Tag: Creative Abby

  • Creative Abby shortlist announced

    By Our Staff

     

    ABBY One Show Awards 2023 attracted a total of 2282 entries this year as compared to 2007 entries last year.  Out of these a total of 736 entries have made it to the Final Round of metal and merit voting. The number of entries making it to the final round is around 32 percent indicating tough One Show global norms for earning metals.

     

    This year 181 companies entered the Creative ABBY 2023 out of which a total of 110 companies were shortlisted after the first 2 rounds.

     

    Among the Advertising agencies whose work has been shortlisted in alphabetical order are BBH, Cheil Worldwide, Cog Culture, Crayons, Creativeland Asia, Enormous, FCB India, Grey Group, Havas Worldwide, Law and Kenneth Saatchi, Leo Burnett, Manja Brand Works, McCann Worldgroup, MullenLowe Lintas, Publicis Health, Scarecrow M&C Saatchi, Sideways, TBWA, Tribes, VMLY&R Wunderman Thompson.

     

    The full list of companies shortlisted is in the table attached.

     

    Among the Digital companies whose work has been shortlisted in alphabetical order are Atom Network, BC Web Wise, Blink Digital, Centrick, Digitas India, Flibbr Consulting, FCB Kinnect, Gozoop, Grapes Digital, ibs Fulcro, Interactive Avenues, L S Digital, PivotRoots Digital, 22feet Tribal, Schbang, SoCheers, Sociowash Media, Social Panga, Wirality Media.

     

    Other digital companies shortlisted can be seen in the table attached.

     

    Media companies whose entries in Creative have been shortlisted are Havas Media, Laqshya Media, Madison World, Mindshare, White Rivers Media.

     

    Broadcast companies whose entries in Creative Abby have been shortlisted are Culver Max, Disney Broadcasting, NGC Network, Star India, TV18 Broadcast & Pictures, Viacom18 Media, Zee Entertainment.

     

    Publishing companies whose entries in Creative Abby have been shortlisted are ABP, Bennett Coleman & Co., Dainik Jagran, Dainik Bhaskar, HT Media, Hindustan Times, Hindustan Media Venture, Jagran Prakashan, The Hindu Group, Sangbad Pratidin.

     

    The Design companies shortlisted in alphabetical order are Alok Nanda Communications, Brandmovers, Cog Culture, The Honest illustrations, Hyphen Communications, Open Strategy and Design, Tree Design, Sharpener.

     

    The video craft companies whose work is shortlisted are Bang Bang Films, Belief Films, Breathless Films, Chrome Pictures, Cutaway Films, Footloose Films, Future East, Good Morning Films, Hungry Films, K Silent, Kitchen Video, Little Lamb Films, Perfect Ten Films, Pick Films, Prodigious, Script Room, Superfly Films, Thinkpot.

    Creative Abbys shortlist report

  • Ogilvy is Effie Agency of the Year

     

     

    By Our Staff

     

    There was an unusually cool breeze at the lawns of Taj Landsend hotel in suburban Mumbai, the venue of choice for the Effie Awards each year. Conducted by The Advertising Club the Effie Awards are key for networked agencies as the performance in India adds up to the global performance, and when it comes to critical pitches, it’s Effectiveness (hence Effie) as against Creativity (the Creative Abby) that matters most.

     

    EFFIE India 2022 Client of the year

     

    So in the 2022 edition, it was favourites Ogilvy that took away the top honour of the Agency of the Year. Mondelez India was Client of the Year, while coveted Grand EFFIE was won by Leo Burnett India for Whisper India’s campaign ‘Whisper: Changing the education system to keep girls in school.’

     

    Grand EFFIE India 2022

     

    Surpassing all its previous editions, Effie 2022 received 986 entries, the highest ever in 22 years, and saw participation from 53 agencies.

     

    Speaking at the awards night, Partha Sinha, President, The Advertising Club, said: “It is extremely heartening to witness Effie become the most coveted trophy within the marketing and advertising fraternity. Like every year, this year too, Effe has witnessed significant patronage from industry veterans and category leaders. I’d like to congratulate all the winners for crafting impactful campaigns that are now sheer examples of innovation and effectiveness.”

     

    Elaborating on the awards, Mitrajit Bhattacharya, Chairperson, Effie India, said: “It gives me great joy to host the Effie Awards once again as a physical event, celebrating the best work of the year with the people who create them. A big thank you to 493 judges who judged a record-breaking 986 entries over three rounds of online judging. I also thank each participating agency and client for their support. And a huge shout out to our sponsors, The Ad Club managing committee, the Effie committee, Effie New York, and The Ad Club secretariat to make this event a huge success.”

     

    Adding on the enhancements in the award process this year, Pradeep Dwivedi, Co-Chairperson, Effie India, added, “We have built a sustainable trajectory as a leading Effie organising body, having successfully implemented the new Acclaim Platform for the jury process this year, in tandem with our worldwide peers and Effie Global team. The adoption and change management of the same by our industry members has been truly amazing!”

     

    A special award for creator marketing was awarded to Mondelez, Wavemaker and Ogilvy.

     

    EFFIE 2022 RESULTS

     

    EFFIE 2022 Agency of the Year

     

    EFFIE 2022 Client fo the Year

     

  • 12-member Master Jury for Creative Abby announced

    By A Correspondent

     

    Last year, Abby Awards 2019 had announced a Master Jury that would judge all the entries in the Creative Abby. The move was hailed as an attempt to raise the level of the adjudication. This year too, the Advertising Club has announced that master jury for juding entries for the 2019 edition.

     

    Prasoon Joshi

    The master jury comprises: Prasoon Joshi, Chairman Asia Pacific, CEO & Chief Creative Officer India, McCann World Group; Arun Iyer, former Chairman & CCO, Lowe Lintas; Agnello Dias, Chief Creative Officer & Co-Founder, Taproot Dentsu; Abhijit Avasthi, Founder, Sideways Consulting; Bobby Pawar, Chairman & CCO, Havas; KV Sridhar, Founder & CCO, HyperCollective; Manish Bhatt, Scarecrow M&C Saatchi, Founder Director; Rajdeepak Das, Chief Creative Officer & Managing Director South Asia, Leo Burnett; Raj Kamble, Founder & CCO, Famous Innovations; Swati Bhattacharya, Chief Creative Officer, FCB Ulka; Prashant Godbole, Founder, ideas@work; Sandipan Bhattacharya, Chief Creative Officer, Grey Group; and Santosh Padhi, Chief Creative Officer & Co-Founder, Taproot Dentsu.

     

    Shashi Sinha

    Said Shashi Sinha, Chair of the Awards Governing Council, Abby Awards 2019 said: “We have always believed that awards are as credible as the jury. We have hence curated a master jury constituting of the best creative minds and thought leaders from the industry, each of who have been icons in their area of work. The versatile and visionary jury will ensure that only the most deserving, ground breaking and effective campaigns emerge victorious.  With such veterans at the jury panel, we are all set for an inspiring and ingenious edition of the Abby Awards 2019.”

     

     

  • Winning across 3 days gave us a lot of pleasure: Pratap Bose


    We’re going to do well at Goafest this year, Pratap Bose, Chairman and Co-Founder of The Social Street had told us before we left for Goa last week. The shortlists were good indicators that Social Street would do well, but being #2 in the metals tally? Well, he proved the naysayers wrong and also confirmed the point that you don’t have to be 10-20-40-70-year-old agency to be winning big at the Abby. In conversation with Pradyuman Maheshwari, Pratap Bose talks about the wins, scam work, the focus on print and the way forward for his agency. Read on…

     

    Just your second year in business and already right up there!

    We’re actually only 20 months old. It’s an amazing feeling. We’ve worked very hard to get where we are, at Goafest particularly. It’s been like a David versus Goliath story. The underdogs if you can call it that. All kudos to the team who’ve made it possible.

     

    You’re not actually an underdog. You’ve been there, done that. You know the…

    People wouldn’t have expected us to do that well at Goafest. But you’re right, we’re not an underdog. We are industry veterans. But yes, for a small agency to do so well at Goafest is a great sense of pride and achievement.

     

    You’ve done it in the past at Mudra when you were helming it. You obviously know how it works. So when did you decide to play the Goafest game?

    Honestly, it’s not just about playing the game well. It’s also about doing great work. If you look at our wins, we’ve won in pretty much all of the major 14-17 categories. So, it’s always good work at that pace. To win you have to start very early in the year. You can’t just leave it to December and then scramble at the end. Producing good stuff all throughout the year. That gives you the humongous tally of metals at the end of the day. That’s something I keep advocating to the people who want to do well at the awards. You have to be at it. You have to have a dogged goal to do great work. I don’t think we do great work to win awards. You have to do consistent work month-on-month and produce two-three great pieces of work every month and if you measure yourself with that benchmark, you’ll certainly do well.

     

    In terms of the work you’ve done… you’ve said in the past you’re not just an outdoor agency, you’ve done a fair bit of work for print and print-craft.

    Yes, we’ve done a lot for print and print-craft outdoor, even won a lot of metals for digital, branded content, PR, our strong units are out of home, promo and activation is where we score very high… so, yes, the results in terms of where we’ve won the metals is indicative of how wide our network is in terms of our integrated offerings across all verticals. That has paid dividends for sure.

     

    But is print one of your core strengths?

    It’s not, but we had a lot of fun doing print advertisements for clients and we won on big clients. We’ve won big for brands like Aegon Religare, IDBI.

     

    I must tell you that there’s a charge that a lot of work you’ve done is scam work.

    Scam is a dirty work. Sometime proactive. If any agency tells you they haven’t done proactive work, they’re lying through their teeth. There’s always a bit of it. If your main body of work… and this is not just the awards, because every day when you go to office for clients you don’t always do award work. But, yes, sometimes the work is proactive and you’ve made a lot of efforts with the client to say, let’s enter this field in this direction. It ticks all the boxes in terms of the parameters in which you have to enter. It has to be published, approved, released. I don’t like this scam word though I said it. Sometimes you do work that motivates the team and sometimes you have clients that allow you to do that.

     

    You’ve won some 40 metals in creative. And you’ve some metals at the Media Abby as well. How many of these are for genuine work?

    Most of them are. What gives me a lot of pleasure is winning across three days. While a lot of hoo-haa is done about a lot of creative agencies and media separately. We don’t have a very large media offering. We have a small media offering but it’s a great offering. But, to be honest, no agency has won across Goafest for three days. Maybe, one or two. So, that gives us a lot of pride. So, to answer your question, most of it is on large brands.

     

    Your strategy until now has been to fashion yourself more than just an outdoor and activation agency. But if you have to look at your play in the last three months, how have you fared by your own assessment?

    So we are just under two years now and if you read the book by Tom Peters, ‘Thriving on Chaos’, I think that’s what we went through. Because we’ve grown very rapidly. We have 180 people now. That’s a lot of people in these two years. But ultimately the true value that Social Street will derive in terms of where it’s going to be positioned and seen in the area of a highly creative company, backed by data, analytics, content, we’re looking at production services and we’re also looking at partnering and opening a few JVs outside of the country. I think that’s really how I see it.

     

    And how are the financials looking?

    I think we’re doing very well. As I said, we’re just under two years and this is a very important year, financially. By all indications it looks good. So, hoping for a great year ahead.

     

    When you were at Mudra, the great wins helped it get acquired by Omnicom. While you’re ou’re already funded. Are you going to use it to any advantage in terms of more investments

    Not really. Metals at Goafest don’t get you any VC funding. I can tell you that. It rewards you for the work you’ve done. It’s a recognition that we are now a force to reckon with in the awards scenario. Not just the creative awards, we’re also doing well at the Effies, Emvies and internationally at Cannes as well. But there’s no extra funding for winning metals at award functions.

     

    You mentioned about the David v/s Goliath analogy. How have the Goliaths been with you so far?

    We’ve received a lot of love and affection, to be honest. When you get on your own, people wish the independent agencies well, by and large. When you’re a part of a large network, you have a lot of competition and crab crawling. But we don’t have that at all. The industry is also happy for us and wishes us well.

     

  • JWT gains most metals at Creative Abby

     

    Goafest 2014:: Text and Pictures by Pradyuman Maheshwari, Shailesh Mule, Labonita Ghosh & Dyanne Coelho

    More stories coming up tomorrow (Tuesday, April 14)

     

    By Pradyuman Maheshwari

     

    For some years now, Goafest, the annual congregation of advertising, media and marketing professionals, has been known for the controversies surrounding it. Some from the creative fraternity, which constitutes a majority of the delegates, have said the knowledge sessions have not been too exciting, and the Abby, the awards run by the Advertising Club, has been plagued by its own set of problems in the recent past. Even as the organisers tried to cleanse the system, there were charges of plagiarism and scam ads and allegations that the Ad Club wasn’t doing enough to check these.

     

    The problems at the 2013 event led to doubts being raised about the need for an overhaul. The parliamentary elections got the event last year shifted to end-May.

     

    While there may have been some logistical issues, the awards process at Goafest 2014 was cleaned up, although big players like Ogilvy and Lowe Lintas continued to stay away. That this negative sentiment of the Big 2 is only towards the Creative Abby at Goafest, and not directed at the Advertising Club as a whole, is evident from the fact that both participate in the Effie that the Ad Club also conducts annually.

     

    So how did Goafest 2015 go? It was a far improved version of the 2014, to be sure. The awards were controversy-free. Linen-Lintas, part of the Lowe Lintas family, won the sole Grand Prix for its #BraveandBeautiful ad campaign for Dabur. JWT India maxed the Creative Abby with 35 metals (nine golds, eight silvers and 18 bronze) followed by its own group agency Contract bagging 22 metals. In the Media Abby, presented on Day 1 of Goafest, Lodestar UM won three Golds in its tally of nine metals, but Mindshare and Madison gained more in terms of metals with 11 and 10 metals respectively. Maxus earned nine metals.

     

    JWT India wasn’t available for comment. In fact, normally the team winning the maximum metals at the Creative Abby assembles on stage for a celebration and photographs. Sadly, that didn’t happen, which is why you don’t see the stage crowded with the JWT team pic as our Big Story image today. Just one with Senthil Kumar and team collecting a metal for Nike.

     

    Meanwhile, for Advertising Agencies Association of India President MG ‘Ambi’ Parameswaran, Advertising Club President Pratap Bose and Goafest 2015 Organising Committee Chairman Nakul Chopra, the event has been a resounding success. Both Bose and Chopra told ‘dna of brands’, that this year’s fest has ticked all the desired boxes.

     

    Now, all eyes on Kyoorius’s ‘Melt’ and Advertising and Digital Awards next month.

     

     

    Goafest 2015 – Day One
    Goafest 2015 – Day Two
    Goafest 2015 – Day Three

     

  • Kyoorius to partner Goafest?

     

    By Noor Singapuria

     

    Is the Kyoorius Melt Fest mulling a move to be part of Goafest?

     

    The annual extravaganza organised by the Advertising Agencies Association of India and the Advertising Club may have taken a decision to embrace Kyoorius Melt, the all-new festival of creativity that was announced by paper magnate-turned-media baron Rajesh Kejriwal yesterday.

     

    The idea reportedly came from a veteran advertising professional who has requested anonymity. His view: “When I first heard about an adfest called ‘Melt’, I thought it’s happening as part of Goafest. After all, in Goafest despite the beer and the babes and the beaches, you melt in Goa,” he said adding:  “Whether you are walking around in hardly anything or if you are wearing a black or green kurta like your boss, it’s damn hot.”

     

    According to the grapevine, the first talks happened at a party held late last year in New Delhi. As it happened, Advertising Club President Pratap Bose and Rajesh Kejriwal were standing at the bar. And after drinks were served to them, in a classic case of cigarette-lighting diplomacy, Kejriwal lit Bose’s cigarette, followed by his own and they got talking.

     

    Bose appreciated the gesture, a person close to the development told this writer. “This is the ultimate sign of humility in a man-to-man relationship,” she said referring to lighting of the cigarette. Plus for Goafest and the Abby and Kyoorius, it will be a win-win.

     

    It is learnt that Kejriwal is keen on organising the fest in January, just before the Republic Day. The weather is nice with a gentle breeze blowing over the Mandovi and the Arabian Sea. What grabbed the deal was the luxurious transportation on offer. “We are in discussions with a luxury cruise liner like QE3. The idea is to get everyone to celebrate the fest in Goa and then let it culminate in a cruise ride from Goa to Mumbai.”

     

    It is learnt that the original idea was to have the Creative Abby on the cruise, but then the security committee suggested that there is a risk. If an agency doesn’t win a coveted Abby, the NCD may want to dump himself or herself in the Arabian Sea. We don’t want all of this so our Awards Security Committee has suggested that you should conduct the awards inhouse. On his part, Kejriwal liked the fact that like him the Goafest folks also want to do their bit for the fraternity. “Right from the time the shortlists are announced, we now keep available a large number of shrinks. This year, we have tied up with a leading mental health hospital in South India. They will supply psychiatrists and counsellors  because people get awfully depressed and then mouth all types of expletives,” a committee member told MxMIndia. This is our way of giving back to the community. Click here to read the rest of this report.

     

  • Jury chairs for Creative Abby announced, more than 3000 entries received overall

    By A Correspondent

     

    The Awards Governing Council (AGC) of the Abbys at Goafest 2014 has announced the names of jury chairpersons for the Creative Abbys. The jury chairpersons for various categories are as follows:

     

    o Integrated Advertising: Prasoon Joshi, President, South Asia, McCann World Group

    o Films: Agnello Dias Chairman and Chief Creative Officer, Taproot

    o Design: Alok Nanda- Director Alok Nanda Communications

    o Outdoor Advertising & Ambient: Sonal Dabral, Chairman and Chief Creative Officer, DDB Mudra Group, India

    o Radio Advertising:  Ashish Chakravarty, National Creative Director, Contract Advertising

     

    Pratap Bose

    Commenting on the jury, Pratap Bose, Chairman of the Awards Governing Council and President of the Advertising Club, said “We are delighted to have such a remarkable line-up of jury chairpersons this year. All of them are creative stalwarts and I am pleased that they will be judging the Creative Abbys this year.  The judging process will be transparent and fair. KPMG will be monitoring the judging procedure.”

     

    Shortlists for Goafest 2014 are being displayed at www.abbyshortlist.com. Issues related shortlisted entries should be brought to the attention of jury chairperson in writing. The matter with proof submitted will be tabled in the second round for the jury to make a final call on. The metals awarded by the Jury after the second round of judging will be final.

     

    Meanwhile, according to a communiqué, over 3,000 entries have been received overall by the Awards Governing Council.

     

  • It’s mid-Feb and no Goafest/Abby dates yet!

    By A Correspondent

     

    Arvind Sharma

    It’s the second week of February and no date has been announced for the 2014 edition Goafest , pointing to issues that the committee is facing on the dates. When MxMIndia called AAAI President Arvind Sharma late last month, he said he would announce them last week.

     

    When MxMIndia asked an officebearer about the date, he replied in the same vein: The dates will be announced soon.

     

    The reason for the delay is that the organizers want to avoid a clash with the general elections. But that an agency told us is not tenable as a reason because this is not the first time the elections have clashed with Goafest. “Do it in the last week of March or first week of April, and there will be no clash,” he said. “The question is do we have enough quality participants at the Creative Abby. And do we have enough sponsors coming in for the festival and the Industry Conclave.”

     

    What MxMIndia  has been told is that despite the absence of some of the top agencies, the event will be held.  One of the dates mooted is April 28, but that too could clash with the polls, is the worry.

     

    As has been reported, the London-based international not-for-profit D&AD has announced its intent to bring its awards with Kyoorius, a not-for-profit body which would conduct an annual design fest in Goa. TheKyoorius Awards are scheduled to be held around June 2014 in Mumbai, and the entries will be accepted with effect from March 20.

     

  • 2013: Year of Shame (Part 1)

     

    If the adspend numbers that have been published by leading media agencies are to believed, India didn’t do all that badly in the media and entertainment sector in 2013.

     

    Loads of milestones: 175 years of The Times of India, 90 years of Hindustan Times, 25 years of NDTV, 5 years of Colors… the list could go on.

     

    There were some other interesting, or shall we say heartening, developments. Various constituents of broadcast got to blows many times over but settled down eventually. Indians continued their march to adopt global or regional roles. Entertainment television saw a new superstar in Kapil Sharma, the fast-talking funnyman.

     

    However, Twenty-thirteen has been a year that would be best remembered for the wrong reasons. And that’s why we’ve called it the Year of Shame.

     

    In the first of our year-end reviews, we bring you our overall view of the year that’s going to down shutter soon. Presenting: The Year of Shame – Part 1

     

    All love lost:

    The three key industry components of the broadcast sector fought as if there’s no tomorrow. And there’s no doubting the fact that they need to co-exist in the often-adverse business conditions. Digitization and the adding on of LC1 markets for TV viewership measured led to mayhem. Numbers of some channels zoomed up and many others dropped. Then there was a debate on the way billings were done by ad agencies.

     

    Later, there was a standoff on TAM with the broadcasters’ body ending their subscriptions to the measurement company. In retaliation for taking what they termed was a unilateral decision, many advertisers and their agencies adopted a tough stand and pulled out their advertising from channels who ended their TAM subscription. All in all, an avoidable fight.

     

    The Shabby Abbies

    The Creative Abby organised by the Advertising Club saw crises that threatens its very existence. At first the issue was the non-participation by Ogilvy. NCD Abhijit Avasthi told us that the Abby didn’t energise his team.

     

    But even as the industry reconciled itself to an awards minus Ogilvy and Lowe (“the show must go on” was the refrain), a huge scam surfaced one of the biggest players in adland. A JWT creative for Ford was entered for the Abby with due clearance from Ford. The ad brought embarassment to Ford globally which could’ve cause problems for a billion-plus-dollar contract between the auto giant, and WPP, JWT’s holding company.

     

    JWT chief creative officer Bobby Pawar quit owning up for someone in his team who he didn’t know and so did a senior Ford marketing manager. The auto firm didn’t name the executive though some publications put out his name. We felt that Bobby Pawar and the Ford marketing manager shouldn’t have been the only ones to lose their jobs. JWT CEO Colvyn Harris should’ve stepped down too, but that didn’t happen.

     

    Later, the Abby got into crazier controversies. A Leo Burnett ad for Tata Chemicals was found to have been entered without client approvals. It required some activisty zeal for Tata Chemicals to be made aware of the issue and Leo Burnett pulling out its awardwinning entry. There was also a controversy over ads found to have striking similarities with international ads. A superjury was formed to look into plagiarism charges. The superjury in its wisdom chose to not change any of the winnings. While there is calm before the storm, a statement from Mr Avasthi last week that Ogilvy will participate only if the changes it demanded are effected left one wondering whether Abby 2014 will see the normally-in-black Ogilvy creatives in attendance. Also, other than Lowe and Ogilvy, could there be others who may want to opt out?

     

    On Thursday (Dec 26):

    Concluding Part of Year of Shame::

    Radio – waiting for Phase 3 and news:

    Journalism – Charu Deshpande, Hindu… and more

     

  • 1 Minute View: Goafest. Creative Abby. Plagiarism. Shame.

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

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    11 superjury members in their wisdom have let India down. There were complaints of plagiarism after people got to see the award-winning metals. Note, the works couldn’t be viewed after the shortlists were declared, and hence complaints could be lodged after the awards were handed out. The superjury – comprising chairpersons of individual juries – have junked the charges saying the awarding process cannot be questioned. The Awards Governing Council has said that since the awards belong to the creative frat, their word is final. Well. One wonders what clients have to say. One wonders what the rest of the international fraternity has to say. As for us, we have just three words: Sad. Shameful. Shameless.

     

  • Abby superjury meets, AGC to announce verdict tomorrow

    By A Correspondent

    The Creative Abby superjury,  comprising the chairpersons of the 12 categories that are part of the Creative Abby, were scheduled to meet today (Tuesday, April 23) in Mumbai to decide on the fate of the seven-odd complaints of plagiarism that came.

    They did meet… the 10 or 11 of the brightest and most creative minds in the business. Note they are not just the most creative minds, but also the most responsible amongst them as they are leaders of their individual agencies or firms.

    The task was not easy. Some of the work belonged to the members of the superjury. The decision would have a huge impact on not just the agency, but also the client and the international network. And, mind you, internationally the networks are listed and hence answerable to shareholders.

    But there is a fear that along with the creativity, some craftiness may also be at play and some or all members of the superjury may well have decided to vote not to vote. The fear is also that a section of the superjurors may get influenced by hectic lobbying to save the face of the fraternity.

    However, even as there were naysayers who said the meeting would be a sham, thousands of those watching the developments believe that the superjury will in fact vote without any biases and any personal stake.

    The official word we have received is that the superjury has voted and their decision is now with the 10-member Awards Governing Council who will now announce their verdict.

    Even though rumours of the superjury voting not to vote will be counted as mere speculation until the official word is out, the ball now lies with the AGC. There is also a view that in case the superjury has decided not to vote, the AGC is well within its rights to scrap the entire Creative Abby awards in order to ensure that the international ad and marketing fraternity does not believe that plagiarism (and plagiarists) rule in India.

    Tough times require tough measures.