Category: TV

  • Tamil GEC Vijay TV inks carriage deal in France

    By A Correspondent

     

    Star Network’s Vijay TV will now be available on Freebox TV, Free’s IPTV platform. The launch will make the channel’s first IPTV carriage deal inFranceand also strengthens Free’s current offering of Indian content.

     

    Vijay TV is Tamil language general entertainment channel catering to the taste of Tamil audiences across the world. Vijay TV has raised the bar on content, packaging and promotion, thereby differentiating itself in the market. Furthermore, Vijay is a 24hour Tamil language channel that carries English subtitling on some of its key programming.

     

    Yeshpal Sharma

    Vijay TV is available on Freeview from end of July till 15th Aug and viewers can catch a special line-up of programmes for the Indian Independence Day on August 15.

     

    Commenting on the launch, Yeshpal Sharma, Vice President Star UK & Europe said: “We are very proud to be at the forefront of the Asian television entertainment offering and delighted to partner with Free to launch our leading Tamil entertainment channel in France”.

     

    Free users can subscribe to the Star Pack including Star Plus, Star Gold, Star Life OK, and ABP News at 15.99 Euros a month.

     

     

  • Audiences have given MTunes the best birthday present: Sunil Sahjwani

    [youtube width=”400″ height=”220″]http://www.youtube.com/watch?v=rreKrZ7F0B8[/youtube]

    By Meghna Sharma

     

    MTunes, the 24/7 music channel, completes one year today (August 10)  and can already boast of a 20+ GRP. Completing one year in a genre which revolutionized music during the 1990s isn’t a big deal. However, if one becomes a force to reckon with in such a short period, then it is, of course, a matter of pride.

     

    “When we started, we were at number five or six slot, but now we are number one in the slot. So, I guess we can call it a fast-faced and exciting journey with, of course, a lot of hard work,” said Sunil Sahjwani, Group Creative Director for Pioneer Channel Factory Pvt. Ltd. (holding company of MTunes and MExpress).

     

    Sunil Sahjwani

    Agreeing with him, Divya Radhakrishnan, MD, Helios Media which is strategic consultant to the channel said: “It’s wonderful to receive such a response for such a short period. They believed in our belief and helped us break convention with no VJ or no PJ on the channel only focusing on music.”

     

    Recently various prominent music channels have started a new trend of reality shows and now turning into youth general entertainment channels. Speaking about the same, Mr Sahjwani said: “There is no harm in experimenting and we are glad that they did that. Because the space vacated by them has given more space for music channels to grow. Also, we must realise that youth wants music, otherwise music channels wouldn’t have survived.”

     

    “In the name of ‘youth entertainment’, various channels forget where to draw the line and have created new lows of the Indian television industry,” rued Ms Radhakrishnan.

     

    Divya Radhakrishnan

    Apart from showing music in HD format which is its USP, the channel also prides itself in creating original properties like Asli Voice, Trending20, Kal ka Superhit and so on.

     

    “The channel’s aim is to reach out to various age groups and moods during the day and that is why the tempo of music keeps changing during the day. For instance, the day starts with fast-paced music, whereas in the afternoon the tempo reduces, only to increase again in the evening We want people to feel music and not just hear or see it,” said Mr Sahjwani.

     

    Music, today, is consumed across media – television, radio, internet, mobile, phones and other digital devices. So it is affecting the genre on TV? “No, we must realise that apart from a few urban homes, high-speed internet is still not available everywhere else. Having said that, there is also no denying the fact that youth consumes music on various platforms and internet is one of them. But the visual-audio treat provided by the television cannot be matched by others. Hence, it would be fair to say that other platforms act as a support system for TV. They only push the genre – which is great,” said Mr Sahjwani.

     

    And what about digitization? The channel isn’t available on platforms like Tata Sky. “We are aware of that and are working towards that. We are already there on Dish and Videocon and talks are on with other platforms. However, since we are a FTA channel, we don’t have much to worry about. And of course, we are hoping that digitization does happen this time around.”

     

    The channel opened its sales in April and hopes to do well in the coming years. “Our first motto was to build numbers, which we have been able to. So, now hopefully, we’ll be able to growth manifolds,” said Ms Radhakrishnan optimistically.

     

    The channel feels that Indians thrive on music, so the genre will only grow. However, one needs to be innovative and give the audiences what it wants to stay ahead in the clutter.

     

  • It’s Bloomberg TV India from today

    By A Correspondent

     

    There is much activity and excitement about the rechristening of business news channel Bloomberg UTV.  Since it launched in 2008, this is the channel’s second change in name. It was launched as UTVi and a year later called Bloomberg UTV after an equity alliance with Bloomberg LP.

     

    Other than the name, the channel has also seen significant changes in the editorial and business teams over the last four years. While trading hours at the stock exchanges are a big pull on business channels, Bloomberg UTV has been underscoring its strengths beyond stockmarket coverage.

     

    Although ‘Bloomberg TV India’ is the full name and that’s what the anchors have been saying on air, the logo on the screen only says ‘Bloomberg TV’. Anchors and the channel’s relaunch ad are been highlighting the fact that the channel is part of the worldwide network of Bloomberg TV.

     

    Sriram Kilambi

    Said Sriram Kilambi, President, Bloomberg TV India, “The objective is to position the channel as an organic extension of Bloomberg, the world’s largest financial news network and establish Bloomberg TV India as distinctly different from competitive alternatives. Whilst all business channels subscribe to the Bloomberg terminal for information, the terminal for us is our raison d’etre. Bloomberg TV India is therefore about accurate, incisive, quick and actionable knowledge, straight from the source. Hence, ‘The Original Source’.”

     

    Added Vivek Law, Editor, Bloomberg TV India on the rechristening, “Bloomberg TV India will continue to mirror the highest standards of business journalism which the Bloomberg brand has established globally. We are indeed proud to be a part of the news gathering heritage and will bring to our viewers business news the way the world knows it”

     

    Vivek Law

    The change will be followed with the launch of a few new shows, including ‘The Outsider’, where celebrated journalist Tim Sebastian will anchor a discussion on key issues concerning the country.

     

    The name change has been in the works for a few months. Last fortnight, the channel unveiled a campaign crafted by Triton Communications with the ‘U’ in the name greyed. While unveiling the new communication, Mr Kilambi said: “The business news genre is full of the same stuff – which is very stock led basically buy-sell hold. We at Bloomberg are about the larger picture – infrastructure, macro-economics, judiciary, policy, stocks, real-estate etc.”

     

  • Mid-Day launches Fully Filmi

    By A Correspondent

     

    It is the 33rd anniversary of Mid-Day, and the publication is celebrating it in style. As the brand extension, the group has launched a Bollywood portal – Fully Filmi. The portal aims to address the need gap that the Bollywood-news websites have yet not been able to cater.

     

    Manajit Ghoshal,MDand CEO, Mid-Day, said: “When we thought of launching the website on Bollywood, we saw that there were hardly any websites that were doing breaking news. It was surprising, given that it is one of the biggest film industries in the world. The current crop of Bollywood websites does not dish out anything fresh; they do not have a dedicated team of journalists. They are more of news aggregators. We are going to focus more on coverage of authentic industry news.”

     

    The website has been getting positive reviews from the film fraternity, according to Mr Ghoshal. However, the website is due to get the responses from advertisers. Mr Ghoshal said: “We wanted to approach the advertisers only after the launch. Now that the web property has been launched, we will approach them in due time.”

     

    Among the target group of the website is the NRI community, and the audiences in interior India. The property will be promoted through Dainik Jagran’s Hindi dailies, and cross-referenced with Mid-Day to drive traffic. Other than this, the property is looking at film theatres and tie-ups for promotion.

     

    The group is trying also hard to regain its past numbers in Mumbai. Mr Ghoshal said: “We have been adding numbers to readership since last three years. However, we will be focusing more aggressively on that front. We wish to keep the trend up for the next couple of years. The group would experiment with newer formats, new innovations in our 33rd year.”

     

     

  • Neo Prime bags Nehru Cup Football

    By A Correspondent

     

    Neo Sports has been announced as the exclusive broadcast partner for the Nehru Cup football tournament. The biennial international invitational tournament, which has been organized by the AIFF since 1982, will kick off on August 22 and run till September 2.

     

    Defending champions and two-time winners India will be gunning for a hat-trick of titles and will be up against Maldives, Syria, Nepal and African power houses Cameroon in a 10-match round robin league followed by the final between the top 2 teams.

     

    Prasana Krishnan, COO-Neo Sports Broadcast Pvt Ltd said: “Neo Sports has added yet another key event to our extensive football line up with Nehru Cup. TV ratings for football in India are growing exponentially, evident with the success of UEFA EURO 2012 on Neo Prime. With Nehru Cup being India’s only international football tournament, it is sure to garner high viewership. We look forward to serving Indian football fans with top class coverage of this celebrated event.”

     

    Ashu Jindal, COO-IMG Reliance said: “With 2012 being the Platinum Jubilee of the AIFF (All India Football Federation) and India returning as defending champions, we are extremely pleased to partner with Neo Sports for the broadcast of this historic edition of the Nehru Cup. This is a key tournament in our vision to radically restructure and popularize football in India. With double the prize money and an extensive production plan, the event will be bigger and grander.”

     

  • Want to recreate Ramayan’s magic, but difficult to fit into grandfather’s shoes: Amrit Sagar

    By A Correspondent

     

    Amrit Sagar

    Twenty years ago, Gods and mythology, not Aamir Khan, ruled the Indian television sets. In the late 1980s, streets would empty out on Sunday mornings as people sat glued to their TV sets to watch Ramayan and Mahabharat.

     

    Now Zee TV, which is re-entering the slot with a mythological show – Ramayan, hopes to create the same magic. “Ramayan is more than mythology; it is the ultimate story about our culture and family values and relationships. We all grew up on it, and we want the current generation to know about it. We wanted to tell the story, which left an impact on us, all over again…” said Sukesh Motwani, head – fiction programming, Zee TV.

     

    The channel has chosen the 11am slot because it feels that the story needs to be watched together as a family, and what could be more perfect that a Sunday morning.  It is happy that the slot is being relived again as various networks are launching shows on the same slot. “For the last few years, no one paid attention to the Sunday morning slot, but now things are changing. However, we do believe that the content is the main criteria which will make the show on that slot a hit or not,” said Mr Motwani.

     

    The channel also believes that times have changed and TV penetration and numbers have increased over decades but the whole Sunday morning experience can be brought back with a story as simple and universal as Ramayan.

     

    Sukesh Motwani

    Apart from the story, one more thing common between the original and the new Ramayana is the Sagars. Zee TV has taken on-board Sagar Pictures. MxMIndia spoke to Amrit Sagar, who along with Moti Sagar and Meenakshi Sagar, is set to recreate the classic…

     

    Many networks have showcased new avatars of Ramayan and Mahabharat, but failed to get the same response as the originals. So, how is this going to be any different?

    We must keep in mind that the stories for such epics cannot be changed. One has to tell the same story; however, the way it is told can vary from person to person and how lavishly the show is made. From that aspect, we have tried to make it bigger and better than anything seen before. Having said that, we have made sure that the story isn’t compromises with, so, have followed my grandfather’s and Tulsidas’ original.

     

    Audiences and mindsets have changed, so how will you make the show relevant for today’s generation?

    We are very much aware of this fact. Therefore, we plan to charm the audiences with the visual effects and sets.

     

    Will we see any new faces on the show? How did you choose the actors to play the characters, especially that of Ram and Sita?

    There will be new faces on the show and the ones which people have seen on television earlier are the ones who have never played such characters before. So, it is going to be a different experience for everyone. Also, an image of the god is very individualistic. The actors we have chosen to play Ram and Sita are the ones we thought suited the bill from our view point. We are keeping our fingers crossed… rest depends on audiences and how they welcome and perceive the characters.

     

    There are rumors of clashes because of current failure during the time of the telecast. Do you see that happening today?

    It’s difficult to predict that, but I hope we are also able to create the same passion and effect.

     

    Do you think Sunday morning slot will interest youngsters?

    Apart from the metros, I think Sunday is like any other day for the rest of the country wherein the day starts early. Also, it is about the family spending some quality time together. Therefore, I don’t think we will face any problem in attracting the audiences – old or young. I’m sure the show will be enjoyed by a whole family together.

     

    What kind of response are you expecting since the show will be aired simultaneously on Zee and DD?

    Of course, we are hoping to see a great response from the audiences as the reach will massive. We want to create the same magic again. However, I also know that it will be very difficult to fit into my grandfather’s shoes.

     

  • Are we really ‘free’ at work in Indian media?

     

    By Tuhina Anand and Meghna Sharma

     

    As India gets ready to celebrate her 66th Independence Day, one wonders how much freedom one really has to express oneself – specifically those who are in the creative business. While one has to be responsible when communicating with the masses – be it journalists, or planners for content that is shown on the various channels or the creative agencies that work on various communication strategies for different brands – but there are deterrents to this key element of freedom that the fraternity craves for to express freely.

     

    Keeping these factors in mind, MxMIndia spoke to cross-section of people from the industry to get an understanding on their Freedom Fundas.

     

    Bobby Pawar

    Bobby Pawar, Chief Creative Officer and Managing Partner at JWT India is clear that there is no unfettered creativity that exists and that is probably best for a creative agency. He explained: “Our job is to come up with brilliant communication solutions for our clients, hence there is a purpose to achieve. So what we follow is creativity within a box where it is harnessed to achieve maximum result. We partner with various people to come up with this solution and hence we have to listen to various opinions. I do not profess complete freedom for the creative industry.”

     

    However, Mr Pawar would like to have more control over the shape that an idea finally takes and how it gets executed. Also he definitely would like to have more control over the research that is handed to them and definitely over the way an allocated budget on a brand is being invested.

     

    Research seems to be the bane of the creative frat. Rahul Sengupta, NCD at TBWA India too would want freedom from research. He feels that if one wants to do anything that’s trendsetting, often research acts as an impediment to take it forward. As for clients’ demands, Mr Sengupta said: “The client is the one sponsoring the idea, so definitely one would not want freedom from them! I have met clients who are hazards to creativity as well as those who are best guardians of an idea.”

     

    He added pragmatically: “Of course, there are frustrations and there is lack of freedom but if I would rather have freedom from research than clients as latter can be worked amicably to enhance the client-agency relationship.”

     

    We also spoke to people at mid level like Auro Chattopadhyay, who quit Ogilvy recently, who also wanted freedom from research. He said: “Often research might not help in the brand story, but insistence to stick to it hinders creativity.”

     

    A creative hand at JWT pointed that conflict happen when there is no match with one’s creativity and that of one’s higher up. Fortunately, this has never happened with him. He feels that the creative industry gives him much freedom to use his ideas as opposed to many other professions.

     

    However, another stated that hierarchy means towing the line of ideas that the higher in authority believe in. Freedom of creativity in such cases often refers to agreeing to somebody else’s vision.

     

    The case, however, is different in the new medium such as digital where there is largely freedom to execute an idea. Carlton D’Silva, CCO, Hungama Digital, said: “Right now, digital is like the last three slide of a presentation- very much an afterthought. Hence, spend on the medium is miniscule. There is a fair amount of freedom to explore creativity. However, one would like freedom from data as often clients demand for it but in digital especially, when suggesting some new technology and a unique idea to take shape, there is no data available.”

     

    Prosenjit Datta
    Courtesy BusinessWorld

    We also spoke to people from the print and broadcast industry to give us an understanding of freedom they enjoy at work. Cyrus Oshidar, Creative Director at Bawa Broadcasting is credited with creating some unique content at MTV and even pushing the boundaries. His view: “If one only wants creative freedom then one should be an artist. If you are producing or making a show for which a client is paying, then there will definitely be some constraints. Ratings do matter in our business and sometimes might even alter one’s choice rather than giving the freedom to do something which one really wants to. Also, one needs to be politically correct in this country. Even the government which is supposed to protect people’s freedom sometimes backtracks from its duties. One needs to be careful about how they approach an issue without offending or hurting feeling of any section of the society. Honestly speaking, we have too many restrictions which are created by us. There is no true democracy in this country.” Mr Oshidar clearly pointed that freedom in creative business is a myth.

     

    Sucheta Dalal

    Prosenjit Datta, Editor, Businessworld, giving his take on the print industry, said: “Every magazine or a newspaper has a certain set of audience and purpose. For instance, a business magazine like ours won’t focus so much on political stories as political or general magazine would do. So, what stories they choose and how they analyse will be different from genre to genre. Hence, it would be unfair to say that there isn’t creative freedom or if media is ‘restricted’. We don’t have any management policy which will hamper or obstruct our editorial approach. A lot depends on the editors too as they enjoy full freedom to how to go about an issue.”

     

    Pointing out the restriction that comes with the economics of business, Sucheta Dalal, senior journalist, commentator and consulting editor, Moneylife said: “With so many newspapers, magazines and news channels making losses, it is hard to say or believe that they are not dictated by marketers. Today, we can even see head of various companies writing with their bylines which wasn’t the case earlier. I don’t know how things are right now as I’m not working with any newspaper at the moment, but when I was with Times and Express, the pressure from the advertisers was quite evident.”

     

    Sunil Lulla

    And how is it in television? Said Sunil Lulla, CEO and MD, Times Global Broadcasting: “Over the past decade or so, the television industry has evolved. There is greater sense of self-regulation and discipline as well as maturity on entertainment and news channels. Though there are guides and policies set by regulatory bodies like IBF, industry enjoys the freedom to operate freely. Besides, there is greater acceptance of TV now which enjoys sense of confidence and responsibility. So, there is culture of freedom in media.”

     

     

     

    Sudhir Sharma

    Said Sudhir Sharma, Producer, Sunshine Productions: “TV as a medium is for the masses and targets everyone from kids to adults to old folks. We make TV shows to entertain. We do follow certain guidelines and censorship which is surely a necessity. By and large we surely have the freedom to make the content we want to show. Creative freedom parameters may vary from producer to producer. Compared to films, TV censorship guidelines are surely stricter keeping in mind that television is accessible on the press of a remote button. In my opinion, we have enough creative freedom and we as makers are progressing and so are the maturity level of audiences.”

     

    Freedom, limited freedom, no freedom… we received no clear answers to our question. However, the fact remains that despite the current slowdown, the fraternity is still managing to survive and thrive in the prevailing system.

     

    Image: Rafiq

     

     

  • Exclusivity is an attractive proposition to not only viewers but also sponsors: PIX

    By A Correspondent

     

    Over the past few years, competition in the English movie channels genre has intensified. However, the genre still enjoys a limited audience. Therefore, each channel has to out-do its competition to stand out in the crowd.

     

    From differentiated marketing to programming strategies, channels try their level best to capture maximum eyeballs. MxMIndia spoke to Amogh Dusad – Programming Head at PIX which showcases various festivals to find out how well has this mantra worked for the channel…

     

    PIX keeps coming up with ‘festivals’ like the 3 Legends. What is the rationale behind it?

    We at PIX strive to provide popular and interesting content to our viewers. 3 Legends is a new programming block we have created this month which will showcase movies of the three martial art legends – Bruce Lee, Jackie Chan and Jet Li. Similarly, Sunday Breakout, Awesome Saturdays, Hand PIX and Super PIX are blocks created to offer variety and meet the ever-growing appetite for Hollywood films. Also, festivals break the monotony on a channel as they always offer something interesting to look forward to for the viewers.

     

    Why is it important to have these festivals?

    Blocks and festivals create a sense of excitement and appointment amongst the viewers towards the slot, in specific, and the channel, in general. They also bring uniqueness to the channel, which simply means that at any given point of time you will not see more than one channel programming or treating a particular genre, cast, theme or local festival in the same fashion. This ‘exclusivity’ is an attractive proposition to not only the viewers, but also the sponsors.

     

    How has been the response on this from viewers?

    Our viewers often write to us about how unique they find PIX – whether it’s our titles, promotions or even hoardings. The response from the market too has been good, since sponsors know they will get a good response by choosing our programming festivals as a media vehicle for their brands. Our viewers between the ages of 15 to 25 years are most vocal about their feedback, which we often get to know through our Facebook community and our youth community called the PIX Movie Club.

     

    How do you chalk-out the plan for a year? And when?

    At the start of the fiscal, we set out goals for ourselves, but we are not rigid and are always open to making changes as per evolving viewer needs.

     

    Which has been the most successful festival package, so far? Why?

    Over the past few months, Sunday Breakout and Hot Summer Collection have performed very well in terms of numbers and viewer engagement. Sunday breakout is a slot programmed on Sundays from noon to early evening wherein two tiles with a single break are scheduled, targeting the entire family. Another successful slot has been Hot Summer Collection which was programmed during summer vocations and was directed toward school and college students.

     

    What else can we expect from the channel?

    We will be showcasing the biggest animation movie of the year next month for which we are all very thrilled! Going forward you will see many big ticket properties of the creme de la creme of Hollywood.

     

     

  • Sunil Punjabi is India Business Head for SPT Networks

    By A Correspondent

     

    Sony Pictures Television Networks, Asia has appointed Sunil Punjabi to lead its Indian operations in the newly created role of Business Head, India. Mr Punjabi is based in the company’s Mumbai office to lead its local team in all business functions, with the responsibility for the profitability for SPT’s networks in India, said a release from the company.

     

    Overseeing the day-to-day management of the channels, Mr Punjabi will develop business opportunities and channel equity. He will lead the team in developing the go-to market strategy for new channels as well as oversee the development, acquisition and production of a content mix for SPT’s networks in India. Mr Punjabi is also charged with driving marketing strategies to grow the channel brands and to pursue further distribution opportunities. He reports to Ricky Ow, Executive Vice President and General Manager, Networks, Asia, Sony Pictures Television, who is based in the company’s regional head office in Singapore.

     

    Mr Punjabi brings 12 years of well-rounded experience in the Indian media and entertainment industry across key business functions including advertising sales, marketing, theatrical exhibition, business development, production, distribution, and operations.

     

    “We are pleased to welcome Sunil to drive our business in India. His acumen and experience across all functions will be key assets to lead our channels to greater heights in one of Asia’s largest and most competitive TV markets,” said Mr Ow.

     

    Mr Punjabi joins the company from one of India’s top three film exhibition chains, Cinemax India Ltd., where he served as Chief Executive Officer from 2010. Prior to that, he worked at Multi Screen Media Pvt. Ltd. where he was Senior Vice President for Business Development, leading the new media, mobile telephony and syndication divisions’ integration with the company’s sports and music TV channels.

     

    Mr Punjabi was instrumental in the formation in Fox Star Studios, the joint venture between Twentieth Century Fox and Star TV, and was also involved in major films including Slumdog Millionaire and My Name is Khan.

     

    Sony Pictures Television Networks, Asia, based in Singapore, was established in 1997 as the Asia headquarters for Sony Pictures Television Networks. It operates five ad-supported 24/7 channel brands in the region which are wholly owned by Sony Pictures.

     

     

  • TAM offers 6 action steps in meeting with ISA & AAAI

    By A Correspondent

     

    The Indian Society of Advertisers (ISA) and the Advertising Agencies Association of India (AAAI) called a joint meeting on August 16 for TAM to present facts as they are relevant to the users.

     

    “As key users of audience research data, advertisers and advertising agencies need to know facts directly from the research agency. And if there are challenges at any level in the research, the research agency needs to share its proposed action plan with us,” said Bharat Patel, Chairman-ISA and Arvind Sharma, President-AAAI in a communiqué.

     

    TAM shared its perspective with ISA and AAAI and outlined six key action steps:

    • Appointment of a security officer and a security agency
    • Expansion in number of meters in the existing 6 top metros
    • A review by the industry of research processes that determine what TAM reports in its weekly reports. And what meter homes are left out of reporting for being data outliers
    • Getting the outlier homes independently audited
    • Faster panel rotation
    • An internal audit team to be put in place as soon as possible

     

     

    “We look forward to speedy implementation of the six action steps outlined by TAM. With the formation of Broadcast Audience Research Council-BARC on the anvil, it will be appropriate for us to request BARC to review if these steps are adequate,” added Messrs Patel and Sharma in the statement.

     

  • A year of glittery success for UTV Stars

    From Left to Right – MK Anand (MD, Media Networks), Ashutosh Gowariker, Karan Johar, Yash Chopra, Farah Khan, Ronnie Screwvala (MD, The Walt Disney Company India), Zarina Mehta at the launch of UTV Stars, last year

     

    By Meghna Sharma

     

    On August 19, the world of glamour and glitz had one more reason to celebrate – UTV Stars turned one. The Bollywood and lifestyle channel launched last year by the network promised to give the audience more than what the current lot of channels were offering.

     

    Nikhil Gandhi

    “UTV is synonymous with Bollywood. Having revolutionized the movie production space over the past few years, it seemed logical for us to launch a Bollywood channel. We believe that we have an edge over the channels because of the backing and our enviable access to the Industry. We provide the viewer with innovative content and showcase the land of Bollywood from the inside as opposed to an outsider’s perspective. We are the insiders and very much part of the industry that we’re showcasing,” said Nikhil Gandhi, the business head of the channel, describing what differentiates it from the rest in the genre.

     

    The channel takes immense pride in offering the audience outstanding and unique content. “Right from its inception, UTV Stars has been offering the average viewer path breaking and innovative Bollywood content, thereby bringing Bollywood closer to the audiences. Before launch, Bollywood channels were mostly all about music and news formats. But ever since we’ve launched, we’ve emphasized a lot on original content that has resonated very well with the audiences,” explained Mr Gandhi.

     

    But that’s not enough; it strives towards moving beyond TV too. In less than two months of launch, the channel took the brand on ground via prestigious associations with ‘The People Best Dressed Show’, Lap Buddh Circuit After Parties, ‘Cosmopolitian Fun Fearless Awards’ and FICCI FRAMES Excellence Awards as official broadcast partners. And in March this year, the channel went on to launch country’s iconic landmark – Walk of Stars. “The response to the initiative has been overwhelming, from both, the film fraternity and the audiences. And yes, we do plan to launch in other cities. We’re planning to launch in Gurgaon at the Kingdom of Dreams in association with Wizcraft, following which we also plan to take the property international”, said Mr Gandhi.

     

    Speaking on the marketing spend by the channel, Mr Gandhi said, “Marketing Activities are of utmost importance and we have indulged in several marketing activities right since launch. During launch, the channel was backed by an extensive outdoor brand campaign with the messaging ‘Touch,Feel, Believe’ endorsed by all the A-listers of Bollywood. Our shows Live My Life and Up, Close and Personal with PZ, were also backed by extensive outdoor campaigns. Also, with a view to strengthen the brand presence beyond television, we indulged in several prestigious on ground associations as the exclusive broadcast partner. In fact, our most recent marketing activity was an on-ground association with IIFA 2012 wherein we took ‘Walk of the Stars’ global.”

     

    The channel was launched simultaneously in India and Middle East. And, in less than a year, the channel was launched in UK as well. It plans to continue to grow from strength to strength in future by broadening our horizons and making inroads into other markets.

     

    “The channel will continue to create outstanding content and strive towards continue to build itself as a 360-degree brand. Ie, a brand beyond TV,” concluded Mr Gandhi on an optimistic note.

     

  • Zee TV creates ‘virtual temple’ for Ramayan

    By A Correspondent

     

    Zee TV’s latest salvo in the cyber-competitive world of social networking websites is an innovative ‘virtual temple’ on the Facebook page of its new mythological show, ‘Ramayan’.

     

    The virtual temple holds the promise of a few moments of daily spiritual solace for netizens. The imagery, the colors and the music used have a calming effect and can easily transport a devotee to a harmonious, divine space. Packaged beautifully, the temple is a re-creation of the Ram Durbar showcasing Lord Rama, Lakshman and Sita with Lord Hanuman. The temple has unique features that let them ring the bell, light a diya, play a choice of aartis, shower flowers and smear haldi kumkum on the deities, break a coconut and even rotate the aarti ki thali!

     

    In the coming days, Zee TV also plans to create a mobile application that will make the virtual temple available to smartphone users and let them interact with ‘Ramayan’ through aartis and chaupaayis.

     

    The launch of the virtual Ram Mandir comes in the wake of the launch of new mythological series ‘Ramayan’ which went on air on Sunday, August 12 on Zee TV and Doordarshan.