Tag: Akash Banerji

  • Voot scales 100 million monthly active users

    By A Correspondent

     

    Voot has achieved a key milestone reporting about 100 million monthly active users, according to a communique issued on Tuesday. Said Akash Banerji, Business Head – VOOT, Advertising Video Platform (AVoD): “Achieving 100 mn MAUs in just three years is not a mean feat.  We have been able to achieve this new viewership benchmark through our focus on driving constant engagement and reach through impact partnerships, product and tech innovations and versatile content strategy.  Our constant pursuit of building a digital business using a user first strategy and basing all decisions that drives higher engagement is the only reason that has made us achieve a quality 100 mn user base leading to 2x increase in monetisation.”

     

    Editor’s Note: Since there is no third-party measurement available in the digital sector, MxMIndia typically doesn’t carry reports based on viewership of digital entities. However, given that OTT is an emerging sector and OTT properties like Voot in this case, Hotstar, Zee5, Alt-Balaji, Sony Liv et al are run by well-known broadcast organisations which one can trust, until further notice, we are making an exception to our own rule. Readers are advised that MxMIndia has made no independent verification of the data provided.

     

     

  • Vigo Video and Voot launch ‘Vigo Comedy Mahasabha’

    By A Correspondent

     

    Vigo Video has announced the launch of a comedy talent show called Vigo Comedy Mahasabha. The show will feature 12 Vigo comedy creators on Voot who will be pitted against each other to win the title for the State they represent. The four-episode show beginning Jan 2020 will be hosted by popular comedian Paritosh Tripathi.

     

    Speaking about the show and partnering with Vigo, Akash Banerji, Head-AVOD business, Voot said, “We are happy to partner with Vigo to bring to life this new show. Our focus at Voot Studio is to curate interesting brand solutions for advertisers that allow them to connect with their right audience effectively and seamlessly, delivering on their brand story. We are sure that the new show crafted by the Voot Studio team for Vigo will ensure that the brand continues to scale new highs of popularity and reach.”

     

     

  • Voot Studio partners Pedigree for campaign on Mother’s Day

    By A Correspondent

     

    Voot Studio partnered with Pedigree to celebrate Mother’s Day in an unconventional manner. Through this campaign, Voot Studio and Pedigree along with Mediacom as agency partner, urged people to adopt dogs.

     

    Pedigree has tied up with 25+ pet NGOs to drive the cause of adoption for stray dogs.

     

    Speaking about the initiative, Akash Banerji, Business Head–Advertising Video Platform, VOOT, said: “We recently launched our Voot Studio programme, an industry-first initiative that partners with brands around compelling storytelling and platform integrations, to drive their brand narrative for the new-age consumer.  Our association with Pedigree is with the aim of creating ROI for a brand much beyond the 30 second ad spot..”

     

    Added Mohit Arora, Marketing Director, Pet Nutrition India: “BringHomeJoy campaign was visualized keeping our vision of “making a better world for pets” in front &center.  As category leaders we take pride in driving responsible pet ownership, one such initiative is creating awareness and consideration around pet adoption. By involving & directing all digital engagement to 25 partner pet adoption agencies across 16 cities,  we hope to start an initiative to find more loving homes for all pets.”

     

    Said Navin Khemka, CEO – South Asia, Mediacom: “Pet lovers know that pets are like their own kids. We dedicate this campaign to every pet caring person and are confident that many families will come forward and adopt a dog. In todays world we need more compassion, care and understanding. We are fortunate to be involved in co-creating this campaign with Voot Studio & Team Pedigree.”

     

     

  • We’re hot on TV & OTT, says MTV campaign

    By A Correspondent

     

    MTV has launched its ‘MTV Ka #TVKahaanGaya’ campaign, showcasing the channel’s strength on Viacom18’s digital platform Voot. The campaign notes how the youth is attracted to consuming relevant content at their own pace and time.

     

    Commenting on the campaign, Ferzad Palia, Head – Youth, Music and English Entertainment, Viacom18 said: “The perception today is that the Indian youth spends lesser time-consuming content on TV, which couldn’t be farther from the truth. Time spent on TV content and online video has gone up amongst youth. The MTV ka #TVKahaanGaya campaign is conceptualised from that thought and lands the creative rendition in the quirky MTV style. Over the last year, our TV ratings have doubled and consumption on Voot has grown 3-fold, a testament to our belief that content is the king. Comparing to the previous season, shows such as Roadies Real Heroes have accounted for 42 per cent viewership growth on Voot and MTV Unplugged has seen an increase of 52 per cent, respectively.”

     

    Speaking about youth content on Voot, Akash Banerji, Head- Advertising Video On Demand Business, Viacom18 Digital Ventures said: “Fandom is a phenomenon that transcends platforms and can help brands grow in both linear and OTT. MTV content works very well on Voot and has engaged 30 per cent of Voot viewers till date.”

     

     

  • What will make Digital tick?

     

    By Anuka Roy

     

    For the past few years we have hearing that ‘Digital has arrived’. That ‘Digital is the future’ etc. But how has it arrived and more importantly how will it be our future? So, on Wednesday (July 27) some top executives from the India’s motion picture and digital industries concluded that accessibility, affordability, quality content and online content protection will be the key drivers to sustain growth in India’s digital economy.‘Fast Track India: Bolstering Growth in the Digital Content Economy’, a knowledge series forum by the Federation of Indian Chambers of Commerce (FICCI) in association with the Los Angeles India Film Council (LAIFC), assessed the extent to which screen content acts as a key driver of the digital economy in India. The industry experts assessed the current regulatory and infrastructural challenges, reviewed future growth trends and underlined innovative ways of monetising digital content to stimulate growth in India’s digital economy.

     

    Noted filmmaker and Co-Chairman, FICCI, Entertainment division, Ramesh Sippy started the conference by highlighting the fact that increased connectivity, technological innovation and new content delivery platforms all combine to increase growth. He said that government’s role is pivotal to enabling legitimate content delivery platforms to protect and monetise their content in order to achieve their full potential in a rapid changing marketplace. Digital India has the potential to create opportunities for businesses, promote innovation and create jobs. However online content theft, varying levels of broadband access and affordability in terms of data tariffs continue to present challenges for providers to deliver value to consumers. These factors will have a significant impact on how digital media evolves in the future.

     

    Girish Menon, Director, Transaction Services, KPMG India moderated as well as introduced the first panel discussion. The first panel ‘Making Sense of the Economics of Digital Media’ featured a keynote presentation by KPMG. Menon said, “The advent of the OTT services and on-the-go content aided with competitive tariffs and falling average retail price of smartphones has helped to drive video consumption in India. However, profitability still continues to be a major challenge coupled with infrastructure and affordability of data tariffs and payments models. It is imperative for the OTT players to address these concerns through innovative means to achieve the medium’s full potential.” Speaking about the future of OTT content services, Ajay Chacko Co-Founder and CEO, Arre said, “As in the case of broadcast TV in India, the relatively infant digital content economy is showing signs of secular, organic growth driven by an increasingly young India. We already have more than 120 million consumers of digital content. As with every paradigm shift, audience shifts will be followed by a shift in advertiser preferences and finally consumer monetisation. So I am quite hopeful that the digital content economy will see the exponential growth that has been witnessed in the 2000-2010 decade in TV, in the next three to five years.” While film producer Vishesh Bhatt, expressed his concern about serious content makers still not understanding the digital ecosystem. However, Karan Bedi, COO, Eros Digital, was optimistic about the future and gave the example of Pokemon Go, about how the game has caught the attention of the consumers. He said: if consumers are compelled by content, they will eventually pay for subscription as well.  Said Archana Anand, Business Head, dittoTV: “In light of the accelerated digital media consumption across the country, it is wonderful that FICCI and the LA India Film Council provides this much needed platform to discuss the market potential of this space and the innovations and challenges thereof.”

     

    Moving on from the concerns about monetising digital content, the other looming concern is around the rules and regulations of the digital media. The second panel discussion on ‘Regulatory and Infrastructural Challenges for Digital Media’, Abhishek Joshi, Head, Marketing and Analytics, Digital Business, Sony Pictures Networks India Pvt Ltd. said “The OTT industry has graduated from the innovators stage to the early adopters stage within the innovation diffusion curve, based on distinguished product strategies by players in the market. However to cross the chasm to gain the majority market, policy makers will have to play a very big role. Infrastructure and regulatory policies are going to be the biggest differentiators for industry growth for the next 18 months.” Akash Banerji, Head, Marketing and Partnerships, VOOT was very hopeful about the future. According to him, even though the industry is still learning, the consumers will be in a demanding position in the future and eventually mobile data will also come down. Siddharth Roy, COO, Hungama.com, stressed on the fact that branded IP (Intellectual Property) will be one of the key drivers of content regulation. But Rajeshree Naik, Co-founder, Ping Networks, had other concerns. She said that it is the collective responsibility of the industry is to see to it that government stays out of digital media regulations. This session was moderated by journalist and author Mayank Shekhar.

     

    The final panel discussion was on ‘Building a Robust Enforcement Model to Protect Content In a Digital Economy’ and was moderated by Uday Singh, Managing Director, Motion Pictures Association, India Office. Oliver Walsh, Regional Director, Online Content Protection, Motion Picture Association- International(MPA-I) said, “The Indian film and TV industry supports 1.8 million jobs which are at risk because of rising online content theft. The future of legitimate content delivery platforms depends on effective enforcement measures supported by Indian State Governments. The Telangana Intellectual Property Crime Unit (TIPCU) is a great example of a dedicated law enforcement unit to tackle organised online film piracy and will set a gold standard approach to significantly reduce online infringement of films and television shows. I hope it is the first of many such enforcement units across India.” Rajkumar Akella, Honorary Chairman, Governing Council, Anti Video Piracy Cell, Telugu Film Chamber of Commerce said, “As we have been witnessing in recent days, the problem of online piracy is most urgent. The greatest threat now has become the pre – movie release leakages. Without real time interventions from the government and industry, it will go out of control. In this scenario, the latest initiative – TIPCU by the Government of Telangana, the Telugu Film Industry & the Motion Picture Association, India office, is a very significant step in tackling Movie Piracy, particularly Online Piracy. It is a collaborative, dynamic model,where the Government works seamlessly with the Industry and all stakeholders. The unit will be making optimum use of Technology besides policy, enforcement and outreach. This is a step in the right direction to root out piracy in India.” The General Counsel of Viacom 18, Sujeet Jain suggested the formation of digital courts to deal with piracy and protect online content. Anupam Sharma, Director, Film and Casting Temple, Australia was of the opinion that educating the consumers was the first step in stopping illegal downloading of content. He showcased a short video where the cast and crew of his movie are shown to be thanking the audience for not watching pirated videos and acknowledging the fact that the audiences are also a part of the film industry. This video was made to create awareness against video piracy.

     

    Biren Ghose, Country Head, Technicolor India, in his concluding remarks, said, “Content is assuming new life in the emerging digital economy. Technology enables innovations in imagery that could hitherto neither be produced nor consumed. FICCI and LA India Film Council need to be complimented on encouraging the conversation for the Indian agenda in this space.” Panelists concluded that a combination of government and private initiatives would need to be rolled out to achieve the ambitious goal of a truly Digital India.