Tag: Cannes Lions International Festival of Creativity

  • Five lessons for impactful advertising

     

    To coincide with the start of Cannes Lions International Festival of Creativity, marketing intelligence and research firm WARC has released ‘Anatomy of Effectiveness’, a white paper for brand marketers and advertising agencies alike, highlighting five key priorities for brands seeking greater impact.

     

    The report has been created by distilling evidenced best thinking, expert opinion and real case studies, all combined with 30 years of WARC’s experience on helping the industry advertise effectively.

     

    Says Paul Coxhill, Managing Director, WARC: “Poor marketing wastes money, time, attention and resource. All of which we can ill-afford in this fast-moving, resource constrained world. With ‘Anatomy of Effectiveness’ we provide five lessons to help combat this and make marketing more effective.”

     

    Data suggests that advertising, in its current forms, is not driving the growth it should be. Advertising spend is not having the intended impact, and, at its worst, it is alienating the people it is supposed to be engaging:

    :: A study by the Advertising Research Foundation found that 69 per cent of all US TV commercials receive no visual attention (putting up to $40 billion of investment at risk in the US alone); 27 per cent air in an empty room.

    :: A focus on short-termism has halved the business impact of creativity, according to researcher Peter Field.

    :: Only 12 per cent of supposedly ‘viewable’ ads are actually noticed by consumers, according to Lumen Research

    :: Nielsen reported that only 53 per cent of the impressions served in the UK reached their intended target.

    :: More than 600 million devices now have ad blocking, in what US journalist Doc Searls called the biggest boycott in history.

     

    Says David Tiltman, VP Content, WARC: “Against this background, we wanted to pull together the best thinking from around the world on effectiveness. This white paper examines what the current range of evidence shows, and where it is being challenged by a fast-changing industry.”

     

    WARC’s ‘Anatomy of Effectiveness’ highlights the following five priorities for brands who want to improve the impact of their advertising:

    :: Invest for growth: Covers the wide range of factors that marketers need to consider when drawing up budgets, setting objectives and working out what they want a campaign to deliver.

    :: Balancing spend: Sets out the frameworks for investment between brand-building and performance marketing.

    :: Be creative, be emotional, be distinctive: Analyses the arguments for investing in creativity – including the power of emotional communications and the importance of distinctiveness.

    :: Plan for reach: Discusses the factors to be considered when planning media spend.

    :: Plan for recognition: Focuses on the need for strong brand assets in an era of short-form ads to ensure consumers know whose ads they are seeing.

     

    Adds Tiltman: “While it sounds simplistic, none of these concepts is easy to apply. Every element involves trade-offs and hard decisions on where to invest. And, of course, insights and creative thinking are required to bring it all to life – that’s what makes marketing such a dynamic industry. The five priorities are not a linear process. We increasingly live in a world where media selection and creative development go hand in hand, where creativity can be at the heart of business strategy, and where real-time feedback can allow strategies to evolve during the campaign. We hope this report promotes the evidence that exists to help advertisers – and ultimately their consumers.”

     

    For each of the five key priorities on how to advertise more effectively, the white paper includes evidence, what’s changing, common mistakes, examples, and expert commentary from industry experts including Paul Dyson, founder of Data2Decisions; Les Binet, Head of Effectiveness at Adam&Eve DDB; Peter Field, Marketing Consultant;, Faris Yakob, Co-founder of Genius Steals; and Jenni Romaniuk, International Director of the Ehrenberg-Bass Institute.

     

     

  • Cannes Lions honours David Droga with the Lion of St. Mark

    By A Correspondent

     

    The Cannes Lions International Festival of Creativity has announced that David Droga, Founder & Creative Chairman of Droga5, will be honoured with the Lion of St Mark award at this year’s fest.

     

    Droga is one of the most awarded creatives at the Lions. He won his first metal at age 19 and has achieved more than 70 Gold and 15 Grand Prix / Titanium Lions in his career to date.

     

    “The Lion of St. Mark recognises an individual who has made a significant and outstanding contribution to creativity in our industry,” said Jose Papa, Managing Director of Cannes Lions. “His drive, passion and unbounded creative skill has led him to deliver continual award-winning results. He’s set the global standard.”

     

    Added Droga: “I have worked with more talented people and had more opportunities than one creative person deserves. The Lion of St Mark honour is beyond my wildest ambitions. It’s incredible to be recognised with this, when you still feel you have so much more to do and prove. But I will soak it up with pride and humility.”

     

    Droga will be presented with the Lion of St. Mark at the Festival awards ceremony on Saturday, June 24. He will also be speaking on the Cannes Lions stage a day earlier.

     

  • Mediocre performance by India @ Cannes Lions

     

    By Sandeep Puraname

     

    The Cannes Lions International Festival of Creativity, the world’s leading celebration of creativity in communications, has announced the final winners that will take home trophies from the 2014 awards.

     

    India drew a blank at the Titanium and Integrated category which was presided over by Prasoon Joshi, Chairman, CEO, Chief Creative Officer, India/South Asia, McCann Worldgroup. However, the good news is that Indian entries earned metals in the Cyber and Mobile categories. After having drawn a blank in these two categories over the years, winning here was critical given that both media vehicles are growing worldwide, as well as in India where the smartphone and internet penetration has leapfrogged over the years.

     

     

    The awards presented at the final evening ceremony were:

    Lion of St. Mark to Joe Pytka in recognition of his outstanding contribution to creativity in advertising and communications

     

    Agency of the Year was given to Adam&EveDDB, London. Dentsu, Tokyo came second and AlmapBBDO, São Paulo third.

     

    Independent Agency of the Year went to Forsman & Bodenfors, Gothenburg. Second place went to Lemz, Amsterdam and third to Wieden + Kennedy, Portland.

     

    The Palme d’Or, given to the most awarded production company, was presented to MJZ, USA. O Positive Films, USA came second and Outsider, UK third.

     

    The Network of the Year award was presented to Ogilvy & Mather with BBDO taking second place and DDB in third.

     

    The inaugural Regional Network of the Year winners were announced as:

    APAC -BBDO

    EMEA – DDB
    North America – BBDO
    South America – Ogilvy & Mather

     

    Also awarded was the Holding Company of the Year which went to WPP. Omnicom took second place and Publicis third.

     

    The coveted Creative Marketer of the Year trophy was presented to McDonald’s in honour of their consistency in placing creativity at the heart of its advertising and communications and distinguishing themselves by inspiring innovative marketing of their products. Steve Easterbrook, Senior Executive Vice President and Global Chief Brand Officer, was present to collect the accolade.

     

    The winners of the Young Lions Film Competition were also announced, with the Bulgarian team, Vladimir Gerasimov and Zhelez Atanasov winning the Gold medal.

     

    The Young Marketers Competition saw the dedicated jury award the team from Russia, Marisol Diaz Rozic and Marianela Frick from Pepsico, with the Gold medal.

     

    Cannes Lions was been attended by 12,000 delegates and seen seven days of non-stop content delivered by more than 500 speakers, over 37,400 pieces of work showcased at the Festival, inspirational academies, seven young lions competitions, four awards shows, two galas and unrivalled networking opportunities throughout. Visit the Cannes Lions YouTube page, http://www.youtube.com/user/canneslions, to catch up on the highlights of the week or the official website, www.canneslions.com, to view the winners of the 61st Cannes Lions awards.

     

  • Colvyn Harris, Aditya Swamy & Radhika Shapoorjee in final Cannes jury list

    By A Correspondent

     

    The Cannes Lions International Festival of Creativity has announced the final names of jury members that will make up the 17 juries coming together in Cannes, France, for this year’s Festival and Awards. The final categories announced include that of Branded Content and Entertainment, Creative Effectiveness, Innovation, Mobile & PR.

     

    “This completes a line-up of highly esteemed, creative individuals who collectively are going to judge the world’s greatest work and ultimately set new, global benchmarks,” said Terry Savage, Chairman of Lions Festivals.

     

    “We look forward to working with them all and seeing what they rank as the ground-breaking, innovative entries from this year’s submissions.”

     

    In the Branded Content & Entertainment Lions jury, Doug Scott, President & Founder, Ogilvy Entertainment, Global is the Jury President and features Aditya Swamy, Executive Vice President & Business Head, MTV, from India. For the Creative Effectiveness Lions Jury, David Sable, Global Chief Executive Officer, Y&R, Global is the Jury President and features Colvyn Harris, Chief Executive Officer, South Asia, JWT from India.

     

    For the Innovation Lions Jury, Tom Bedecarré, Chairman, AKQA and President, WPP Ventures, AKQA, Global has been appointed Jury President while for the Mobile Lions Jury, Jaime Robinson, Executive Creative Director, Pereira & O’Dell, USA has been appointed Jury President. Vineet Gupta, Managing Director, 22Feet Tribal Worldwide, India is also on the jury of Mobile Lions.

     

    In the PR Lions Jury, Renee Wilson, President, North America, MSLGroup, USA has been appointed Jury President and includes jury member Radhika Shapoorjee, President South Asia Corporate, Ipan Hill & Knowlton Strategies from India.

     

  • Juries for Cyber, Design and Direct Lions announced by Cannes

    By a correspondent

     

    The organisers of the Cannes Lions International Festival of Creativity, the largest global annual awards celebrating excellence in creative communications, have announced members of an additional three juries set to participate at this year’s event for the Cyber, Design and Direct Lions categories.

     

    Commenting on the jury line-up, Philip Thomas, CEO of Lions Festivals said, “The prestige associated with winning a Lion is largely a result of the calibre of the professionals judging the work. It is therefore fitting to have such a formidable group of industry experts, who will no doubt help inspire and advance the global communications industry with the outcome of their deliberations. We very much look forward to welcoming them all to Cannes in June.”

     

    The juries will be chaired by Susan Bonds, Chief Executive Officer, 42 Entertainment, USA (Cyber Lions); Karl Heiselman, Chief Executive Officer, Wolff Olins, USA (Design Lions); and James McGrath, Creative Chairman, Clemenger BBDO Melbourne, Australia (Direct Lions).

     

    Three Indians have made it to the list including Meera Sharath Chandra, Founder Chief Executive Officer & Chief Creative Officer, Tigress Tigress, India in the Cyber category; Mangesh Rane, Founder Director, Open Strategy & Design, India in the Design category; and Rajat Sethi, Partner, Strategic Caravan International, India in the Direct category.

     

  • Cannes announces jury list for four categories

    By a correspondent

     

    The Cannes Lions International Festival of Creativity has announced the members of a further four juries who will meet in Cannes to judge work in the new Product Design,  Film, Media and Promo & Activation Lions categories.

     

    Commenting on the formidable jury line-up including the new Product Design Lions jury, Terry Savage, Chairman of Lions Festivals, said, “As a global festival celebrating the best creative ideas in brand communications, it is important to embrace all facets of this ever-changing industry, and as such we very much look forward to welcoming the members of the first ever Product Design Lions jury to Cannes Lions along with all our other juries. By judging and awarding only the very best work using integrity, commitment and unbeatable industry knowledge, this esteemed group of industry professionals selected for these juries, will ultimately help drive the industry forward on a global scale.”

     

    As implemented last year, there will be a two-stage judging process for the Media Lions category. A 40-strong jury of media professionals from around the world will be divided into eight sub-groups of five people tasked to cast the first round of votes that will determine the shortlist. Jury president Matt Seiler, Global CEO of IPG Mediabrands, will spend time with each sub-group but will not vote during this first round. At the second voting stage, the shortlist will be judged and the winners selected by the Awarding Jury made up of 13 media industry leaders including the jury president.

     

    The three other juries will be led by Amir Kassaei, Chief Creative Officer, DDB Worldwide, USA (Film Lions); Susan Credle, Chief Creative Officer, Leo Burnett, USA (Promo & Activation Lions) and Donghoon Chang, Executive Vice President, Samsung Electronics, South Korea (Product Design Lions).

     

    Amir Kassaei, Chief Creative Officer, DDB Worldwide, USA is the Jury President for the Film category while Matt Seiler, Global Chief Executive Officer, IPG Mediabrands, is the Global - Jury President + Awarding Jury for the Media category.

     

    Susan Credle, Chief Creative Officer, Leo Burnett, USA is the Jury President for Promo & Activation while Donghoon Chang, Executive Vice President, Samsung Electronics, South Korea is the Jury President for Product Design category.

     

  • It’s A Real Aha Moment for Grand Prix Winner Mak

    By Delshad Irani

     

    He is perhaps one of the busiest persons at the 59th Cannes Lions International Festival of Creativity. No, it’s not Sir Martin Sorrell. He’s chatty we were told. But more importantly he’s creative. It’s Jonathan Mak, a twenty-year-old Hong-Kong based communication design student. Mr Mak is an ad aberration. At his age he took one of the most iconic images of our time and turned it, not just into a tribute to a man he admires and a global viral hit, but also an example of great design and what it can achieve.

     

    If that isn’t enough to make you feel like an under achieving member of the human race, or at least the advertising race, the following might just hit the spot. He won a Grand Prix, the highest accolade at Cannes , for the work he did for Coca-Cola and Ogilvy & Mather Shanghai. A poster that is, quite literally, a visual translation of the brief he was presented with – sharing a coke. The silhouette titled ‘Coke Hands’ is on a red background, and it’s, simply put, two ribbons of white combining to create the illusion of two hands sharing a coke. Asked to fly in on short notice, Mr Mak arrived just in time to pick up his award as thousands of advertising professionals from across the world cheered for him.

     

    However, this former teenager is no stranger to the limelight and looked like a seasoned adman. He can’t describe the process of creation, he’ll tell you, “It’s always tricky to explain a minimalist design.” The Steve Jobs image has similar design aesthetics to Coke’s poster, yes. But Mr Mak says it is an iconic image and he put a twist on it: “I always try to give viewers a real ‘aha’ moment.”

     

    Not a big fan of people typecasting his work, he says, “It’s not like Coke asked me to do something similar.”

     

     

    Source: The Economic Times

    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Heading high towards Cannes 2012

     

     

    By Shubhangi Mehta

     

    In its 59th year, the Cannes Lions International Festival of Creativity, which will take place from June 17 till 23, is considered the largest worldwide gathering of advertising professionals, designers, digital innovators and marketers.

     

    Every year in June, around 9,000 registered delegates from 90 countries visit the fest to celebrate the best of creativity in brand communication, discuss industry issues and network with one another. Thousands of ads from all over the world are showcased and judged.

     

    Inspired by the International Film Festival, staged in Cannes since the late 1940s; a group of cinema screen advertising contractors from the Screen Advertising World Association (Sawa) felt that the makers of advertising films should be recognised similarly. They established the International Advertising Film Festival, the first of which took place in Venice in September 1954, with 187 entries from 14 countries. The lion of the Piazza San Marco in Venice was the inspiration for the Lion trophy.

     

    Cannes Lions juries are drawn from experts in each field from around the world. Each jury is headed by a jury president. They judge submissions in Film, Film Craft, Media, Press, Outdoor, Cyber, Promo & Activation, Direct, Design, Radio, PR, Creative Effectiveness and Titanium and Integrated.

     

    Inspiring creativity is at the heart of Cannes Lions. The Festival is where creative professionals come to debate, learn and be inspired; where the greatest industry honours are bestowed; where those pushing creative communications forward are celebrated. Amongst the featured agencies this year are names such as BBDO India, Leo Burnett India, DDB Mudra, TBWA India, JWT India, BBH India, Taproot India, Publicis India, Contract Advertising, Grey India , Happy Creative Service and Ogilvy India.

     

    Since the past couple of years, India has been doing fairly well at Cannes due to which the expectations are increasing with each passing year. Hence MxM India tried to find out what the experts think are India’s chances in the run for metals at Cannes Lions this year.

     

    Russel Barret
    Ashish Khazaanchi
    Kartik Iyer
    KV Sridhar
    Rajiv Rao
    Senthil Kumar
    Jishnu Sen
    Josy Paul

    Russel Barret, Managing Partner, BBH India, said: “India matches up to any other country when it comes to creativity. What we lack is the space between ideas and execution. The factors that affect it are probably budget and time. I am really hopeful that we will win just like any other agency which sends their work. Though out of all the Indian work that I have seen, the Tide (print) by Leo Burnett India and OOH Iconic poster by Mudra are my favourite works.

     

    Ashish Khazaanchi, NCD, Publicis Ambience was optimistic: “Our country has had some good and some not so good years at Cannes, but there has never been an extremely dreadful year for our country. India is amongst the countries having ‘great creative talent’ and the proof is the Grand Prix in the past. Our agency has done wonderfully at Cannes, but this year our focus was mostly on agency growth. My preferred work for this year would be Fox Crime ad and Gandhi booklet by Leo Burnett.

     

    Karthik Iyer, Owner, Happy Creative Service felt awesome: “Any agency would, to get recognition from the world’s best creative leaders on a global scale. India never lacked ideas, for sure. But I think more attention can be paid to craft. That’s an area we always get beaten, either because of the lack of time, budget or both. When it comes to my favourite work, there are so many it would be unfair to point a few. But a few that come to mind – Coke Studio Entry of the music from Coke bottles DM, I absolutely love that piece, Fox Crime should pick up something, Bajaj Exhaust fans and Sour Marbels to name a few.

     

    KV Sridhar aka Pops, NCD, Leo Burnett, India maintained: “The only place where our country lacks is exploring the new medium ideas such as digital. We focus more on the conventional mediums rather than the non-conventional ones, unlike countries in Latin America. The chances of India collecting metals at Cannes Lions are more in the categories like design, photography and sound design. For me the magic creators are Killer Jeans, Tide and Bajaj. I feel this will be a good year and we might get close to 20 odd metals, but we cannot regard it as a record breaking year. I’m hoping for the best for Leo – especially for properties like Tide, Coke Studio, a couple of Radio spots and Thums Up for branded content.

     

    Rajiv Rao, NCD, Ogilvy India said: “I think Indian work is absolutely fantastic, hence it does so well in the Indian market. The scenario in our country is such that we need to do a specific kind of work to appeal to our consumers, hence we do not appeal to the global jury at times. But that is not because of the quality of our work. All we need is to bridge our work in such a way that we appeal to the local masses as well as the international juries.”

     

    Senthil Kumar, National Creative Director JWT India was of the belief that they can only do their best and hope for God and the jury to do the rest: “Sure we have the potential but until the jury agrees, we won’t be striking heavy metal there. I have always believed that Indians are the most creative people on earth. We have to be more unabashedly Indian in our ideas and even in our ‘God is in the details’ execution. If only we’d stop aping the West and strive to unleash something very Indian every time, we’d have better chance at hunting down Gold Lions. This year, our creative hopes would ride on the following ideas: The Times of India Kerala Launch, RIN Eraser, Lifestyle’s Baddie bags, Nokia Recycle Films, and some other ideas that may just surprise the audience.

     

    From a potential point of view, these ads are the ones that could hunt down a few Lions for India this year: Google Chrome Tanjore, Mumbai Mirror, The Times of India Kerala Film & IPL 5 Carnival in Film Craft, The FOX Crime Series in Digital, the Nokia Recycle Viral Films, the Coffee House print work, the 3D Audi Website…

     

    Jishnu Sen, chief operating officer, Grey India, put forth his view: “The reason that the metal tally for India isn’t as high as some Latin American country is because of the international jury. Our work is always great and creative. Grey has done some great work this year with Killer Jeans and Cupid Condom. We are hoping to pick up some metals.”

     

    Josy Paul, Chairman and NCD, BBDO India felt: “India is a late entrant at Cannes, and taking that in consideration, we are doing fairly well and growing year by year. I am expecting the Gold and Silver winners from Abbys to do well at Cannes as well. As for my agency, Cannes is like a lottery, last year we did not expect to do so well, but we did. This year too, we are hoping our Gillette campaign would do well.”

     

     

    Main image: www.CannesLions.com

     

  • Cheil Worldwide partners with a K-pop star for Cannes Lions 2012

    By A Correspondent

     

    Cheil Worldwide Inc. has teamed up with one of the K-pop (Korean pop) stars to speak at a seminar at the Cannes Lions International Festival of Creativity. Cheil will speak about “Korean wave through digital wave”; how K-pop is taking over the world through digital and social media; and what does it mean for advertising. The topic comes from the K-pop phenomenon being at the forefront of Korean wave, the global spread of the Korean culture.

     

    It is nothing new that K-pop is increasingly popular in many parts of the world. But it’s neither attributed to huge marketing spend nor to the interest in Korean culture. The single most decisive factor is the digital environment, which enables K-pop fans to circulate their favorite contents trans-culturally.

     

    SJ Kimm, Regional President of Cheil Worldwide Southeast Asia, will address how K-pop presents a new potential for global contents marketing. “K-pop has already established itself as one of the most sought-after marketing properties in Asia. The implication for the rest of the world is that it will provide marketers with a unique and differentiated marketing platform”, said Kimm.

     

    The seminar will also feature 2NE1, a four-member group, who will tell their own story about how they have emerged on the global stage with the help of digital media.

     

    This is the fifth year in a row that Cheil speaks at the Cannes Lions.

     

    Cheil Worldwide Inc, is Korea’s largest and one of the world’s leading advertising groups. Established in 1973 with headquarters in Seoul, South Korea, Cheil operates 49 offices in 27 countries with about 3,000 employees. Cheil offers a full portfolio of marketing communications services including advertising, PR, sports marketing, exhibition and display production, and production of large-scale performance events.