Tag: GenZ

  • Is Personalisation depriving us of Shared Experience?

    Is Personalisation depriving us of Shared Experience?

    Kunal SinhaThe other day, a fellow advertising practitioner/ commentator, after being invited to an awards judging, remarked that they had never seen many of the entry campaigns.

    Which raised a question: were they scam ads, or were they so sharply targeted and personalised that only the few thousand, best profile-matched prospects had watched them?

    In a class of English majors, students were asked to write an essay on what worried them, other than the violence they see globally, and environmental issues. A common refrain among the students was this:

    ‘Compared with any other generation, GenZ creators have a much greater ability to create and publish their work, artists are more free to share and bypass hassle-laden middlemen, and small businesses can take birth online with ease. In essence, this means there is more of everything, which is good. However, as a consequence, there are far fewer shared experiences among our generation’.

    What that means is that there is unlimited segmentation in every market, and infinitely more consumer options.

    What that also results in is that we are no longer watching the same late-night shows on weekends. I could talk about the latest Netflix show I’m watching, and no one on the room would have heard about it. We have hyper-tailored Spotify playlists, we don’t listen to the same DJs on radio. There are popstars topping the charts and their names mean nothing to most people.

    Targeted marketing is putting people inside lonely silos.

    Of course, one might argue that with the infinite amount of content and experiences out there, personalisation helps filter through the noise and presents only the information and entertainment that is of interest to us, reduces user effort and enriches online experiences.

    But even with that, how long do you spend pressing the remote before you finally choose your Netflix fix for the night?

    Before hyper-personalised content, the shared experience of consuming the same news, game or even ads helped create a sense of community. Our worldview was shaped by reading and watching and experiencing the same stories, and people were more united as a result.

    With much of their world experience being siloed, reaching them through their earbuds as they sit alone on their couch, it is no small wonder that GenZ feels isolated and disconnected. Even as they scroll through their Insta and TikTok, they are starting to notice the lack of new and interesting material in their feed.

    Content fatigue due to over-personalisation isn’t limited to social media. Research on recommendation systems tells us that Amazon users are noticing stale and boring product offerings in the ‘Recommended for You’ section of the e-commerce platform. Order Argan Oil once, and the algorithm will suggest you buy it two years later.

    For all the brouhaha around NikeiD some time back, the truth is – standard edition adidas Sambas and Stan Smiths and Chuck Taylors remain the biggest sellers. We all, Rishi Sunak included, are wearing the same sneakers as a shared experience. When we wear the same shoes, it brings us closer to walking in each others’ shoes.

    On the other hand, when we customise our sneakers, we might achieve ‘self-expression’, but it comes at the cost of sharing something with our congregation.

    When we congregate, we share values, behaviours and attitudes. It makes us feel welcomed, connected to others who are like us, and part of something bigger.

    The good news …

    The young are rediscovering the value of community. They are forming book clubs and film clubs, on social media and IRL. And joining the Swifties.

    New sports like padel and pickleball are bringing them out of their dens and on to the court; they are going cycling and running.

    Could we see a marketing future where meaning is created through shared experiences, rather than personalisation? After all, isn’t a crowd far more valuable than an individual?

    Kunal Sinha is Chief Knowledge Officer at Ampersand Advisory, based in Kuala Lumpur, Malaysia. He is the author of several books including The Future of India’s Rural Markets and Raw – Pervasive Creativity in Asia. He writes for MxMIndia every other Monday. His views here are personal.

  • World Cup Cricket: Digital Streaming vs DTH

     

     

    With apologies to none at all

     

    By Vikas Mehta

     

    Vikas MehtaFinally, home after two weeks on the road. Watching World Cup Cricket streaming on the mobile or laptop was fun. But I am a traditionalist. Give me large screen TV and a DTH connection and you have me hooked. You may say that I can watch streaming on my large screen at home also. True. But my streaming experience has been mostly imperfect. I may be watching streaming on 5G or on broadband but the fluctuation in internet speed is imminent and hardly a day went by while watching World Cup streaming when the quality of video did not deteriorate or I did not face buffering. DTH at least lets me watch all the action without any drop in picture quality or interruption. My wife though was quick to point out that DTH also faces interruption, when it rains or when the electricity supply is interrupted. At least 5G or even broadband with a mini-UPS assures no disruption due to power cut. Well, that’s India for you. So many permutations, so many pros and cons.

     

    But I digress. Today, I am going to talk about what advertising I encountered on DTH and how it was different than on digital streaming.

     

    The first observation I had was that digital streaming was always a ball slower than on DTH. The reason I found out was technical. But it definitely is a bummer, specially during close matches. Not that there have been many in this World Cup, but I would hate to be watching matches like Pakistan vs South Africa or Australia vs New Zealand on streaming and my daughter telling me the result before I know it!!!

     

    The second obvious observation was the sheer number of advertisers on DTH vs digital streaming. And that was a surprise to me. Disney + Hotstar is streaming the matches free on mobile through its app and I would have imagined that this in turn will get them more advertisers. And the overall audience for streaming has been good. The India vs New Zealand match for example got over 4 crore viewers, more than the India vs Pakistan match. So, what explains the less number of advertisers on streaming?

     

    The answer I think may lie in the type of viewership that DTH vs digital streaming offer. If I may take the liberty of slotting the type of audience by the media channel, though this is purely hypothetical and I have no data to back it up, but do hear me out.

     

    During my travels, I noticed that mostly it is the GenZ which was comfortable watching the matches on mobile screens. Definitely because it was free but more importantly because matches on mobile could be watched anywhere. GenZ could watch it in her/his university, while travelling by public transport or at home in her/his own cocoon with earphones plugged on. There is a sense of individuality and privacy while watching the matches on mobile, something which GenZ craves for.

     

    Laptop or maybe tablet screens is the preferred choice for the millenium. Specially during working days. The Disney + Hotstar window would be minimised, volume muted but catching the action  every few minutes is the norm. I witnessed this even during a presentation!

     

    DTH is a family pastime at home or for the retired people. The millennials with their friends, or spouses or even parents watch the action late evening at home. The exception here again is the GenZ. They value their privacy. But they multitask while watching the matches. Multitask in terms of chatting about the matches with friends, exchanging instant memes, all the while maybe doing their college or school tasks.

     

    And I think advertisers have observed the same. And most of the advertisers are targeting the family or the millennial. No wonder, auto brands like Skoda and Mahindra are active on DTH but absent on streaming. GenZ is not whom auto brands are targeting. And they catch the millennials in the evening on DTH. That’s also the reason I do not recall seeing any Dream 11 ad on TV but discovered that it is a broadcast sponsor on digital streaming. Mostly, it’s the tech-saavy GenZ and to some extent the millennial who are the TG for gaming apps like Dream 11. Not necessarily a family type or retired person.

     

    I guess that’s what public sector banks like SBI, PNB etc were thinking with their presence on DTH. So too was Fogg as it has had a family personality as opposed to Axe which is more individual, seductive. No wonder Axe is on streaming. But I was surprised to see that Axis Bank was advertising for its app on DTH. Maybe streaming would have been a better choice for the same.

     

    The presence of health brands like Herbalife or Emami Herbal Kesh on streaming again was a no-brainer, since such health products are preferred more by millennials and GenZ to some extent.

     

    And the best example of media segmentation and targeting came from Hero. It has used DTH for its festival offers on motorcycles under the sub-brand Hero GIFT (Great Indian Festival of Trust). Targeting the family and maybe more small-town buyer who is middle-aged and not into technology but wants an affordable mode of personal transport. DTH and cable are the perfect media to catch this person. Whereas for their EV scooter Vida, digital streaming is the targeted medium.

     

    But then what explains the presence of a new brand of EV, Eblu Feo on DTH and cable broadcast? And it seems to be targeting independent women as Neena Gupta is the brand endorser. Your guess is as good as mine but I think it wants to announce its presence nationally on a medium which gives it a wider reach and also depth of reach. Digital streaming maybe is restricted on those parameters.

     

    I was also impressed with the use of digital streaming by Whisper. Targeting young women who want the best protection for themselves, Whisper is alluding to the reality that these women are also avid cricket fans. Something that has been reinforced by the presence of Pantene, another P&G brand on digital streaming. As an aside, it sems that P&G is making a big play on cricket and that too through digital streaming. The first two weeks matches on streaming were dominated by an overwhelming presence of Tide and truth be told, the one ad being repeated ad nauseam had started to grate. Will Tide or Pantene make a comeback or some other P&G brand will come in the later stages on streaming?

     

    Very few brands, I can recall only Phone Pe and Bookings.com, who were present on both DTH and digital streaming. The reason again is simple. They are targeting very wide instead of narrow focusing. They are still selling their categories and brand building is incidental.

     

    But the most significant presence for me on DTH has unfortunately been the presence of surrogate brands. The various brands of Pan Masala posing as silver-coated elaichi or whatever and also liquor brands under dubious categories like water or experience or playing cards. Interestingly, none of these brands are on digital streaming. What does it tell us? That there is hope. That the advertisers know that targeting GenZ may get them into trouble. That the younger generation is more into healthy products and doesn’t care too hoots about such ads. That the same younger generation is maybe more ethical and frowns upon such surrogates. Or very simply it is the family man who is into these vices? Whatever the reason, the divide is stark.

     

    Join me next time as some new campaigns unfold in the final phase of the World Cup. Let’s see if some new observations are going to unfold.

     

  • Boat sails with new campaign

    By Our Staff

     

    Delhi-based consumer electronics lifestyle brand Boat, known for products such as earphones, headphones and smart watches,  has rolled out a new campaign promoting its Alexa built-in smartwatch, Boat Xtend, that shines the spotlight on GenZ. Titled #MoreInEveryday, the campaign brings out the various intelligent features of the watch-from setting reminders to counting calories.

     

    Speaking about the campaign, Siya Wadhawan, Brand Manager, Boat, said: “We get this generation. We know what makes them tick. The Xtend watch with Alexa Built-in has been designed to fit perfectly into their lifestyle, and we’re pretty sure that the campaign will resonate with them and make voice-enabled smart wearables mainstream.”

     

    Added Sonia Khurana, Chief Operating Officer from Digitas: #MoreInEveryday was a reminder for every GenZ, every hustler, and every doer, of all the things they can achieve with an Alexa on their wrists. It was a treat to partner with Boat to create yet another exciting campaign.

     

    Said Teena Sidana, Head of Alexa skills and voice services, Amazon India: “Customers in India interact with Alexa millions of times every day to ask for information, start their workout and manage their day with reminders, to-do lists, alarms and more. With the Boat Xtend smartwatch customers can interact with Alexa on the go, wherever they are, and continue to make the most of their day. We are sure this campaign will resonate with Gen Z and they will be able to see a little bit of themselves in the videos.”

     

    Note: The Boat brandname is written as boAt

     

  • Lowe Lintas ads for HP targets students

    By Our Staff

     

    HP India has launched its latest range of HP Pavilion laptops with a multi-film campaign. Conceptualised by Lowe Lintas Delhi, the campaign aims to appeal to the younger segment who are returning to their schools and colleges post the pandemic.

     

    Talking about the campaign, Prashant Jain, CMO, HP India said: “GenZ today, are digital natives and technology is a part of everything that they do. To enable their use cases of creation, academics and long hours of entertainment, HP has always been at the forefront of bringing superior and cutting-edge technology to these young PC users. This campaign presents the same through the lens of two quirky and fun GenZ, Alisha and Garima, whom we hope our audience will love, just as much as we have grown to.”

     

    Commenting on the campaign, Vasudha Misra, Regional Creative Officer, Lowe Lintas added: “Some films, through their scripting, casting and direction almost feel like small trailers of a feature film that we can imagine in our heads. This campaign falls into that category. Where we don’t just see the features of HP Pavilion come alive, but also this quirky, funny relationship between these two girls. Kudos to Siddhant (Mago) and his team. I for one, really love this campaign.”

     

  • Fastrack unveils smart watch, Reflex VOX

    By Our Staff

     

    Fastrack announces the launch of its first smart watch Reflex VOX with a digital campaign including multiple touch points to engage with its audiences. The brand has onboarded actor Rohit Saraf as its ambassador.

     

    Said Fastrack’s Marketing Head Ajay Maurya: “Fastrack has always established a great synergy between communication and innovation that enables us to lead the conversation regarding youth fashion and tech trends. With Fastrack Reflex VOX as we introduce a new category that caters to our audiences and gives us the right opportunity to collaborate with a personality that resonates with the spirit of our audiences. This association with Rohit has been a fun one and we are highly excited to introduce you all to him as the new face of Fastrack for its fash-tech portfolio. Rohit represents the generation of youth with unbridled spirit and enthusiasm and that is what the brand Fastrack represents.”

     

  • Nodwin picks up 10% in Rusk Media

    By Our Staff

     

    Nodwin Gaming, the material subsidiary of Nazara Technologies Limited, has acquired a strategic 10% stake in the digital content IP media network Rusk Media. It aims to deepen and widen its portfolio of content IPs in the gaming and esports ecosystem by investing in Rusk Media.

     

    Said Akshat Rathee, Managing Director, Nodwin Gaming: “As a leader of esports in the South Asian region, we aim to eventually have a significant presence across the entire ecosystem in this sector. Through our investment in Rusk Media, we aim to take further steps in the massification of esports and gaming by creating entertainment-first gaming IPs for the GenZ.”

     

    Added Mayank Yadav, CEO, Rusk Media: “We’re excited to have NODWIN Gaming as a part of our journey to revolutionize entertainment for the Gen-Z & Millennial audience. We want to bring together the worlds of entertainment and esports and create digital-first IPs that are made for gaming fans.”

     

  • Not Your Idea wins marketing mandate for GoStops

    By Our Staff

     

    Not Your Idea (NYI), a marketing and content solutions company, has won the marketing mandate for GoStops, the backpacker hostel brand.

     

    Pankaj Parwanda
    Pankaj Parwanda

    Speaking on the move, Pankaj Parwanda, Co-Founder, GoStops said: “We are excited about partnering with Not Your Idea. We are now stepping into the next phase of business growth, that we believe will be propelled by an innovative exercise to engage with our audience – the youth. The content preferences of GenZ are ever-evolving. We are cognizant that keeping them engaged in the brand and category is a specialisation by itself, and NYI is well-poised to guide us in this phase. We are thrilled about the potential that good content discovery complemented by sound technology unlocks for the idea of youth travel and GoStops, specifically.”

     

    Ojas Mhatre
    Ojas Mhatre

    Said Ojas Mhatre, Co-Founder, Not Your Idea: “We are thrilled to be associated with GoStops, the most preferred and fastest growing hostel brand in India. GoStops has a strong reputation among the youth of the country when it comes to their preferred choice of accommodation. We believe GoStops has the potential to be the undisputed leader in the youth travel sector and we are beyond excited to partner with them on this journey.”

     

  • Disney+ Hotstar joins CoinSwitch Kuber to back cryptocurrrency

    By Our Staff

    CoinSwitch Kuber, India’s largest cryptocurrency investment platform for retail investors, has announced the launch of its new ad campaign, Trade Kar, Befikar.  With this, CoinSwitch Kuber becomes the first player in the Indian cryptocurrency space to launch a campaign to evangelise cryptocurrencies as an alternate asset class and build equity amongst Indian investors. The company is also the Associate Sponsor with Disney+ Hotstar for the Indian Premier League.

    Created by Nihilent, the campaign consists of three interconnected ad films. Actor Kunaal Roy Kapur has been roped in to play all the roles in the ad films. The campaign will be aired on Disney+ Hotstar throughout the Indian Premier League and will also be amplified using social media platforms like Twitter, Facebook and Instagram.

    Said Ashish Singhal, CEO and Co-founder, CoinSwitch Kuber: “Millennials and GenZ are emerging as the biggest backers of cryptocurrencies in India. With our new ad campaign we aim to showcase how it is a smart move to invest early in cryptocurrencies. Crypto has been the fastest growing asset class of the last decade and the momentum is only growing stronger now. Through our partnership with Disney+ Hotstar, we aim to amplify this message to millions of young and upwardly mobile Indians. It is time to join the crypto revolution by investing in cryptocurrencies through CoinSwitch Kuber – the safest and most friendly platform for crypto investments.”

    Added KV ‘Pops’ Sridhar, Global Chief Creative Officer, Nihilent: “The CoinSwitch Kuber ad films are special for us as they give us an opportunity to involve our audience into experiencing a completely new investment category that most of them may not be familiar with. We therefore decided to go for stories which not only highlight the utility of this new asset class but also place it firmly within the Indian family context as something that everyone can invest in and which is not a domain of the elite.”