Tag: Anil Kapoor

  • Jio Cinema says Jhakaas as Bigg Boss OTT Season 3 nets big bucks

    L to R Alok Jain, President – General Entertainment, Viacom18, Anil Kapoor and Deepak Dhar, Founder Group CEO, Banijay Asia EndemolShine India

     

    JioCinema Premium has announced the reality show Bigg Boss OTT Season 3 starting tomorrow, June 21.

    The new season stars actor Anil Kapoor and a score of interactive features, with the 24-hour live channel. So Bigg Boss OTT 3 is co-presented by Too Yumm!, Siggnature Finest Silver Elaichi; co-powered by Oppo and Sofy; with beauty partner Lotus; Sanitaryware Partner Cera; with many more identifying opportunities to integrate.

    Speaking about the new season, Alok Jain, President – General Entertainment, Viacom18, said: “Over the years, Bigg Boss OTT has witnessed exponential growth, solidifying its position as one of India’s most popular reality entertainment shows. With Anil Kapoor as the host of Bigg Boss OTT 3, we aim to deliver unmatched value to our stakeholders – viewers, advertisers, and content creators. This season’s increased interactivity will amplify engagement and excitement, broadening our reach, taking the show to extraordinary new levels and offering viewers an unprecedented front-row experience of over-the-top entertainment.”

    Speaking on bolstering JioCinema Premium’s offering, Ferzad Palia – Business Head, JioCinema, added:  “With Bigg Boss OTT 3 we expand our JioCinema Premium offering into the highly consumed Reality genre. In addition to Hollywood, Original Series, Movies, Kids, Anime & TV, our rapidly growing base of members will now witness one of the biggest digital entertainment shows, with a brand-new experience. We’re certain that this season will be a whole new level of entertainment.”

    Added Deepak Dhar, Founder & Group CEO, Banijay Asia and EndemolShine India, the makers of the show: “Bigg Boss has been a flagship show for us, constantly innovating and setting new benchmarks in entertainment year after year. With this season of Bigg Boss OTT, we are taking it a notch higher for our audiences. We are excited to have Anil Kapoor as the host this season and cannot wait to see how his charisma, energy, and connection with audiences brings a fresh dynamism to the show. Viewers can expect an electrifying season this year with an exciting theme, new twists & high-voltage drama.”

    So how will so many sponsors get a bang for their megabucks on a premium streaming offering? Obviously not those intrusive 5-/10-/20-seconders, but integrations within the show. Hmmm.

  • What do films like ‘Animal’ tell us about the societal mindset towards inclusion?

    What do films like ‘Animal’ tell us about the societal mindset towards inclusion?

    Shruti PushkarnaLast week I underwent some major dental work. Dealing with excruciating pain and dizziness induced by a bouquet of medicines, I took to Netflix for comfort. Partly my objective was to try and doze off, hence I deliberately chose not so addictive content. And I decided to watch the much acclaimed (read slammed) Ranbir Kapoor starrer, Animal.

    For those unfamiliar with the title, the film is a dark crime thriller directed by Sandeep Reddy Vanga. The story revolves around Ranvijay (Ranbir) who craves for his industrialist father’s (Anil Kapoor) attention. He returns home from the US after several years, following the news of a fatal attack on his father. The rest of the (longish) movie is centered around bloody revenge, quite full of gore and violence.

    What’s my problem with the film? Not just mine, let’s list down some of the controversies surrounding this cinematic creation. It’s almost three hours of mindless action. One that shouts of masculine toxicity. Women characters have no room in the plot. You can count the number of times they are allowed a few words, only to be shut up by their husband(s) and brother.

    Vanga toys with obsession as one of the key emotions defining his protagonist, similar to his earlier production, Kabir Singh. An unhealthy fixation with a lover, father or another relation almost justifies the violent display on screen, the shrill in dialogues and the evil in action. And women are mute spectators, if not participants in this ghastly exposé of masculinity.

    I must confess, in the first couple of scenes where the young Ranvijay is seen neglected by his busy, wealthy father, I felt a sense of empathy towards the little boy. But the feeling didn’t last too long because the little boy quickly evolves (reads regresses) into a rich entitled brat, who turns up with a gun to her sister’s college classroom. All in the name of ‘protecting’ her.

    And then there’s the bad guy, the antagonist played by Bobby Deol. Although Abrar (Bobby) shows up much later in the film, towards the latter half, the scenes laden with ferocious machismo are equally exhausting to watch. There is a similar story of mental trauma experienced in early childhood that the filmmaker uses as an excuse for the irrational behaviour.

    Both broken men in some ways, at loggerheads to protect their kin. But that’s not it. What’s interesting is that both these characters have a form of disability. Abrar has a speech impairment, he needs his brother to act as the interpreter, who uses signs to communicate with him. Ranvijay loses his hearing as well as taste and smell after sustaining several bullets. In fact, after the attack, he is a medical miracle, walking, talking, and fighting despite a failing heart, no bladder control and several injuries.

    None of the film reviews have looked at why the filmmaker uses disability in curating the two main characters. For quite some time after watching the movie, I was also confused if the hearing or speech impairment is used to highlight a vulnerability. I am not sure.

    But here’s how I see it. For the longest time, Indian cinema has either pitied or ridiculed disability on the silver screen. Ranvijay and Abrar are both brutal, they are disabled too. Their condition doesn’t get in the way of their (dirty) business. However, skewed it may sound, it is empowering in a way. And there is no sympathy generation given their inability to taste, hear, smell, or speak. In fact, in more recent films like Andhadhun and Kaabil, the characters are ridden with flaws, they are not the typical heroes. It’s almost refreshing to see disability coloured with a streak of anger, violence, trickery, deviousness and more.

    These are all human emotions, associated with a person with disability as much as any other non-disabled individual. So, irrespective of how much I disliked the film for its senseless action, played up chauvinism, I managed to find something I couldn’t entirely dismiss.

    Of course, the film is far away from a utopian world that respects and includes the marginalised communities, including women, persons with disability, elderly, or any other weaker minority. And yet I managed to stay awake and watch it till the very end. Morbid fascination, I guess.

     

    Wondering why MxMIndia publishes a disability advocacy column? Well, we strongly feel that the media can dramatically transform the world for persons with disabilities. This series attempts to help bring forth issues that the media must champion to create a truly inclusive and accessible India. Writing  this column is Shruti Pushkarna, a former journalist and now a disability inclusion advocate based in New Delhi. Her views here are personal. To access the archives of her 80-plus columns, please visit: https://www.mxmindia.com/category/ columns/shruti-pushkarna/

     

    If you have a view on the issues raise or would like to align with MxMIndia on this cause, write to us at editor [at] mxmindia.com.

  • Anil Kapoor promotes Sleep Company

    By Our Staff

     

    The Sleep Company has launched a new campaign featuring brand ambassador Anil Kapoor. The #ScienceOfPeacefulSleep campaign sees the actor endorsing the company’s patented SmartGrid technology mattresses. The campaign has been conceptualised by The Sleep Company in collaboration with World Without Walls.

     

    Commenting on the new campaign, Priyanka Salot, Founder, The Sleep Company said: “While countless sleep tips and tricks are being made popular every day, one of the fundamental root causes of poor sleep often goes unaddressed – the absence of a scientifically-proven, high-quality mattress. Our mission is to continually enhance the quality of life for our customers through our patented SmartGRID products. Mr Anil Kapoor’s charismatic and energetic persona brings to life the essence of this campaign – educating consumers about how our products epitomise the science of peaceful sleep, enhancing overall sleep quality, and ultimately enriching lives.”

     

     

  • Lowe Lintas unveils campaign for Dosti 1 Mumbai

    By Our Staff

     

    Lowe Lintas Mumbai unveils an advertising campaign in partnership with Dosti Realty for its latest Dosti 1 Mumbai project. The campaign features actor Anil Kapoor.

     

    Commenting on the campaign, Anuj Goradia, Director of Dosti Realty, said: “Our mission was to create an exciting opportunity for homebuyers across the Mumbai Metropolitan Region to become a part of this grand township project. I am extremely pleased with the distinctive campaign that has emerged from our partnership with Lowe Lintas, our strategic marketing and sales partner, The Guardians Real Estate Advisory, and our enduring brand ambassador, Anil Kapoor. I believe this campaign will establish new standards in the real estate sector.”

     

    Added Likhit Pamarti, CMO of The Guardians Real Estate Advisory:  “The Guardians aims to make a significant impact in the real estate arena with the launch of Dosti 1 Mumbai. To achieve this, we embarked on creating a bold campaign that celebrates the emotions of homebuyers, reaching across the Mumbai Metropolitan Region with a well-planned media blitz. We relied on Anil Kapoor’s timeless charisma to infuse an effortless sense of trust and reliability into the campaign, aligning perfectly with Dosti Realty’s long-standing image of trust and transparency cultivated over several decades. I am delighted to say that the campaign has shaped up beautifully, and I am confident that the launch of Dosti 1 Mumbai will be a resounding success.”

     

    Sharing the enthusiasm on the launch, Sagar Kapoor, CCO, Lowe Lintas said: “When we received the brief from Dosti. It was very clear from day one to us that the Dosti 1 Mumbai is one of its kind and a unique project. The challenge therefore for us was to derive a campaign which would break the clutter in the category and something that people are not used to seeing. With Anil Kapoor the campaign development therefore became a lot more interesting for us. As it allowed us to conceive the idea that made it seamless to connect both Anil Kapoor and Dosti 1 Mumbai as both have the unique qualities and offering to the consumers and viewers.”

     

  • Anil Kapoor in Uber Rentals campaign

    By Our Staff

     

    Uber has launched new campaign #RentalHealthDay, spotlighting its new mobility option – Uber Rentals. The campaign has been launched with a film starring actor Anil Kapoor and has been created by Dentsu Webchutney.

     

    Said Ameya Velankar, Head of Marketing, Uber India South Asia: “At Uber, we constantly reimagine the way the world moves. We want to give our customers the option to leave their car behind and make their long, hectic days stress free. Our product team has designed Uber Rentals in a way that it enables riders to retain the same car for up to 12 hours and add multiple stops as they go – saving them the effort of finding parking spaces or booking multiple trips.”

     

    Added Manish Thanvi, Executive Creative Director at Dentsu Webchutney: “‘Utility needs vanity’ – this was our simple mantra when it came to thinking about a creative platform that will increase use cases for Uber Rentals and thus was born #RentalHealthDay. Think of it as self love when it comes to the world of everyday transit, if you may. We imagined many ways to tell its story but preaching isn’t a great voice. Working with the uber young Anil Kapoor and one of India’s finest directors, Shakun Batra, we crafted a mockumentary where we use satire to tell a memorable story and in the same breath, deliver a sincere question – “Ek din ka Anil Kapoor banoge?”

     

    https://youtu.be/UDiYtxwMt70

     

  • 3 Big & Coming Shifts in Market Research

     

     

    By Ashoke Agarrwal

     

    Ashoke Agarrwal

    I have been a purveyor and user of market research for a little more than four decades now. At 26, I co-founded Francis Kanoi (Kanoi is my family name). I worked with my partner, the legendary Francis Xavier, in designing and executing what was then the most extensive market research study in the country. An all-India, 70,000 sample size study using the Bass Epidemiological Model to forecast the demand for household durables like refrigerators and TVs. The study found 33 subscribers in the first year, and four decades down the line is still going strong.

     

    In the 90s, I directed research and planning at Ulka, with perhaps the strongest strategy team in the advertising world. Anil Kapoor, the MD and his handpicked team, genuinely believed in accessing and acting upon consumer research and insights. That was one of the reasons why Ulka, those days, sat at the high table in strategy sessions with clients’ marketing teams that went beyond advertising and creative strategy.

     

    In the new millennium, I run, in partnership with other veterans of the marketing and marketing services industry, a marketing advisory service with market research as a core input.

     

    Over the decades, market research has been slow to change. However, I have noticed an incipient change in this otherwise conservative industry over the past few years that will snowball into a paradigm shift over the coming decade.

     

    Shifts in socio-economic and technological forces are driving this change.

     

    The following key trends are powering the shift:

    Hyper-individualisation: Sampling lies at the heart of traditional market research. At its most fundamental, sampling methodology is based on an assumption. Sampling assumes that a market divides into a finite number of segments usually defined by simple demographic parameters like age, gender, education, income and pop strata. Further, consumers in each segment behave homogeneously concerning their usage and attitudes towards the focus product or service category. On the strength of this assumption, traditional market research makes do with samples in the hundred and the thousands to assess and forecast markets with tens and hundreds of millions of entities. In essence, this ability is at the heart of the business model and viability of the market research industry. Unfortunately, this assumption has started failing, and doubts have started creeping into traditional market research methods.

     

    The spectacular failings of one aspect of market research that gets frenzied media attention – election forecast polling – have further fuelled these doubts. The core assumption of homogenous demographic segments no longer holds because of the hyper-individualisation of opinions, attitudes, behaviour and lifestyles that the emergence of the digital world has wrought. In the old world, socio-economic forces, including mass media, lead to conformity among people of the same age, gender and social class groups. Today, with a proliferation of career and lifestyle choices, ever-increasing choices in products and services, and the ability to create a curated stream of media-based, every individual is a segment of one.

     

    Big Data & Machine Learning: If market research is to survive, it will need to replace the traditional demographic segments-based sampling (this applies to both quantitative and qualitative market research). To my mind, the answer lies in the realm of Big Data coupled with machine learning. All commercial organisations will need to invest in the collection, warehousing, and analysis of Big Data covering all aspects of their business, including consumers. Big Data and its informed use are becoming critical to any organisation’s competitive strength.

     

    In the age of hyper-individualisation, factors other than demographics drive attitudes, behaviour and lifestyles. For example, a twenty-five-year-old today might have more commonalities in attitudes and lifestyles with a forty-year-old than with any of the individual’s age cohorts. When applied to Big Data on consumers, machine learning can unearth such patterns and build a market segmentation map beyond demographics to actual behaviour. This shift gives back market research its predictive power. For example, in micro-lending, a growing fintech area, such analysis has led to factors like the day of the week an individual applies for a loan being an indicator of his creditworthiness.

     

    There are many sources of Big Data. Governments and social organisations put out public sources. In addition, companies and organizations collect private first-party data from their operations. In fact, for an organization like Facebook and Google, this data is the lifeblood of their business. Finally, a fast-emerging source of Big Data is voluntary disclosures by individuals. In industry parlance, such Big Data collected through voluntary disclosures by individuals is called Zero-Party Data. Heightened privacy concerns and more stringent regulations will herald a new age of Zero-Party Data. I believe this will become the backbone of a new paradigm in market research.

     

    Zero-Party Data, Data Vaults and Active Research: The market research agency of tomorrow will be a collector, storer and analyser of Zero-Party Big Data. The agency will partner with every individual whose data it collects and stores. The collection will be permission-based. The usage will be transparent, and, using blockchain technology, the individual will get a share of all revenues generated from using their data.

     

    The agency will invest in machine learning to unearth patterns and, based on these patterns and directed probes will run market research projects and forecasts for its clients. In addition, the agency will anonymise all data used in such research projects.

     

    Beyond market research, Zero-Party Data and Data Vaults opens up a whole new arena to marketing. I call this arena Active Research. With the individual’s permission, the agency opens up a one-on-one conversation between the individual and brands to unearth needs and desires, customize and test products and services and make relevant offers. The agency mediates and adds value by using state-of-the-art probes and is informed by the ongoing learnings across the database. Since the agency’s Zero-Party Big data covers a substantial part of the market, Active Research becomes a real-world test marketing option and even a viable Route-to-Market (RTM).

     

    Beyond Zero-Party Big Data, Data Vaults and Active Research, other tech-driven significant shifts are likely to drive change in market research over the coming decades. The two technologies that drive this change will be

    :: The emergence of NLP-driven custom-framework-based fourth-generation search engines to generate curated reports will transform secondary research.

    :: Research in the metaverse will take ethnographic research to the next level.

     

    I hope to discuss the above two horizons in market research in later columns.

     

    Ashoke Agarrwal is a veteran advertising professional with around four decades in advertising and marketing services. Agarrwal, a chemical engineer from IIT Mumbai and a postgraduate from IIM Bangalore, is a pro-entrepreneur with past and current ventures in market research, advertising, CGI, e-learning and brand consultancy. He writes on MxMIndia every other Thursday. His views here are personal.

     

  • BEST Launches Pudhe Chala campaign

    By Our Staff

     

    The Brihanmumbai Electric Supply and Transport (BEST) Undertaking – best known for its BEST buses and electricity supply services to South Mumbai, has launched two brand films under the Pudhe Chala campaign. Made by filmmaker Abhinay Deo, the films star cricketer Sachin Tendulkar and actor Anil Kapoor reminiscing their BEST bus journeys from their younger days.

     

    Notes a communique: “Just like for all Mumbaikars, BEST buses played an important role in Mr. Tendulkar’s and Mr. Kapoor’s lives. In the films, we see them re-living these experiences. Mr. Tendulkar recalls how he used to take a bus early morning to reach Shivaji Park for cricket practice on time; and Mr. Kapoor reveals that he took buses from his then Chembur home to studios and auditions across Mumbai. Both stars generously volunteered details of their real life bus experiences, which were crafted into the script. Both end the films by saying that BEST helped them move ahead in life and achieve their dreams, and highlight that now BEST itself is moving ahead with its new digital travel services.”

     

  • Anil Kapoor joins Teachmint education startup to decode digitization

    By Our Staff

     

    Teachmint, an education infrastructure startup, launched its new campaign featuring Anil Kapoor. Centred around the idea of ‘Naye Zamane ki Nayi Schooling’, the new campaign decodes what makes a school truly digital in today’s world.

     

    Announcing the launch of this new campaign, Divyansh Bordia, COO & Co-Founder, Teachmint, said: “We have witnessed unprecedented growth in just 17 months since launching Teachmint and this campaign marks a new milestone in our journey of building a state-of-the-art infrastructure for education. Teachmint was launched to empower educators to truly thrive in the ‘Naya Zamaana’ by helping them digitise their classrooms without any hassle. With this new campaign, we take this up a notch by introducing an offering to help an entire institute digitize within minutes – Teachmint for Institute. We are extremely excited to collaborate with Anil Kapoor and are confident that this partnership will help us reach out to a larger audience, connect with educational institutes and help them become more aware about the benefits of end-to-end digitization.”

     

  • Lowe Lintas ads for Cleartrip & Flipkart Big Billion Days tie-up

    By Our Staff

     

    Cleartrip has roped in actor Anil Kapoor for its latest campaign that celebrates travellers who are ready to experience the joy of flying again. The multi-film campaign conceived by Lowe Lintas Bangalore is a part of the platform’s first association with Flipkart Big Billion Days.

     

    Speaking about the campaign, Himanshi Tandon, Director – Marketing, Cleartrip said: “Going to the airport. Checking in. Sitting on a flight. Taking off. Landing. These are normal, everyday travel habits that most people haven’t indulged in over the last year and a half. People accustomed to travelling regularly have been craving to get back into flight mode. At Cleartrip, we want to empower these consumers to book their travel at great prices, and without worrying about cancellation charges if their plans change. Our campaign will resonate with every traveller who has been waiting to take to the skies again, and we are sure this will bring a smile to their face. We found the perfect partner in Anil Kapoor, who brings alive the message in his signature style.”

     

    Commenting on the campaign idea, Puneet Kapoor, Regional Creative Officer, Lowe Lintas added: “We’ve all been aching to travel again. So, this campaign was as much about communicating to the consumers as it was about our own travel pangs. We used the little things we did when we took flights as a means to connect with the urge of eager travellers. So, we decided to focus on the quirks of eager travellers who’re itching to fly again. Anil Kapoor fits the role perfectly and we hope his personality resonates with every traveller out there.”

     

  • Dentsu unveils the Brides of India anthem for Malabar Jewellers

    By Our Staff

     

    Malabar Gold & Diamonds has kicked off the 9th edition of its Brides of India campaign with a special wedding theme song titled #MakeWayForTheBride. It features brand ambassadors of Malabar Gold & Diamonds, actors Anil Kapoor and Kareena Kapoor along with brides from diverse regions of the country. The Brides of India 2021 wedding anthem has been conceptualised by the creative agency Dentsu India and directed by Kookie Gulati.

     

    Said Malabar Group Chairman MP Ahammed: “The Brides of India Campaign is our tribute to the new-age brides and their awe-inspiring individuality. Over the last ten years, Brides of India has played a pivotal role in showcasing our versatility in catering to all bridal jewellery needs from all around the country. The theme of Brides of India 2021 encourages all to make way for the bride. Because this is her moment, it’s her big day, and she’s here to own it! She’s here to shine and make sure the world knows it. With the launch of Brides of India 2021 campaign, we celebrate the brides who choose to make the big day all about her. With designs that cater to varied sensibilities of new-age brides across regions, there is something unique for every bride to complement her unique entry.”

     

  • Tilt’s films for Licious products

    By Our Staff

     

    Meat and seafood company Licious has launched a campaign to promote its brand. It has worked with Tilt to craft two adfilms with uncle-nephew duo Anil and Arjun Kapoor.

     

    Said Meghna Apparao, Chief Business Officer, Licious: “There are meat eaters and then there are meat lovers. For meat lovers, great quality meat and seafood is lot more than just food; it is a thing of joy, it is a great time shared with family and friends over a meal, it is the immense satisfaction of creating a dish that is heart-warming. Meat lovers go to great lengths to ensure the meat they buy is perfect in every sense – fresh, hygienic, safe and free of antibiotics. That’s where Licious comes in. Over the last five years we have been working towards a deeper understanding of meat-lovers’ nakhras and combining them with our own, in a continuous process of product development. We pride ourselves in our ability to devise and improve on our stringent quality control measures, animal rearing and handling best practices, so that our consumers get nothing but the best – every single time. Licious is a brand created by the meat lovers for the meat lovers.  It is a delight to see Anil Kapoor and Arjun Kapoor showcasing their love for meat in a way that strikes a chord with us. After all, it is only one nakhrebaaj that understands another!”

     

     

  • Cred-ibility ka sawaal hai!

     

    By Sanjeev Kotnala

     

    Sanjeev KotnalaA certain TVC by a service brand called Cred initialied random thoughts. And you can squarely blame it for this piece.

    Life is a switch. Yes, I will not make any politically incorrect statement. Life could have been a dog, but dogs love unconditionally. They are loyal and so intelligent. So, it better remains a switch. Give me time, and it will make sense. I thought I have seen and learned everything there was. And then I saw this brand Cred. It makes these ridiculously, completely illogical television commercials.

    I realised everything is interconnected. And if not, the consultants, marketers, strategist and planners will connect the free-floating dots. That’s their job. Something like the butterfly effect, induction process, domino effect or simply the interdependency of interconnectivity is working here.

    Last year, they just wanted to give a simple message, ‘Download cred and get points to pay your credit card bills. But no, they made GovindaMadhuriAnil Kapoor and Bappi da audition for the shoot- and just ran the behind the scenes as a commercial.

     

    People like me did not get it. Many industry stalwarts did not get it. A few expressed their appreciation, and the audience for who the ads were made kept talking. Everyone got the message. I wondered if I would have allowed such a spot to be presented to the client on my beat. Or, If I was the client, would I have bought the creative. I still wonder what the client and the agency smoking was. Whatever it was, I wanted one. Is there anything wrong with this walk the talk or talking walk ad of CRED that explained logically what the whole thing was about and what you get and, yes, who can get it?

     

    Meanwhile, I kept wondering why people were not taking the jab. No, it is not the aftereffect of the first shot of Covidshield that I took on April 4. Wondering why the so-called intelligent literates are not following social distancing, masking and washing hands. Were they not the simple steps. Was the nation asking much? Wondering how and why the election rallies without masks are not creating a chain of possible virus spread? Then I take a deep breath and remind myself, do not worry about things that are not in your control- it is accidental and incidental.

    This year, these Cred fellows went ahead. Even during the lockdown think they managed to get their stuff from the Himalayas. They made my hero, almost an idol; the Wall angry and declaring himself as Indiranagar ka Gunda. Suddenly he is no longer low profile. A simple flip of an image. He definitely seems the dude who will fight in the traffic jam. The Iceland volcano just erupted.

     

    Meanwhile, Sachin Waze has said someone from BARC paid INR 30 lakh. And there is a money trail. Someone may turn approver, and the beans may spill out. It is getting murkier with time, As fast-paced as “Predators and Prey’ by Abhinav Agarwal. There is more to come. The nation may not want to know, but the industry does need the answers. This is about the public and the republic. It is about the audience, media and measurement.

    Meanwhile, the Cred advertisement is applauded for sheer brilliance. The last time it screened behind the scene. This time, there are random clips to tag with the lazy, stupid sit-down message from someone at Cred. Personally, I do not like what they are doing. They are bright, and it shows. I could only say well done and maybe smile (I don’t bow) to their thinking.

    Monopoly is wrong, but the boardgame is good. Better than Ludo and Snakes and Ladders. Inside trading. Inside programming. Data analysis to favour the system. You google, and it will tell you even Google has been doing it. Part of the business, you ask. What’s happening?

    In between, these Cred guys used Jackie Bedu Shroff to tell us, ‘it pays to be good- pay your credit card bills. As if banks will allow us to forget paying them. I knew then that they will come back with points, rewards and cashback.

    An initiative in the southern hemisphere is forcing the digital giants to compulsorily negotiate and share revenue. Inspiration everywhere but the Indian media remain silent and continue to debate the minority-majority issues. Wherever there is a carpet, there is a story under it.

    I am now worried. The Cred  fellow has got even Jackie Bedu Shroff to Zumba and lead a Zumba class. All because this smart-looking Jim Sarbh wants to try doing an innovative Trivago ad. All they want to tell you is simple ‘when you pay credit card bills on Cred, you earn Cred coins, and you can use them to claim cashback and rewards. Knowing them, there will be more such innocent people trashing their well-developed image- CREDibility. Who next? Watch here a wee bit more of the CRED ad.

    As I think of it, I read about the superhero Sonu Sood who has taken the vaccine to encourage others to take the jab!!! Hello, is that right? He has done outstanding work during the first wave, and the way we all are, we look up to him to do some magic again in wave two. If there is an influencer right among the people- then it is Sonu Sood.

    I would hate to see him in Cred. Credibility ka sawaal hai.

    Meanwhile, one brand MAGICPIN  has taken the opportunity presented by the unique Cred approach and created a quick spoof. Well it works as far as catching eyeballs and the desired buzz is considered.

     

    ……………………………………..

     

    Sanjeev Kotnala is a senior marketing and strategy advisor and educator. He writes on MxMIndia every Wednesday. His views here are personal