Tag: Discovery

  • Discovery gets Rajinikanth to share screen space with Bear Grylls

    By A Correspondent

     

    Discovery has signed superstar Rajinikanth to feature in the first episode of a new format series called ‘Into The Wild with Bear Grylls’ produced by The Natural Studios and Banijay Asia. The show featured Prime Minister Narendra Modi last year and former US President Barack Obama not too long ago

     

    Said Megha Tata, Managing Director – South Asia, Discovery: “The combination of Rajinikanth in a never seen before avatar and Bear Grylls’ edge of the seat challenges, will make the show a must watch for every Indian. We have decided to give a layer of purpose to each episode of the newly commissioned series, Into The Wild with Bear Grylls, as we aim to contribute to humanity in our unique way. Last year, the show featuring PM Modi, generated much desired attention on conservation of Wildlife; we are confident that the forthcoming episode featuring Rajinikanth will sensitise each one of us about conservation of water.”

     

     

  • The Narendra Modi-Bear Grylls show hits jackpot on ratings roster

    By A Correspondent

     

    The special edition of Discovery’s popular franchise ‘Man Vs Wild’ featuring Prime Minister Narendra Modi with presenter Bear Grylls, lived up to its hype emerging as the top-rated show for the channel. The premiere on Discovery Network (across 12 Discovery channels) garnered highest slot viewership (on active channels) with 3.69 million impressions overtaking GEC leader Star Plus with 3.67 million impressions (Source: BARC India – TG: All15+AB|Market: India Urban|12th Aug’19: 9pm-10pm|Impressions)

     

    The premiere also delivered the highest ever slot reach for the infotainment genre with 6.1 million tune-in on Discovery Channel which is 15 times more as compared to the last four weeks average of the same slot (Source: BARC India |TG: All15+AB|Market: India Urban|12th Aug’19: 9pm-10pm |Reach). The show also kept the viewers on the hook delivering an impressive average TSV of 29.2 minutes.

     

    The special edition of Man Vs Wild with Bear Grylls and Modi was also being showcased on Discovery network of channels across 179 countries.

     

    Said Megha Tata, Managing Director – South Asia, Discovery: “The historic edition of Man Vs Wild made a larger point about importance of wildlife conservation and sensitised people about environmental change.  In that sense, it was much more than a TV show. We are the undisputed leaders in infotainment genre; our aim is to extend the leadership further with pathbreaking programming. We will go bigger, bolder and better!”

     

     

  • Discovery’s Big Push for 2019-20

     

    Television in India may have launched in the late 1950s, but it took off in right earnest only in the early 1990s when private broadcasters Star TV and Zee entered the scene. One of the early global brands that entered thereafter was Discovery – 25 years ago. And it hasn’t looked back since. Headed by some of the brightest stars in the industry, while the going has been largely good for the network, Discovery has also experimented with its content offerings. Last year, it launched Jeet, an entertainment channel that was out-of-the-box but didn’t take off on the ratings roster. The bosses were quick to take remedial measures, put it on the backburner and look ahead. The launch of Little Singham on its kids channel ensured that the Jeet blues were blown over fast enough. Earlier this year, the Discovery network announced the appointment of Megha Tata, a veteran of the broadcast space and who was part of the early team of Star TV in India. A fortnight back, Tata and team hosted an ‘upfront’ where advertisers and agencies were invited to sample some of the fare. MxMIndia caught up with the Managing Director for South Asia of the network and spoke to her on a wide range of issues. We didn’t ask her the Jeet question because it was well before her time, but did quiz her on a wide range of issues. Read on.

     

    So, settled in? How has it been at Discovery?

    Yeah, it’s awesome. It’s been two-and-a-half  months and I am super, super excited. I have always seen Discovery, from the outside, as a consumer, I have always been a big fan of Discovery as a brand and then to be inside now and seeing the product and actually understanding the wow of it, is something I am very excited about.

     

    What did you think of the product, of the offerings from the outside?

    So, of the entire bouquet, I used to be more of a Discovery and Animal Planet consumer because the rest of the propositions were not something in my daily list. I knew about all those brands but I never was consuming them too much. What I really liked personally about Discovery was the fact that there was content which was so differentiated and yet relatable.

     

    And since you had worked on NGC at Star so you knew what it was all about.

    Yeah, I was very familiar with the genre. Very may not be the right word but I was familiar with the genre. But I am very familiar with the special interest propositions because that is something which I have also done in my past jobs. But what really excited me was the fact that there is this amazing bouquet of propositions and what’s even more exciting now frankly is what can be done with it. And we are pivoting in to those spaces and which is, where the excitement is.

     

    But do you think life has gotten a little difficult for niche content?

    Yes, I do. I think we probably need to define niche a bit. If your product has a very convincing proposition, which is very distinctive, then your ability to grow is very high. But if you are one of the many and there is not too much of a distinction out there then the challenge will be even tougher. So, in our case, the propositions of Discovery, Animal Planet, Discovery Kids and our digital propositions which we are coming up with, are so distinct and so clear, that the consumer wants  it and hence that gives us the ability to deliver in terms of growth and further investments.

     

    But with OTT flooding content, there is actually so much to see. While Discovery content is compelling how do you get people to watch all of it?

    True and hence you are now talking about the depth of content, which is what I want to highlight actually. When you look at what players offer including those on the OTT space, real-life entertainment content is probably in the range of 600-1200 hours or something to that effect. Globally, we have 300,000 hours of content which is factual entertainment. And we add 8000 hours every year, so the depth is huge. I am not saying that the entire content will work for a market like India, therefore, you start identifying what works in this market and play that out. Second, what works for a ‘consumer take’ point of view is watching content in the language of their choice and that again is something that Discovery has done beautifully.

     

    At the Upfront for advertisers, Isaac Thomas mentioned that the content is not just going to be in the eight-odd top languages but also other languages, say,  Assamese, Odia…

    As we go along, we will see how that plays out because I think initially, even as we speak, we already have five, plus adding three will make it an eight-language proposition. The largest offering in this space in the market. So, Discovery will be in eight languages, Animal Planet is going to be in about three or five, Discovery Kids is going to be in about five to seven languages. This is all investment that’s happening in the language space which will translate to even when our OTT proposition comes through. How that sort of plays out, I think it’s early days to comment on that.

     

    And how is the ROI on the languages?

    It has added to the performance of the channel. Absolutely. It contributes… you can see it in the growth of the channels.

     

    Are regional language-specific revenues coming in?

    The regional language-specific proposition is actually D Tamil. It is an independent channel by itself for Tamil audiences which is programmed separately and marketed separately. So, that has a different revenue stream.

     

    But not the others?

    No, Not the others.

     

    Coming to specifics about the various channels. Discovery first. While it’s  been around for long, it has also been reinvented a few times. Going forward, are you looking at doing things differently or will it be more of the same?

    There is bigger, better, bolder stuff coming, and that is not only from our global proposition. Globally actually, Discovery is going back to its original DNA … creating more content which is in adventure,l ike in travel adventure space which are things which we all go ‘Oh! My God’ or ‘Oh! Wow’ about. That’s the kind of content that is going to be further invested in at a global level. A lot of that is going to come in to India as well, new faces will be  brought in and new explorers will be brought in. We are definitely going to be doing more of Indian content, Indian IPs but we rather do things which have never been done before.

     

    How do you strike a compromise between Indian content which may be create a buzz and top quality international fare for which people turn to Discovery?

    That’s why you don’t have so much of it [Indian content] because it’s very small and limited and in fact going forward we want to do fewer but bigger IPs. And when I say bigger, it’s not just in terms of  the scale but also in terms of the idea and what is it that we can do. So, some of the stuff that’s going to happen very soon on our channel which we are going to talk about is show content that has never been seen before.

     

    From a sales point of view, you have shows like the one with Mahindra and Byju’s. What, according to you, works better with advertisers – Indian or international ccontent?

    The branded content piece that has worked so far is  being specially created for the brands out of India.

     

    Is it because the integration is easier?

    In India it’s easier. Since it is content created for the [Indian] brand, it obviously becomes Indian. There are some like on TLC which is Indian content  integrated with the brand. Those kind of shows will always be very India-driven and they play out really well on the channel. In fact, our genre will be the only one after probably news which can bring about the branded content kind of proposition on to the platform.

     

    But some of the branded content stuff on TLC also plays out on English entertainment channels like Colors Infinity, Star World, etc. So are you competing with them in this space?

    Not really, it’s again very uniquely positioned. TLC stands for Travel, Lifestyle and Cooking, and that’s what you bring to the mix and what is only going to get stronger in this proposition is the Scripps acquisition which happened last year. That content is hugely available for us. Like HGTV is for example, the number one channel for home entertainment!

     

    We haven’t seen much of Scripps content in India.

    That’s going to be pumped up on TLC.

     

    TLC will hence be Scripps plus existing content?

    We are not going to launch [new] channels but the content will play out on TLC because a lot of that fits very well on TLC…. content from the Travel Channel, content from the Food Network, content from HGTV.

     

    Moving on, you have planned a revamp of Animal Planet.

    We are doing a brand revamp, a new logo, completely refreshed, new broadcast design, new promotion… a lot of marketing push will be behind it. That’s happening on July 15. You will see a lot of that happening in the coming weeks.

     

    I haven’t watched Animal Planet much in the recent past. I would do that when my daughter was three or four. Perhaps it’s a channel that people watch at a certain time point in life but  not much beyond that. How do you make Animal Planet relevant across audiences?

    I think that’s one of the key points of our focus in the coming months. On the back of the brand refresh, we are going to be positioning it as a more for family viewing kind of a channel. In fact, this is one channel which can actually unite families to sit together and watch content…

     

    Co-viewing is quite high in India.

    And content has become so individualistic and there are ways to do it now. So this is a nice way to bring the family together. Having said that you will see more of the marketing push which will be driven on that. We want to take Animal Planet beyond TV as well and I think there is an opportunity to take the brand out in to the market of creating those passion communities who love animals. There is hence a whole wide space out there for us to explore and that’s something we want to do.

     

    So, are you looking at setting up nature clubs, tours and the like?

    Yeah, we have lot of things on those lines… pet clubs and internationally we have some shows which are aligned to that thinking as well.  I think there’s a great opportunity [waiting for us].

     

    You mentioned TLC is going to be loaded with a lot of Scripps content. When will that start?

    It’s already started in doses. It will get more apparent and pronounced as we go along.

     

    And then Discovery Kids, a genre that you are so fond of.

    Yeah, D-Kids. I am super-excited because that’s been a great success story.

     

    Little Singham is very popular

    Yes, he is a fabulous character and he ticks all the right boxes… he is the superhero and does the right things, beats the bad guys and sends a good message and is patriotic and so lot of positive things come out of this association from kids as well. I think parents also like kids to watch content which is giving some kind of a positive message.

     

    Discovery Kids did get a  big push on the the distribution front last year.

    Yeah, one of the things which has really worked for us was the brand pull of Discovery and the packaging which we did. The distribution became strong even post NTO was because of this aspect. Packaging was right, and there was a brand pull. So, Discovery Kids definitely benefitted out of that and  we have now doubled up on the investment when it comes to animation for the channel. We want to create more and invest more in Little Singham for sure and create more episodes.

     

    The competition is stiff in this genre.

    Yeah, but that’s good, competition is always good. It helps grow the genre.

     

    Except they have been there for much longer.

    But it takes time to build that… Rome was not built in a day, the Taj Mahal was not built in a day. We all know that, it takes time to build. Discovery Kids is relatively very new but the focus is newer, let’s put it this way. You will see now more focus here, you will see more growth here, and we want to drive that, not only just Little Singham but adding new IPs.

     

    Hmmm. Other channels have more IPs

    Yeah, but it didn’t happen overnight.

     

    It didn’t happen overnight but it happened soon enough.

    It takes time to create animation, it’s not live action and I know that as I’ve been there. We know what we want and it’s not an overnight game, We want to build this and create a position of strength in the next few years to be among the Top 3 players in the genre.

     

    And which your head office is aware of and okay with?

    Yes, and is willing to support and invest because we are showing great growth there. We have a growth story, we have a ratings growth story and revenue growth story… we are investing well and aren’t frivolous, everything we are investing is working. So, there are lots of positive on the Discovery Kids space and that I think has a great story for us to become a strong proposition in the coming years.

     

    Just to get a perspective on your investments on content, the refresh and marketing push. What’s the pie looking like… what are you investing on?

    On the content, you mean?

     

    On content, refreshing and marketing.

    I think it’s a combination of multiple things. For content it will be kids, because it’s all-Indian content, lot of the international content comes on other channels so hence the cost is then amortised across. Marketing would be a big push for us across all our brands and that’s going to be important to get the communication right. When I say marketing, it’s just not random marketing [efforts], it’s very focused, using and driving the community piece which is the passion community piece, which is the bedrock of our strategy and is powering people’s passions.

     

    Moving to digital, there are quite a few digital players already, you will be one more of the platforms that exist. Given that most OTT platforms are game to collaborate, wouldn’t it have been easier for you to do that rather than spend monies and establishing an all-new platform?

    Good question and am glad you asked me. So, here’s my take: One, when you say that there are a lot of players, you are absolutely right but I don’t think there is a single player in the real-life entertainment space. We are not in the game of streaming entertainment. We are very differently and uniquely positioned and hence that’s our USP. Second, to try and test the waters whether this content will work on a platform like this our partnership with Daily Hunt did extremely well. It reiterated our belief that there is an audience out there. It has really worked well in the last 3-4 months. We have reached 400 million views, 7 million monthly users, and it is only getting stronger and lot of that coming from the regional content play as well. Three, we are the only guys who have invested in language and that library of content when you look at it so that made it very plausible for us to think that we have the content to be able to propose to a consumer. Four, The real-life content we have as a library is in the range of probably 600-1200 hours collectively. In Phase 1, we will be dipping in to around 8-10 thousand hours of content. So, when you do that math and you create a proposition which is the short-form proposition which we know is how consumers are wanting to. Plus the content we have from Scripps, BBC, the 4K content which we are building plus all the original content being created for D2C platform… the the proposition is so strong.

     

    There are two sides of the digital business: content and technology. Wouldn’t it have been better to tie up with a Jio or an Airtel because they have the technology anyway?

    And so do we. We are investing in it. In fact, recently there has been a very senior hire in the name of Peter Faricy who has come from Amazon. He was the running Amazon Marketplace, and he and his team of engineers have come with a clear understanding and a vision of how the D2C proposition will be played out globally. There are millions of dollars being invested in not only content but technology – creating our own platform because they have been there, done that so they know what works for the consumer. That’s the kind of level of investment the organisation is looking at undertaking because we are moving from transition to transformation and you have to move in that direction. So, while partnerships are good, it’s not an either-or scenario. We are looking at an ‘and’, we can have partners and yet have our own proposition. I think both can co-exist  because we have the ability unlike many other players we are not  creating new content. We already have a library… it’s huge.

     

    Has life settled after the new tariff regime

    Actually it has not. It’s still evolving.There are still so many moving parts to the whole proposition.

     

    For you too?

    Yes, for us too. We are also as impacted like any of the big industry players but what I was really happy to note was that we could have had a further impact considering we were not a mass proposition but because our brand value pull was so strong that we have not only we are back in the same reach numbers but our timespend has grown to almost 20-25%. And I think two things really worked in our favour as a result of that. One was the fact that there was a consumer pull for our product because we had a great proposition as a package and the second was pricing. We are really economically priced for the value for money we are offering.

     

    What kind of targets have you set for yourself. Obviously expectations are fairly high in terms of relationships you bring to the table and you have been-there-done-that.

    I have key priorities in my head for the next 12-18 months. One is to really make the leadership position of our factual entertainment way ahead of the game, like an undisputed leader between Discovery and Animal Planet. Two, be the Top 3 player in the kids space and we are doing enough and more on that and hopefully get there and to be the #1 real-life entertainment OTT service when we launch. That’s tall ask to be honest but I think our team is really geared up. The whole leadership team is very bright and smart and we are really hoping that this will help us.

     

    And when are you launching the OTT services?

    We don’t have a closure, but I think early next year.

     

  • Discovery and BBC sign global content partnership

    By  A Correspondent

     

    Discovery Inc and BBC Studios have jointly announced a global content partnership spanning a library of premium factual series to power a new global streaming service. Additionally, the two companies have concluded the future of UKTV’s channels business in the UK with a structured split that complements the strategic focus and commercial business of both organizations.

     

    The new 10-year content partnership, effective in all territories outside the UK, Ireland and Greater China, will make Discovery the exclusive global home of BBC landmark natural history programmes in SVOD, including the Planet Earth, Blue Planet and Life collection of titles, the recently lauded Dynasties and others, as well as future BBC-commissioned landmark series from BBC Studios, following their linear transmission. Discovery also acquires SVOD rights to hundreds of hours of BBC programming across factual genres.

     

    Said David Zaslav, President and CEO of Discovery: “As the two market-leaders in landmark natural history and iconic factual programming, Tony and I look forward to working together again – our teams represent over 100 years of combined experience.  Discovery will be taking that expertise and creating the definitive global streaming product for curious and passionate viewers of all generations who want the most trusted, family-friendly storytelling in the world.

     

    Added Tony Hall, Director-General of the BBC: “The BBC makes outstanding natural history and science programmes.  They are ground-breaking and demonstrate the quality and depth of our know-how.  It is vital that we keep investing and growing them for the future.  This is our largest ever content sales deal.  It will mean BBC Studios and Discovery will work together to take our content right across the globe through a new world-beating streaming service. Global subscribers are in for a real treat: the best content on a great new platform. This is brilliant news for audiences here as it will enable the BBC to invest even more in factual programming for them.  That’s also why BBC Studios taking control of the UKTV channels that best fit our programmes is good news. It means a secure future with long-term commercial returns.  The UKTV team has done a fantastic job and I am delighted that will continue.”

     

     

  • Discovery’s Planet Healers to feature India’s promising start-ups

    By A Correspondent

     

    Discovery Channel has premiered a four-part original docu-series ‘Planet Healers’ featuring eight of India’s promising environment friendly startups, who are innovating ways to pave a path to a sustainable tomorrow. Hosted by actor Jim Sarbh, the series will deep dive into the journey of how these start-ups are working out innovative technology led solutions to environmental hazards faced by our country.

     

    “Planet Healers is not just a TV show; it is an attempt by Discovery to create mass awareness about environmental hazards faced by our country which will have significant long-term impact,” said Zulfia Waris, Vice President, Premium & Digital networks, Discovery Communications India. “We have focused this series on individuals who have dedicated themselves to create innovative technology led solutions for the conservation and preservation of our planet. They are common people with uncommon ambitions and incredible self-belief who are making a difference.”

     

  • Discovery appoints Black White Orange as India licensing agent

    By A Correspondent

     

    Black White Orange Brands announced their appointment by Discovery, Inc. as the licensing agent for the Discovery brand in India. Black White Orange will work with Discovery to bring their brand extension and merchandise programme to life, notes a communique.

     

    Said Ian Woods, SVP International Licensing, Discovery: “We’re excited to be partnering with Black White Orange and look forward to the innovative ideas they will bring to our brand extension program, providing consumers in India with a direct connection to Discovery through a range of products,” .

     

    Added Bhavik Vora, Founder & CEO, Black White Orange Brands: “We are thrilled to be part of the ongoing success of Discovery. We look forward to delivering creative brand licensing opportunities and building on Discovery’s existing reputation with a broader consumer base. The unique brand position that Discovery has created over the years, on top of the remarkable brand awareness, provides an exciting foundation upon which we will build the brand extension solutions.”

     

    The first launch of official Discovery merchandise and consumer products is expected to hit stores by the early 2019.

     

     

  • Anushka Sharma to promote Tiger Conservation Movement for Discovery

    By A Correspondent

     

    Actor Anushka Sharma has joined hands with Discovery to promote a global awareness movement to save tigers from extinction. Anushka will promote Project C.A.T: Conserving Acers for Tigers, aimed at raising awareness to preserve the habitat of the declining numbers of the wild tiger. Discovery has collaborated with World Wildlife Fund (WWF) for Project C.A.T.

     

    Said Karan Bajaj, Senior Vice President & General Manager – South Asia, Discovery Communications India: “It is disturbing to know that the population of tigers has shrunk 96 per cent over the last century and only as few as 3900 are left in the wild across the world. We are excited to partner with Anushka Sharma to ignite awareness about tiger conservation and help promote the global movement to save them. We will use the collective power of our media brands to amplify the message of tiger conservation.”

     

     

  • Discovery appoints Geetanjali Bhattacharji as the Head of Brand Partnerships & Content Integration

    By A Correspondent

     

    Geetanjali Bhattacharji

    Discovery Communications India has appointed Geetanjali Bhattacharji, erstwhile CEO of Spatial Access as the Head of Brand Partnerships & Content Integration, based out of Mumbai.

     

    In her new role, Bhattacharji will work in close association with Vikram Tanna (VP, Advertising Sales & Business Head of Regional Clusters), and will focus on creating engaging content partnerships with brands.

     

    Said Karan Bajaj, Senior Vice President & General Manager, South Asia, Discovery Communications India: “It is an opportune time to have a content and media optimiser like Geetanjali on board. Discovery Jeet’s content is under development, besides we have been working to make the brand proposition of each of our marquee channels more focussed towards specific target audiences. Geetanjali’s skills and understanding for this space will help deliver impactful, purpose-driven partnerships to Discovery’s valued brand partners in their quest to reach diverse and evolving audience communities.”

     

    Said Bhattacharji: “I am extremely excited about being part of a journey that delivers to millennials meaningful content that entertains and yet provokes thought. Given the fragmentation of consumers, Jeet fills a clear gap in the Hindi GEC space: providing relevant content choices to male millennials and Tier II & III families who aspire to be a part of the change around them but are missing out on the action.

  • Now Discovery to launch a Hindi GEC

    By A Correspondent

     

     

    Discovery Communications has announced its plan to roll out Discovery Jeet, a new entertainment channel across India, starting in late 2017. The new channel will be the flagship for the network’s ambitious investment into original local productions in India around a range of programme genres including “true crime investigations, small-town heroes and gritty survival”.

     

    Discovery is scaling up investment in over 200 hours of local content originals which will premiere on this new channel. Said Karan Bajaj, SVP and General Manager, South Asia, Discovery Networks Asia Pacific:

     

    “We are excited to launch Discovery Jeet, which will bring a new style of entertainment, in a truly local, bespoke, ground-up offering. It borrows the best of Discovery’s ethos, seeded in fact and purpose-driven content, and leveraging global resources to mount it at a scale that delivers larger-than-life stories.”

     

    Arthur Bastings, President & MD, Discovery Networks Asia Pacific, further elaborated on the importance of this evolutionary step, leveraging new ways to extend the reach and relevance of Discovery across the subcontinent. “The expansion into general entertainment with JEET redefines how Discovery will connect and interact with new young audiences across the heartlands of India. JEET is fun, relatable, and exciting and brings to life the captivating, real stories of India’s own in a manner never seen before!”

     

    The line-up of shows planned included Swami Baba Ramdev: The Untold Story, a scripted biopic series tracing Baba Ramdev’s journey from a life of anonymity to what it is today. There is also Gangs of Mumbai,  a series on the colourful, larger-than-life characters from the Mumbai underworld.

     

  • Discovery asks TAM to revert to weekly ratings

    By Chaitanya Rathod

     

    In what is being termed a significant development and possibly a crack in the solidarity of the broadcasters on the television measurement issue, Discovery Networks is said to have communicated to the measurement agency asking for a revert to the weekly format. The network had written to TAM recently to switch to monthly reporting of data for three channels.

     

    Though we could not reach the Discovery or TAM spokespersons for comment, the news has been confirmed to us by a reliable industry source.

     

    As is known a slew of advertisers have sent 72-hour notices to broadcasters asking for their ads to pulled given the insistence that TAM publish measurement data for the channels only once a month.

     

  • The Anchor: 5 things you didn’t know about kids’ TV viewing habits

    By Tabassum Modi

     

    # 1 There’s not much difference between what children from metro and non-metro cities are watching on TV: One would assume that kids living in metro cities are over-exposed to television and would have choices different from their non-metro counterparts. But our recent survey showed that irrespective of their location, kids prefer the same channels. This means that their choices in other areas of life are also converging to make Indian kids into a homogenous group.

     

    #2 Just 22% of kids watch TV after school: The EduMedia survey conducted revealed statistics that are shocking. Children spend at least 8 to 10 hours in school. Assuming most children and finish school by 3pm, they are left with about 7 hours approximately before going to sleep. Besides the amount of time that these children spend on travelling, they dedicate about 3 hours to coaching classes or completing a heap of homework, they actually have very little time left for leisure activities. This daily routine of children leaves them with little time for family, friends and entertainment – including spending time in front of TV.

     

    #3 Sony and Discovery channels are the topmost favourite channels with kids: In our survey of kids between 11 and 17, we found that instead of children’s and youth channels, it is Sony and Discovery channels which are ruling the roost when it comes to kids’ favourites. It is surprising that kids’ channels like Cartoon Network and youth channels like MTV and Channel V are not the top favourites. Does this mean then, that kids are not getting to watch what they want? Or are they growing older faster?

     

    #4 Kids actually don’t like watching TV alone; they prefer watching with their families: Contrary to popular assumptions that kids are tantrum-throwing monsters who will hog the TV viewing space, it was observed that they in fact like to sit down with their family while watching TV. This would lead them to step out of their ‘me’ zone and learn to accommodate other family members’ choices.

     

    #5 Watching too much TV can lead to children hitting puberty faster!A wide array of current scientific research in the field of child health tells us that TV is the cause why children are hitting puberty earlier today. Needless to say, children are growing up at a much higher pace than we can catch up with. This has a good as well as a bad side to it. They seem to understand the dynamics of the adult world and often deal with situations like adults. They become more aware and informed about the happenings around them. While we appreciate this, we might also want to take a look at the rising rate of pregnancies, drug abuse and anti-social activities among children.

     

    Tabassum Modi is Executive Director at EduMedia India

     

  • The Anchor: Ritu Kapur on 5 ways factual entertainment channels can score over GECs

    By Ritu Kapur

     

    In a cluttered TV environment with increasing content sameness and fatigue, factual entertainment channels are a refreshing “window to the world”, with unpredictable, spectacular, high end productions.  But with the number of infotainment channels on the rise, it’s important, we feel, to re-look at factual entertainment as an alternative experience to general entertainment.

     

    Production Style

    Factual channels need to change the production style to make the content more entertaining, interactive and accessible. History TV 18 has broken the documentary “all-knowing voice of God” format with shows like Pawn Stars, Ice Road Truckers and a competition show like Top Shot. Where the content is not shying away from information, but presenting it in viewer friendly, character-driven reality format.

     

    Characters

    Television across the world is driven by iconic characters. For the longest time animals took centre-stage. There is already a move towards characters becoming the defining face of channels like Bear Grylls on Discovery. But it’s important for these characters to evolve further and break away from repetitive formats.

     

    Unlike other channels, factual channels need to create identifiable characters out of everyday people, doing extraordinary things.  And it’s not enough to just build these characters but to use them creatively to convey information to the viewers.

     

    Drama

    Why should drama only be the forte of a GEC? Factual entertainment channels should take the lead in creating high quality drama that is not there just for drama sake but to bring alive themes from history, science and survival. History TV18 is taking its first step towards that with an Emmy award winning drama series called The Kennedys. The series is very well-researched, hasHollywoodgreats like Katie Holmes and is a big budget production.

     

    A 360 degree view of India

    High end productions onIndiahave always had the western perspective. It’s important now for Indian channels to assert and present the realIndia, breaking all clichés. These should be done with global syndication in mind so that this perspective is accessible internationally.

     

    Making International Content Accessible

    Dubbing in regional languages has been the primary means of reaching out to larger viewership inIndia. It’s important now to review the kind of experience this dubbing provides for its viewers. Languaging that creates a context for the aspirational regional Indian viewer is important. It is also important to go beyond dubbing to also use short formats, promo styling and other creative TV devices to make international content relevant and “belong” to the Indian viewer.

     

    Ritu Kapur is the Programming head at A+E Network, TV18