance, Kainaz Guzdar of P&G, Rajesh Jejurikar of Zee, Viral Oza of Nokia, Gayatri Yadav of Star and Hemant Bakshi of HUL. Goafest has also introduced the Marketing Wizards encouraging marketers under 30 years of age to participate in the fest.

     

    In the case of the awards, the number of jury members in each category has been increased to give a better representation. The number of Grand Prix too has been extended to all 9 categories (10 if film and film craft is considered separately).

     

    The focus has been to make the awards bias-free (as they ought to be!) and the Goafest Committee has brought in many filters to ensure that awards are held in high esteem by the fraternity. Also there are entries and delegates from Sri Lanka, Pakistan and Bangladesh this year.

     

    On April 20, the Media Abbys Night will be held where Digital, Design and Direct Abbys will also be presented and on April 21, the rest of the awards will be given including the coveted Creative Abbys.

     

    On the downside, while Lowe continues to skip the awards, among the bigger agencies, McCann too did not send any entries though it is learnt that folk from the agency will attend the fest.

    Click here to view all Goafest 2012 stories

     

  • Goafest launches “Marketing Wizards” for young clients

    By A Correspondent

     

    Keeping up to the promise of a ‘bigger and better; Goafest 2012, the organizing committee on Monday announced the launch of “Marketing Wizards” open to the Indian Society of Advertisers (ISA) member companies for delegates under the age of 30.

     

    Marketing Wizards is an interesting initiative wherein each ISA member can nominate up to two rising stars from their marketing teams under the age of 30 years to experience the highs and thrills of Goafest 2012. This offer is available at a discounted fee of Rs 6,000 only. This amount will covers two nights at a five star hotel, food & beverages, local transportation, seminars, award shows and much more with no further costs.

     

    Speaking about the programme, Arvind Sharma, Chairman of Goafest 2012 said: “This year we are focusing on getting clients to Goafest 2012. We hope to see many more senior marketers and a large contingent of young advertisers at the festival. Marketing Wizards has been created as an initiative to drive young advertisers’ participation and ensure that everyone is aware of what is in store for them at Goafest 2012.”

     

    Mr Sharma added: “There are many firsts for Goafest 2012. The inclusion of SAARC nations, Grand Prix’s across categories. The latest addition, Marketing Wizards, will be an ideal platform for marketers to reward their rising stars. Goafest 2012 will not only help them widen their advertising horizons they will also have a great time at the event.”

     

    Mr. Bharat Patel, Chairman, ISA said: “We welcome this initiative from AAAI & Goafest to increase participation of our members, and specifically their rising stars. Successful partnerships between advertisers and their advertising agencies are fundamental to the success of brands. In many ways, Goafest and the Abbies are a celebration of this success. Equally, they are opportunities for our bright young marketers to imbibe and learn. I believe our rising stars will benefit immensely by actively participating in this opportunity. The ‘Marketing Wizards’ initiative is indeed very attractive and I am sure our members will make the most of it.”

     

    Goafest 2012 is being organized by AAAI and Ad Club Bombay in partnership for the fifth year and will be held from April 20-21 at the Zuri White Sands in South Goa. It will be preceded by an advertising conclave on April 19th. The festival is themed the ‘Magic of Ideas.’

     

    Over the years, specialist areas like Out of Home & Ambient, Design, Interactive Digital Advertising, Direct, and Integrated Advertising have been growing in importance. In recognition of this phenomenon, in 2012, Abbies at Goafest will have provision for Grand Prix in all the nine verticals – the Grand Prix is being introduced in media awards as well.

     

    Advertising Agencies Association of India (AAAI) is the official, national organization of advertising agencies, formed in 1945, to promote their interests. The Association promotes professionalism, through its founding principles which uphold sound business practices between advertisers and advertising agencies and the various media. The AAAI is recognized as the apex body of the advertising industry at all forums – advertisers, media owners and associations, and even government, as the spokesperson for the advertising industry.

     

    The Advertising Club Bombay, incorporated in the year 1954, is arguably the biggest Advertising Club of its kind in the world, and, according to many, also the busiest. It has over 1,400 members drawn from media organizations, marketing companies, advertising agencies and allied professional bodies.

    Click here to view all Goafest 2012 stories