Tag: AXN India

  • Sherlock Holmes marketing effort creates positive buzz on social platforms

    By A Correspondent

     

    AXN, the channel that hosts shows spanning the genres of reality, entertainment and drama, premiered the BBC drama Sherlock Season 4 in India with an integrated 360-degree marketing campaign.Taking cues from the global campaign, AXN India adapted the international thought ‘It’s not a game anymore’ and created an India-specific, clutter-breaking campaign. The concept was well received by the fans, which in turn garnered quality social media conversations around the campaign tagline and the show.

     

    With an aim to further the Sherlock craze, all marketing elements like on-air promotions, social media buzz, on-ground association, outdoor campaigns, radio spots and PR tools were strategically used to make the premiere a huge success.

     

    The integrated activities began with a month long on-air campaign that included one-of-a-kind association with India’s leading app Uber and buzziest youth hangout joint Social.The first step was for Uber travelers to unlock the Sherlock code on the Uber app.This resulted in top 100 winners of the activity to watch exclusive screening of Sherlock Season 4 episode before the India premiere.

     

    The 3-weeklong collaboration with Social enabled fans to experience Sherlock’s eccentric lifestyle by being part of an exciting treasure hunt across key Social outlets in India. The fans also got photographs clicked at the Sherlock zone created at the venue, which was equipped with Sherlock props, and win exclusive AXN hampers.

     

    AXN also got on board stand-up comedian of EIC fame, Azeem Banatwalla to take viewers through the ‘Sherlock’ voyage. A 5-minute crash course to all the previous episodes coupled with Azeem’s wacky humour,got the more than one million views creating tremendous buzz online.

     

    Saurabh Yagnik, EVP and Business Head, English Cluster, Sony Pictures Networks India said, “AXN is an aspirational brand for the youth so we strategically partnered with other aspirational youth brands – Social and Uber. We were able to engage with our target audience more efficiently and effectively creating a win-win proposition for all. The response from viewers has been phenomenal. We trended on Twitter for over 110 hours during the campaign period. AXN is home to Sherlock and we reinforced our position as the best destination for iconic shows and characters.”

     

    Shobita Kadan, Director – Marketing & Strategy at Impresario (parent company of Social) said, “We were delighted to partner with AXN and provide a platform for the first ever screening of Sherlock for which we share a common audience. Our patrons; true Sherlockians got the opportunity to enjoy the screening well before anyone else in the country. A 360-degree brand experience was curated through various touch points such as a fun treasure hunt, an interactive photo booth and fun giveaways to reinstating the culture-defining Social experience.”

     

     

     

  • Maximising on Bond way for life:Saurabh Yagnik

    By A Correspondent

     

    The world of movie channels have a peculiar problem. There are over half a dozen players, all waiting to break the clutter. And chasing the same audiences, showing similar fare. The challenge then is to look and feel different to viewers. And this is what Sony Pix from the Multi Screen Media stable has been trying to achieve in the last year-odd. That’s how we came up with this entire clutter-breaking packaging and communication, says Saurabh Yagnik, Saurabh Yagnik, Executive Vice-president and Business Head, Sony PIX & AXN India, in an interview, adding: “This got embodied in the words Stay Amazed!”

     

    “The desired response we want from our viewers is that its wow, cool and entertainment with a twist. Whenever we try to do something, we always try to pass through this muster,” says Mr Yagnik, highlighting the success of the ‘Pix School of Bonding’ campaign with tennis ace Sania Mirza.

     

    The challenge for the Bond franchise, says Mr Yagnik, was to “sustain the relevance of a 50-year iconic franchise for today’s youth”.  Bond films had changed hands across some three channels, and the challenge for the Pix thinktank was to create something different. “After our research, one thing we found consistent across Bond films was not the girls, gadgets and gizmos but his evergreen Bond attitude! That’s what we want to bring alive through this proposition. This attitude is relevant to a viewer from a 1962 Dr No right up to Skyfall.”

     

    Thus started the Sania Mirza campaign from November 22 and is scheduled for 12 weeks. Excerpts from a conversation with Saurabh Yagnik:

    It’s unusual to get a tennis star like Sania Mirza to promote a James Bond movie. Was it an easy task to get her onto this… was she your first choice?

    I think she was top of the notch. She was bang on, our first choice and when we presented this idea to her, she also liked it, because it was showing a very different aspect of her onscreen which people hadn’t seen before.

     

    Why this craze for Bond that all our movie channels have. Does Bond still have a pull?And do you think the current festival will help you get to the No 1 or No 2 which you lost recently?

    Absolutely, Bond movies rate very well on television. We want people to look at the Bond franchise in a very different manner. Ratings are cyclical, there are ups and downs, what is required is to have a consistent and a robust strategy based on a deep understanding of a viewer which we believe those pieces are in place for our business.

     

    Tell us about the Stay Amazed positioning. Has it worked for you?

    It’s worked very well. It has created a distinct differentiation for us, it brought us into the Top 2 and for many weeks we were No 1. When we look at all measures including brand tracks, ratings data etc, they both show us that things are very positive for the channel.

     

    But there’s competition from the various other Hollywood channels, from NVODs and DTH channels plus the premium HD channels which carry no ads.

    Competition is coming in more ways than one. Theatre is one competition, Digital, PPV model that DTH operators have, premium services that are being offered… When you talk about channels like ours, they are significantly lower priced compared to the pricing one has to pay for a PPV viewership of a movie or for a premium channel which is ad-free.

     

    What will eventually happen is that a new segment will get created with the right volume and the right mix which is the premium segment where affluent audiences will keep paying for better services. I don’t think we have come to a state where we have critical mass and the right mix to make a viable proposition out of a premium service, but it will evolve over a period of time. English movies in this country is still less than 1.5% of all television. So there’s a lot of headroom for growth.

     

    What’s coming up next on Pix after the 12 weeks of Bond?

    Raid 2, Amazing Spiderman 2, Hercules… We’ve also acquired the Star Wars franchise. Because of the width and depth of the Marvel franchise that we have, we’ll do something around that as well.

     

    Will any of these have promos like you’ve done with Sania Mirza?

    There’ll be differentiation. You can’t be predictable in what you do. It’s about how you create those twists. Everything won’t be in a similar template. Each of our campaigns have been very different in clutter breaking and that’s what our attempt will be.

     

    We had Rocky Pixathon when Mary Kom was happening, it was a great brand fit. We had Priyanka Chopra talking about Rocky as the hero… a hero across all times inspires generations. Watch Rocky Pixathon on Sony Pix and watch Mary Kom in theatres was the joint promotion that happened which beautifully brought out the essence of both Mary Kom and Rocky.

     

     A promotion like this costs top dollars. The brand ambassador, the media you’ve used… do the returns from revenues or sponsorships take care of the marketing monies or is it more of a long-term view for the channel?

    The objective is to ensure you get maximum out of the property itself and we’d like to break even within the property itself and we’re closer to that when we look at the way we’re spending versus the kind of monies we are making. The important thing is not to look at a standalone profitability of a property, but to see its impact in the overall brand.

     

  • AXN India and CBS Studios announce television content deal

    By A Correspondent

     

    Multi Screen Media’s leading English Entertainment Channel in India, AXN, has announced a multi-year content deal with CBS Studios International. The new deal gives AXN access to all content distributed by CBS, including the exclusive rights to air some of CBS’s biggest existing television series, like Hawaii Five-0 and CSI: Crime Scene Investigation, as well as the rights to all new shows produced by CBS Television Studios.

     

    CBS Studios International distributes some of the best long-running shows, like Blue Bloods, Survivor, Elementary, Beauty and the Beast, NCIS, Hawaii Five-0, among others. This year’s line-up has shows including CSI: Cyber, a spin-off of the hit CSI franchise focused on the Cyber Crime Division of the FBI, and NCIS: New Orleans, a spin-off of the popular NCIS procedural set in the Big Easy. Other new CBS dramas include Madam Secretary, which stars Téa Leoni as the newly appointed Secretary of State, and Scorpion, about an eccentric genius and his team of brilliant misfits who help protect against high-tech threats of the modern age.

     

    NP Singh

    Commenting on this occasion, NP Singh, CEO, Multi Screen Media, said, “This acquisition marks a memorable milestone in the journey of MSM. It has been our endeavour to create a differentiation for our viewers through product offering and innovations, both through our marketing and content novelties. The CBS deal allows us to more effectively build and deliver a rich library of content to our viewers, thereby strengthening the commitment of MSM to the Indian entertainment market.”

     

    “We are thrilled to expand our relationship with AXN India and deliver more of our world class programming to audiences across India and the subcontinent,” said Barry Chamberlain, President of Sales, CBS Studios International. “We have an exciting slate of new and returning content that will be right at home on the channel.”

     

  • AXN India to bring top English shows, inks content acquisition deal with CBS

    By A Correspondent

     

    Leading English general entertainment channel AXN India announced a content acquisition deal with CBS Studios International on Friday. AXN, which has been airing home CBS shows like CSI: Crime Scene Investigation and NCIS: Los Angeles has now acquired five more shows, namely Elementary, Beauty and The Beast, Blue Bloods, Hawaii Five-0 and Reckless.

     

    The channel will have exclusive rights to air all episodes of the newly acquired shows from CBS Studios International starting this January, notes a communiqué.

     

    Sunil Punjabi

    Talking about the deal, Sunil Punjabi, Business Head, AXN India said, “The current deal with CBS Studios International has only strengthened our long-standing relationship with them. AXN has always been the home to CSI: Crime Scene Investigation and NCIS: Los Angeles. The new shows will further add approx 100 hours of content airing close to the US every year. This deal is all set to strengthen the ever-expanding bouquet of AXN programming.”

     

  • Jaldi 5 with Sunil Punjabi: Action, drama, entertainment

    Sony Pictures Television Networks Asia is geared up for its next original production, The Apprentice Asia, which will premiere on AXN across 21 countries in Asia in the first half of 2013. Call for participation for the India region began on November 15. We asked Sunil Punjabi, Business Head, AXN India Networks, why the channel needs The Apprentice.

     

    01. Programmes like The Apprentice and reality shows in the same genre have not done very well in India earlier. And this series will premiere across Asia. What was the rationale behind bringing the show on board?

    As far as The Apprentice and other reality shows are concerned, programmes that have some amount of interactivity built in tend to do better than plain shows that go on air. We ourselves did India’s Minute to Win It two years ago, and we built in a fairly large amount of interactivity. With the amount of interactivity and local presence, content offtake is higher because the viewer also starts engaging with the programme. Hence, engagement at the consumer level with localization is going to be the big differentiating factor for such shows.

     

    For The Apprentice at the Asia level, participants will be taking part from India in the selection process. It is where we believe local flavour comes in. Apprentice Asia should see better traction on the ground.

     

    02. How is AXN planning to create buzz around the show?

    We have pushed in the online campaign, apart from opening for entries on November 15. We are doing a lot of ground activation, contacting some 150-odd corporates across six cities with the aim of reaching working people one-on-one.

     

    We will reveal more plans as we come close to the airing of the show.

     

    03. Does The Apprentice or Minute to Win It gel with the programming of AXN, which essentially is Action TV?

    We have always been a thrill channel, and thrill can be action or drama. Or even dance. If you look at our top shows like So You Think You Can Dance, it is all about excitement. It is a very high-energy show and it gets the eyeballs, apart from other top-rated high-drama series like CSI and CIS, Leverage, Supernatural and Amazing Race. These are content blocks with lots of thrill built in, and that is the positioning that we’ve always maintained.

     

    India’s Minute To Win It – every activity that you look is based on the excitement. For that matter, Apprentice is going to be one challenging task. If you see the US and UK versions, every task that participants go through is time-based and there is heavy involvement in these episodes. And that is how it fits into AXN.

     

    04. Is AXN aiming to include all genres in its programming, and thus moving away from the original concept of an action channel?

    We have broadened the perspective. We have broadened the content line-up because at the end of the day we believe that there is a lot of International content, which can be brought to the India viewer. Apprentice has never been done in India, it has been done only in the US and UK. Actually, we are looking at an Indian version of Amazing Race soon. These are high-intensity formats.

     

    We believe that consumers want different types of content. The revised positioning of AXN is based on the consumer feedback that we have got over a period of time saying that they need more programmes that are high-energy.

     

    05. Apart from The Apprentice, which other non-action shows is AXN targeting?

    Amazing Race will start in January. There is Voice 4, which is slated for March. A strong drama series of Steven Seagal called True Justice 2 will be coming up also in January. It is a 12-part one-hour series that we are launching as part of Big Thrill Fridays, which is positioned around fresh and as-close-to-US-launch content. There is a new series of Leverage, a modern-day Robinhood series, which will begin in the month of Feb-March. An original production of Sony Pictures, Hannibal, will debut in March. It is an original AXN US production.

     

    It is a fairly good mix of high-drama, high-action, high-energy entertainment.

     

    As told to Ananya Saha