Tag: Amit Sharma

  • Madan Bahal, Prateek Bhardwaj, and Amit Sharma appointed as Jury Chairs for Abby Awards 2024 powered by One Show

    For the past few weeks, we have been publishing news on the announcement of names of jury chairs of various award categories of Abby 2024 (full name: The Abby Awards 2024 powered by One Show).

    So here’s one more: Madan Bahal, Co-Founder and Managing Director of Adfactors PR, Prateek Bhardwaj, Chief Creative Officer and Head of Creative (India) at Lowe Lintas and Amit Sharma, Founder Director of Chrome Pictures have joined as jury chairs for the Public Relations, Direct and Video Craft categories respectively.

    The Abby will be held from May 29 to 31 as part of Goafest 2024. This year, Goafest is being held in Mumbai, at Westin Powai, overlooking Powai Lake.

  • Saregama Carvaan renders another emotional ad film

    By A Correspondent

     

    Chrome Pictures and The Womb recently released their latest ad for Saregama Carvaan.

     

    Said Kumar Ajit, Vice President, Saregama India: “As awareness of Carvaan as a product grows, we now wanted to build in a compelling emotional motive for all young Indians to express their gratitude towards the people who have made some impact in their life. #ThankYou is the simplest expression but most often than not a difficult one to express. With Saregama Carvaan, we want to bridge this gap between the generations. We urge people to say #ThankYou to the people who matter, who have made difference in their lives. The time is right to gift Carvaan not just for its 5000 songs and other great features, but also for the emotional heft it carries”

     

    Adding to that, Navin Talreja, Founding Partner, The Womb said: “We felt Saregama Carvaan could be the perfect carrier of such an expression for the young generation. We want to make Carvaan as synonymous with saying ‘thank you’, as a red rose is for love. The launch film is the first in a series of communication and activation initiatives we will take to seep the message deep into Indian psyche. We’ve started off with a typical and traditional Indian father-son relationship – filled with respect and distance. And how Carvaan can help in a small way to bridge such relationship gaps”

     

    Said Amit Sharma, Director, Chrome Pictures: “A lot of Indians are not verbal about their feelings towards their parents especially towards fathers even though they love them. Small gestures that children express onto their parents are magical moments that fill their hearts with joy. Being appreciated by your child when not expecting is the best gift a parent can ever receive and as a father myself I can vouch for this. Therefore, when the Saregama Carvaan brief was narrated to me I was very moved by it and was extremely excited to take the project forward. I hope my latest creation for the Saregama Caravaan brings both parents and children closer.”

     

     

  • Amazon’s Chonkpur Cheetahs continue to make post-campaign impact

    By A Correspondent

     

    To coincide with the Indian Premier League finale that played out last night, Amazon.in’s latest T20 campaign Chonkpur Cheetahs, too launched the finale closure film for the season. The campaign ‘India keSapnokiApniDukaan’ consisted of a series of films about an aspiring team’s journey to reach their goal of playing in the T20. The campaign captured the various ways in which Amazon.in enables the team to get one step closer to their dream by providing them access to a huge selection of products which might not otherwise have been easily available. Commenting on the closure film, Ravi Arun Desai, Director, Mass and Brand Marketing, Amazon India said: “We are thrilled by the response witnessed for the Chonkpur Cheetahs campaign from across the country, to the team actually becoming a loved household name today. With the closure film we want to convey that every Indian dream can come true. As Amazon, we want to show our support to millions of Indians by being their partner in their quest to reach their dreams.” Conceptualised by Ogilvy and Mather Bangalore and directed by Amit Sharma of Chrome Pictures, the campaign was led by multiple TVCs through the course of T20, amplified through an integrated campaign spread across Digital, Social, OOH, Print and Radio.

  • AdStrat: Happy beginnings with Shubh Aarambh

    Abhijit Avasthi, NCD, Ogilvy & Mather

     

    [youtube width=”300″ height=”200″]http://www.youtube.com/watch?v=JJ-WZqaGAf0[/youtube] [youtube width=”300″ height=”200″]http://www.youtube.com/watch?v=odmcmnWjK10[/youtube]

     

     

    Name of the Campaign/Ad:

    Cadbury Dairy Milk – Shubh Aarambh

     

    The Brief:

    Get consumers to eat more chocolate by creating new occasions for consumption.

     

    Research insights

    Our strategy was to grow chocolate consumption by making it part of Indian meetha (sweet) consumption behaviour. By positioning ourselves as meetha and an accompaniment to celebrations, the most obvious meetha consumption moment in India the brand saw tremendous growths. The challenge for the brand was how could we go beyond this?
    How do we integrate with the Indian meetha behaviour even more strongly beyond celebratory occasions?

     

    Analysis of culture codes of chocolate and meetha helped to uncover a new opportunity and a new occasion for chocolate consumption.

     

    The western culture code for chocolate is: Sin. Chocolate came to India from the west but the culture code for chocolate in India is different. In India chocolate had become ‘meetha‘ and to Indians, the significance of sweet or meetha runs beyond its physical and functional attributes.

     

    In India sweet (meetha) performs a spiritual role. Meetha is offered to the gods, it allows us to connect with optimism. Meetha is associated with festivity, purity, and all things good and happy. The Indian culture code for sweet (meetha) hence chocolate is: Auspicious.

     

    This led us to the cultural insight: “Having something sweet before starting or doing anything new is considered auspicious and suggests that the outcome would be good”. More like “Things that are begun on a sweet note have sweet endings”.

     

    The thought process behind the creative:

    Having something sweet before starting something new is an old Indian tradition and is deeply entrenched in our behaviour. Changing such behaviour is the most difficult task, but Cadbury Dairy Milk was determined to achieve it. So how did we do it? How did we make chocolate a part of auspicious occasions? We realized that the way to get into the traditional auspicious occasion zone was by transforming it.

     

    So we redefined the auspicious occasions – made it more contemporary, gave it a fresh perspective. These were not the conventional auspicious moments that India was generally used to. These were more modern and reflected the progressive young India. These real but non-obvious ‘Shubh aarambh‘ moments would expand the footprint beyond traditional occasions like beginning a journey, buying something new during Diwali or Navratri, house warming (moving into a new home), before exams etc…

     

    And the idea of starting anything new on an auspicious note with CDM was conceived –
    ‘Make a Shubh Aarambh with Cadbury Dairy Milk’.

     

    While most of the past CDM campaigns like “Pappu pass ho gaya” focussed on meetha after something good had happened – celebrations (post event), this uncovered a new meetha occasion, meetha before a new start (pre event). Shubh aarambh was an even bigger opportunity as inevitably the number of number of people anticipating success tends to be much higher than those who actually succeed.

     

    Media vehicles chosen:

    TV was the main medium to launch the ‘big brand idea’ but the campaign was also supported with a robust 360 programme (Radio, OOH Print, Mobile and Internet) creating a multiplier effect for the campaign.

     

    Key issues kept in mind while executing the ad:

    Creating contemporary ‘Shubh aarambh‘ moments.
    Real but non-obvious ‘Shubh aarambh‘ moments like a boy asking a girl out for the first time or a middle-aged sari-wearing lady stepping out in jeans for the first time, or a girl eloping with her boyfriend; all situations that one is likely to encounter these days anywhere in India. These allowed us to squeeze our way into tradition by transforming – making it contemporary.

     

    Does the treatment do justice to the brief?

    The executions turned contemporary new beginnings into memorable ‘Shubh aarambh‘ moments on television. Deliberately shorn of glam and celebrity endorsements, the executions helped the idea shine brightly. The results speak for themselves. It got over 7,50,000 views on YouTube and its popularity even crossed Indian shores. It was easily the most recalled and liked campaign in 2010.

     

    What according to you is the differentiating factor about the ad/campaign?

    It came from a real insight into India and Indians and the creative helped it shine through in a way that connected with consumers from all walks of life and across age groups.

     

    Market and client feedback:

    Forty-two per cent value growth and a 33 per cent volume over the previous year for a brand of its size is nothing short of spectacular. To put it in perspective, just the additional volumes from the campaign accounted for enough CDM bars to cover more than 2.5 times the Great Wall of China!

     

    The campaign was awarded the ‘Global Marketing Excellence award’ for best IMC within Kraft Foods and has also won accolades at all leading creative and effectiveness awards including Grand Prix at ABBYs, Gold at AME and APPIES.

     

  • AdStrat: Humming Girl

    Amod Dani, ECD, Leo Burnett

     

    The campaign:

    Humming Girl

     

    The client:

    Tata Capital

     

    The agency:

    Leo Burnett

     

    The brief:

    To create a campaign (led by television) to launch their Home Loan vertical. This is the brand’s first foray into the Home Loan category.

     

    Any specific advisory from the client:

    Tata Capital is a brand synonymous with the values of the parent group Tata Sons. The brand stands on the platform of doing what’s right, and we have worked hard to bring this philosophy alive through our previous two campaigns (Old Coin & Sardar Twins).

     

    Going forward we had to keep the core values of trust, sincerity, consumer empathy and integrity alive in the new home loan campaign as well.

     

    [youtube width=”400″ height=”250″]http://www.youtube.com/watch?v=e8qvFzkGnOE[/youtube]

    Research insights:

    Through focus groups and through Burnett’s hot button research we were able to unearth several insights which concerned rented homes. However, one truly stood out and struck a chord with everyone.

     

    If there is one place in the world where an individual can be herself, express herself freely and do what she likes, it’s her own home. It’s the place where she feels liberated from the external pressures. She is devoid of any scrutiny or judgment of the society. Where there is absolutely nothing to fear and where she feels most secure.

     

    Media vehicles:

    We led the campaign through Television supplemented with Outdoor &Print.

     

    Key issues kept in mind while executing the ad:

    The home loan market is quite intense and competitive. With the growing need to find a suitable home advertisers have constantly tried to push the envelope. But this has often resulted in complex communication that is more informative than emotive. We believe that buying a home is not just a rational decision.

     

    We planned to ride on the emotional equity associated with owning one’s own home. The truth that only in your own home can you truly express yourself is a liberating insight. The creative lens of viewing the complex financial world through a child’s eyes gave us the platform to bring this insight to life.

     

    The brand prides itself on human truths and consumer understanding. Therefore, we were very careful and worked to keep the execution real, honest and simple. The tone as you can see in the commercial is thus empathetic and genuine, true to the Tata values.

     

    The differentiating factor about the ad:

    The one thing that truly sets this ad apart from the rest is the fact that it is deeply rooted in a human insight. The ad is something that people residing in rented homes can truly connect with.

     

    The execution is a very sincere and honest attempt at connecting with these very people. Therefore the performance of the talented young actors is also very real. Her humming is memorable and sweet and once you see the ad, it’s hard not to hum along. Overall Amit has delivered a very charming film.

     

    Market and client feedback and follow-ups:

    We are currently awaiting actual numbers since the TVC went on air. However, the initial response both from the market and the industry seems very positive. The charming execution has been well appreciated by the client, industry peers and most importantly the common man.

     

    Credits:

    National Creative Director: KV Sridhar

    Creative team: Rajesh Mani, Amod Dani, Anirban Sanyal, Sachin Kamath, Nilesh Ajarlekar

    Client Servicing: Suvadip Ghosh, Manish Somani, Nandita Das, Yash Bhawsar

     

    Head | Brand Marketing & Corporate Communication: Veetika Deoras

    Production House: Chrome Pictures

    Director: Amit Sharma