Category: ADVERTISING

  • Scarecrow’s simple way to Success

     

    By Tuhina Anand

     

    We try harder as we are not number 1! This line aptly sums up the attitude that has helped in the success of Scarecrow Communications. Launched in February 2010, the agency has seen growth which has surpassed the expectation of the four partners – Manish Bhatt, Raghu Bhat, Arunava (Joy) Sengupta and Vivek Suchanti.

     

    The mantra for success as Manish Bhatt himself puts is that like the name of the agency, Scarecrow: We as an organization are rooted to ground and are earthy in our approach. We believe in doing hard work and we have taken the longer route to success while slogging to reach where we are today. We don’t get swayed by things happening around and do not get into creative indulgence, but do work that brings a real difference to our clients’ brands.

     

    Mr Bhatt recounts the journey that they embarked on with Scarecrow – even before they started, the duo (Manish and Raghu) were approached by a few network agencies and some independents to work for them as freelancers. So when they actually announced Scarecrow, they had four clients on board.

     

    CLIENTSPEAK
     

    Subhrangshu Neogi, Director- Brand and Corporate Communications, Religare Enterprises

    Working with Scarecrow has been exciting so far. They don’t approach the engagement like a typical client-agency matrix but do so more from a partnership context. They sit and co-create – co-creation is not just lip service. The team, including the founding partners themselves, make that extra effort to understand the little details and nuances which eventually leads to the creation of a good breakthrough end product.

     

    Jiby Thomas, Co-founder, VP, Marketing, Quikr

    We decided to partner with Scarecrow because of their ability to  align their creative thinking to business strategy and develop breakthrough creative that connects with consumers. They are young, hungry and passionate about the work they do and brands they work for.

     

    Dinesh Aggarwal, Joint Managing Director, Anchor Electricals

    From the outset, Anchor was clear that we wanted to associate with a small agency. As the company was evolving and moving away from being a family owned business to being a part of an MNC, there were a lot of processes which were not in place and it was time for a change. What we had in mind was an agency that would become an integral part of our organisation and understand our challenges and meets them effectively. We wanted the agency to grow along with the company. With Scarecrow, the partnership has unfolded exactly as we had envisioned. They understand our issues and requirements and very often they come with more solutions than what we have asked for. In fact, even during the pitch process we were impressed by their involvement with the brand. More importantly, my team is comfortable working with them and I would say that its been a positive relationship.

     

    One thing the partners were clear about, even when they started, was to not establish themselves as boutique, but as a full service agency. Raghu Bhat said: “We wanted Scarecrow to be one-stop that delivers a client’s business and marketing solutions. Also we were clear that for an organization to sustain growth, we need to deliver diverse solutions.”

     

    Interestingly, the agency’s digital presence is just one page that gives their contact details along with their logo. The explanation being that they don’t want people to come with any prejudice while approaching the agency, hence the single contact page works best for them as it gives out crucial detail and has even given them many leads.

     

    As Mr Bhatt explained: “It’s a clean slate for those who want to connect with us with no preconceived notions, and I think this approach has worked best for us.”

     

    When they started out, Joy Sengupta explained, there were 18 people and within 4-6 months they wanted more people on board. “The truth is that we have ambitions but we were never over-confident or over-ambitious, and in that sense we underestimated our potential. Now the agency has over 50 people on board and has offices in Mumbai and Delhi and is looking to expand footprint.”

     

    Another reason, according to Manish Bhatt, that has worked to Scarecrow’s advantage: “Advertising is ultimately people’s business and if you don’t recognize that, you would not grow. We have consciously tried to get fairly senior resources in the agency and have focused on empowering our second line of resources. We take pride in the fact that we have invested in people.”

     

    The focus has been to give best service to the clients, and for this the agency had to do certain trade-offs. Most importantly, the agency didn’t concentrate on any awards nor entered for awards, instead they focused on client servicing and acquiring new businesses. However, getting new business has not been an issue, as many came because of the equity the partners enjoy in the industry.

     

    Mr Bhatt said: “Scarecrow, since its launch, has managed to create buzz and remain at the top of mind of the industry. For us getting new business has not been a constraint.”

     

    So what is it that has made the independents take the industry by such a storm – is it because the value for money small sized agency would provide? On the contrary, Mr Sengupta pointed: “We are rather expensive, as we don’t have scale that big agency networks provide. So, if I have a new client, I might actually hire new people to look after that business, than in a bigger agency which might just end up reshuffling the resources.”

     

    Another practice that Scarecrow doesn’t encourage is taking up businesses on project basis, 90 per cent of their business is on retainer basis, allowing them a sense of stability.

     

    While they have Nestle, Danone, Religare, Future Capital and a host of other businesses but when asked where are the big ticket spenders who many of the independents have in their kitty, Mr Bhatt said: “We are only two-years old, and I think the big brands would come to us, but we have not designed from the beginning to have them, as we believe we must do good work and we will get good work by default. We have got the mid-sized businesses and probably the bigger spenders too will follow.”

     

    Right now the focus for the agency is to build the Delhi branch and look at getting more visible work. It has recently come out with 10 second ad for Quickr that has been garnering good reviews.

     

    Scarecrow also has a gallery that is a platform for encouraging talent. Besides they encourage industry experts to come at the gallery and share their view points with others in the industry. They also have initiated MoM or Method of Madness which is a reverse internship program, where instead of few interns coming and working with them, team Scarecrow goes on campus and participates and interacts with the students.

     

    Asked if Scarecrow was open to selling its stakes, Raghu Bhat replied: “I think we have enough going in India, so we not looking for selling any stakes. However, we are open to collaborating with partners that will help us in maximizing our potential.” The agency also doesn’t rule out the possibility of acquiring an entity outside of India which will help them in expanding their footprint.

     

    Mr Bhatt concluded: “We are a group of well grounded, down to earth people. When you see us at any pitch you can make out that we don’t come with any swagger that many in the business come with. We are genuinely interested in the brand and want to make it work for the clients in the market place. We might not have the big telecom spender or the cola giant but our clients, with variety of portfolio, truly gives us an opportunity to bring creativity that will help their businesses grow.”

     

  • Mediavest appoints Atul Sharma as GM

    By A Correspondent

     

    MediaVest Worldwide, a Starcom MediaVest Group agency has appointed Atul Sharma from Madison Media as GM in their Delhi office. Mr Sharma, who joined on June 20, will oversee the Dabur business and report to Sulina Menon, Executive Director, SMG.

     

    Mr Sharma is a postgraduate in marketing with specialization in research and consumer behaviour. He has more than 11 years experience in Strategy, Procurement and Implementation. He started career with NDTV in research and marketing. He worked extensively on audience segmentation models, business development and marketing plans.

     

    Mr Sharma had stints at Initiative Media and MPG, working with clients such as LG, Nestle, ITC, Maruti and Reckitt Benkiser.  He spent the last four years at Madison where he worked on Coca Cola amongst other clients.

     

    Commenting on the appointment, Sulina Menon said: “We are happy to have Atul on board for Dabur. With his extensive FMCG experience and the research background we are looking at him to drive strategy led solutions to the Dabur brands.”

     

    On his reason for joining SMG, Mr Sharma said: “SMG is a future ready organization and I am excited to work with the new age tools like Tardiis and optimize plans across TV and Web in one go.”

     

  • Aidem wins advertising duties for Jaya TV network

    By A Correspondent

     

    Aidem Ventures Pvt Ltd has announced its partnership with Jaya TV Network where the company will be handling the advertising sales duties for the Tamil television network for the next 3 years. The Jaya TV Network comprises Jaya TV, Jaya Max, Jaya Plus and J Movies.

     

    Announcing the partnership, K P Sunil, Vice President, Jaya TV Network said: “Having identified that in order to communicate with their consumers, brands need to speak to them in their language, thus national clients are increasingly adopting the regional mediums to reach their prospective clients. This is the perfect time for us to expand our sales operations in a big way to geographies beyond Tamil Nadu. Most of the major advertisers are based out of advertising and commercial hubs like Bengaluru, Delhi and Mumbai. We are looking at Aidem to complement our growth strategy with its established network and relationship across clients and agencies across India. This partnership promises to broaden our current client base and facilitate a healthy revenue stream for the Jaya TV network’.

     

    According to the FICCI Frames 2012,India’s regional television industry witnessed a growth of 70 per cent in 2011, as compared to the national growth of the industry which is slated at 12 per cent. The numbers clearly denote that the growth in the industry is coming from the regional markets and the future is there! With the regional channels accounting for approximately 33 per cent of all India CS 4+ television viewership, every advertiser is trying to better their foothold in the regional markets to ensure they enjoy Pan India presence.

     

    “Aidem is well equipped and geared to bridge the gap between the regional and national advertisers. We are optimistic that regional will be the new national and it is a strategic business decision on our part to make out foray in this market. There’s no denying that exciting times are in store for regional TV channels and we are looking forward to this business assignment,” said Vikas Khanchandani, Director, Aidem Ventures Pvt. Ltd.

     

    Discussing the Southern Media Market in India, Alok Rakshit, Head-Broadcast Business-Regional & News, Aidem Ventures Pvt Ltd said: ‘This market comprises various uni-lingual sub-markets, which helps the local broadcasters in terms of viewership, subscription profit, advertising revenue and building overall consumer loyalty for their channels. It forms a sizeable portion of the total Television pie after the Hindi General Entertainment Channels’ category. Among the sub-markets, Tamil genre commands the largest share in viewership. What is good news for the players in this market is the fact that the industry is now also backed by the presence of national advertisers who concede that the regional television industry is the best possible platform for them to connect with the local consumers.”

     

  • Debrief: Hero: Desh Ka Vroom Vroom!

    By Anil Thakraney

     

    The advertising promise is quite simple: Because Hero’s bikes offer terrific mileage, the entire nation rides out more often. And in the creative interpretation of that, Hero has done one boring thing and one interesting thing, so I have mixed reactions to their new TVC.

     

    Boring, first. They have gone ahead and done that same old, tired ‘Desh Ka Hero’ number. The commercial features people cutting across social, economic and religious divides. Wonder when Indian advertisers will evolve and avoid this route like the swine flu. It’s no longer interesting, really. However, the one good thing Hero has done is to use the hand technique needed to ride a bike as the central creative idea, and this device unites all the people featured in the ad. I like this touch. Because this particular hand motion is unique to bike riding (unless you are a plumber!), and it can and should become a neat memory hook for Hero. This is smart thinking.

     

    [youtube width=”400″ height=”225″]http://www.youtube.com/watch?v=0j7BkAOtbFE[/youtube]

    However, what would have been even better is, if they had weaved in entertaining situations around the hand motion, that would have added adrenalin to the TVC. And it would have made it watchable on repeat exposure. But this issue can be dealt with as the campaign moves forward, so that’s fine. Also, must say the jingle is peppy and fun.

     

    Rating: (On a scale of 1 to 5): 3. Old route. But an interesting creative device.

     

     

  • Suvarna Launches new weekend comedy show

    By A Correspondent

     

    Star Network’s Kannada General Entertainment Channel Suvarna has announced the launch of their new weekend comedy show Tirupathi Tirumala Venkatesha directed by Master Anand, who has earlier directed the comedy shows Paduvaralli Padegalu and SSLC Nanmakkalu for Suvarna.

     

    This is an episodic fiction comedy and the story revolves around a family which runs a small business of home-made products.

     

    The show will go on air from July 7 and will be aired on weekends at 10pm.

     

    Anup Chandrashekaran, Business Head of Suvarna said: “Suvarna has been setting new benchmarks with every new show and Tirupathi Tirumala Venkatesha is yet another offering from us which will stand out as a high quality product. We, at Suvarna, are bullish about the comedy genre as it appeals to the entire family and resonates across age groups. I hope our viewers like this show.”

     

    Anil Narang, Head of Marketing & Strategy, Suvarna Channel said: “This show will further strengthen our weekend offering. We have seen in the past that viewers like light hearted comedy shows which act as a stress buster. We are confident that viewers will enjoy this hilarious comedy show.”

     

    Tirupathi Tirumala Venkatesha is one more addition to the many popular shows of Suvarna such as Krishna Rukmini, Preetiyinda, Amruthavarshini, Pancharangi Pom Pom, Chukki, Cheluvi and Pallavi Anupallavi.

     

     

  • 9X Tashan now also available on Tata Sky

    By A Correspondent

     

    9X Media Group’s Punjabi music channel 9X Tashan is now also available on Tata Sky. Commenting on the initiative,  Sandip Bansal, Managing Director, 9X Tashan, said: “We are delighted to announce that Tata Sky subscribers can now enjoy Punjabi music and humorous short format shows aired on 9X Tashan.”

     

    Nicola Bamford, Chief Content & Business Development Officer, Tata Sky Ltd. said: “Our endeavour has always been to provide the most relevant content to our growing subscriber base. Today, Tata Sky engages every member of the family with the most comprehensive range of entertainment and music content. The launch of 9X Tashan on our platform underscores our continued commitment to add the very best to Tata Sky’s growing portfolio of channels and further increase the entertainment value of Tata Sky.”

     

    Launched on August 31 2011, 9X Tashan is available across cable and satellite homes. The Channel is streamed live on the internet on the channel’s website - www.9xtashan.in and on various mobile platforms.

     

  • Bhaskar digital biz nets 200 mn page views

    By A Correspondent

     

    The Dainik Bhaskar digital business has achieved 200 million page views (PVs) and to commemorate their success, the group had noted filmmaker Ekta Kapoor visit their Noida office and participate in the cake-cutting ceremony with Pawan Agarwal, Director and Promoter, Dainik Bhaskar Group, Gyan Gupta, CEO, Dainik Bhaskar Digital Business, Harrish M Bhatia, CEO, My FM and employees.

     

    Highly impressed with the wide digital reach of the Dainik Bhaskar digital business, Ms Kapoor said, “This achievement speaks volume of the interest people take in their content and how successfully they have catered to the varying demands of the readers.”

     

    With the number of people accessing their websites – Dainik Bhaskar (www.dainikbhaskar.com), Divya Bhaskar (www.divyabhaskar.com), Daily Bhaskar (www.dailybhaskar.com) and Divya Marathi  (www.divyamarathi.com) -  increasing by the day, it is obvious that their readers not only relate to their news and articles, but also find these interactive and engaging.

     

    The local language websites have found a connect with the viewers. While Dainik Bhaskar has achieved 136 million page views, Divya Bhaskar has 61 million to its credit, explaining the impact local languages leave on the minds of the readers.

     

    Since the websites’ highest traffic is generated from their cardinal sections such as local news section, e-paper, entertainment, sports, business and stories flashed on flicker, all websites are designed keeping in mind viewers’ interests.

     

    Considering the interesting blend of articles, news items, movie reviews, videos and audio links, which all websites offer, there is something substantial for everyone!  In addition to presenting the news of national and international significance in a rational way, it is planned in a way which is simple, enlightening and attention-grabbing!

     

    Commenting on the group’s accomplishment, Mr Gupta said: “We have been making constant endeavours to give our readers what they want, beyond news. Our huge growth is an endorsement of the fact that our readers are right.”

     

  • Ann Chu joins CNN advertising sales team in Asia

    By A Correspondent

     

    CNN announced that it has appointed Ann Chu as Director – Partner Solutions Group, CNN Advertising Sales Asia Pacific. Based inHong Kongand reporting to William Hsu, Vice President, CNN Advertising Sales Asia Pacific, Ms Chu will be responsible for generating and managing sponsorship opportunities and projects across the region.

     

    “Ann’s experience in both the newsgathering and content sales functions position her extremely well to provide our clients with first-in-class sponsorship solutions,” said William Hsu. “As the CNN ad sales team in Asia continues its solid sales performance this year, we look forward to Ann’s continued commitment to the network and our clients.”

     

    Ms Chu began her career at CNN in the newsroom more than a decade ago, writing and producing for award winning programs including CNN Today and BizAsia. She was most recently the Executive Director of CNN Broadcast Sales and Affiliate Relations, responsible for managing sales and support of the network’s broadcast services to networks across the region. Ms Chu was instrumental in driving the expansion of the network’s affiliate training and support services across both traditional and new media platforms, including the development of a web-based content delivery system for the network’s broadcast affiliates.

     

    Prior to joining CNN, Ms Chu worked at MTV Asia and Dreamworks in Los Angeles. She has a BA in Communications and Business from the University of Southern California, and a Masters in Journalism from the University of Hong Kong.

     

  • Anil Thakraney: To Archies. With love

    By Anil Thakraney

     

    Makers of Archies greeting cards have made a sensational announcement: They have a brand new logo! Wow! Can’t wait to hit their store! Am sure there’s a stampede out there!!

     

    Just kidding, of course. If there’s one product category that continues to disappoint me, it’s these festive cards, a category in which Archies is the market leader. These cards have got stuck in time, the design is the same old boring eighties stuff, and the messages seem to be written by juvenile delinquents and/or a group of really bored housewives. Each time I’ve dropped by at the Archies outlet, I have struggled very, very hard to find one single witty and sparkling card. It’s always the same rubbish: ‘Dear Husband, you mean the world to me, I will love you for the rest of my life.’ ‘Dear Mother, you are the best mom in the world, you make me happy.’ And this nonsense relentlessly goes on.

     

    Isn’t it amazing that people continue to buy this cheesy trash? Especially in these days of e-cards and social media? Why does it happen? The answer is quite simple, and it’s this human quirk that has helped Archies thrive despite years of staggering mediocrity. People, especially women, like the personal touch of a hard copy card, they don’t much care for the e-card. They appreciate the fact that someone they love made the effort and spent the time to buy them a special card. So what if the card itself sucks, that’s not really important. The gesture is.

     

    And it is this human quirk which has helped the card maker amass a lot of money without ever ploughing some back into improving the product. Thing is, I wonder how long this affection for a hard copy card last. As the generation changes, many Indians would smoothly switch to the internet for greeting each other, and be quite happy using that medium. And that would mean a quiet death for Archies cards.

     

    Dear Archies, there are enough very talented designers and writers in this nation. Please loosen your purse strings and spend some money on content and design. That alone will assure a future for you. A cosmetic logo change certainly won’t.

     

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    PS: Don’t we often land up on a page that does not exist? When that damned ‘404 ERROR’ warning springs up? Well, some designers have decided to sex up that dull and un-inviting page. And the results are great fun. So much better to spend energies on this than indulge in fake ads to win awards.

    Link: http://www.topdesignmag.com/30-awesome-404-error-page-designs/

     

     

  • RK Swamy Hansa wins mandate for TAFE

    By A Correspondent

     

    The RK Swamy Hansa Group has won the mandate for Tractors and Farm Equipment Ltd. (TAFE Ltd). The pitch presentations spread across the last few months were from eight National and Regional agencies over several rounds of Credentials, Strategy, Creative, Media, Events, CRM and Analytics.

     

    The decision was initially narrowed down to RK Swamy Hansa Group, Lowe and JWT and then to a 2-way encounter between JWT and RK Swamy Hansa. This win is significant since the RK Swamy Hansa Group is being called upon to provide TAFE all ATL (Creative, Rural Marketing and Media), BTL (Promotions, Events and Activation) and CRM & Analytics services.

     

    VV Vijay Gopal, President (South & East), RK Swamy BBDO, said: “The collective expertise and deep insights that various entities of the RK Swamy Hansa bring is what enabled this win. Our task will be to enhance the equity the client has and deliver a unique customer experience.”

     

    As part of this mandate, RK Swamy BBDO Creative, Hansa Customer Equity (Hansa Cequity), RK Swamy Media Group, Social^Rural Direction and Hansa Events & Activation will come together to offer specific services. Hansa Cequity and Social^Rural Direction, the specialist division of RK Swamy BBDO were critical partners with the Creative Agency during the pitch stage. Social^Rural Direction, with its strong understanding of the rural market and strong network, will develop strategy as well as implement the rural marketing programs and events for TAFE across different states. Hansa Cequity with provide focused CRM & Analytics programs to enhance pre-sales and post-sales experience. It will also leverage the power of data, analytics & insight-driven campaigns to every customer interaction.

     

    RK Swamy BBDO will orchestrate the entire exercise of building the brand – Massey Ferguson. The agency will be the single point contact to the client.  While the Agency’s main focus will be on Strategy Planning and Creative execution for both ATL and BTL requirements, it would also ensure that all the divisions work in unison with the brand strategy to create the synergy for the brand.

     

    The RK Swamy Media Group is entrusted with all media planning and buying work.

     

  • The Best of Print Ads – 2011

     

    By A Correspondent

     

    You may have seen only a few of them and probably even forgotten the underlying message that the campaigns had to tell. But now you could make a dash to have a hard copy of MOSAIC, a compilation of the Best in Print (campaigns) to have hit India n shores in 2011. The compilation has been put together by 23 creative agencies who have submitted their best pieces of work for the category in 2011. Conceptualised by Sanjeev Kotnala and team from the Dainik Bhaskar Group, the initiative has been made special through the “insights” and “personal favourite” sections that have been provided by Media agency bosses. These include Lynn de Souza of Lintas Media Group, Mallikarjun CR, CEO, Starcom MediaVest Group, PM Balakrishna, Chief Operating Ofiicer, Allied Media and Punitha Arumugam, Director – Agency Business, Google India.

     

     

    Lynn de Souza, Chairman and CEO, Lintas Media Group, Chairman, Aaren Initiative and Director, Karishma Initiative

    “An excellent idea to recreate interest and remind all about the power and impact of the print medium. My only reservation is that there were too many submissions of ‘pretty pictures-pithy headlines’ work that may or may not have been published and did not appear to fully grasp how the medium must be used effectively.”

     

    TOP 5 Choices:

     

     

     

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    1) DNA – ISKCON (Scarecrow India)

    Reasons for choosing: The intelligent use of the cigarette-turned-food visual immediately targets the smoker and invites him/her to contribute in a very simple way to a cause that benefits both beneficiary and the giver – something not easy to achieve. I like the simple, clean look of the ad and the directness of the headline and copy.

     

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    2) Flying machine “What an Ass” (Lowe)

    Reasons for choosing: This is my idea of perfect ad! One that has used all the elements of the print medium – headline, visual, copy to present a bold, modern attitude through a perfectly harmonised contribution of all three. It’s an unmissable ad whether you are a guy or a gal.

     

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    3) Parker – Ramnath Goenka Excellence in Journalism Awards (Lowe)

    Reasons for choosing: A stark headline supported by the simple bottle of ink that says it all. An attention grabbing reminder of the power of the pen to influence the world. Perfect synergy for the subject – Journalism awards and the ‘always memorable’ image of a gold Parker fountain pen.

     

     

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    4) The Times of India – A day in the Life of India (Taproot India)

    Reasons for choosing: Fantastic art direction – great visual appeal that hooks you into reading the whole ad. The contemporary feel, using India n kitsch, with attention to detail, is riveting. (Check out the dog lifting his leg to pee on the bed of nails!) Bright, colourful, crowded yet not messy. I could read it again and again!

     

     

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    5) Vaseline ‘Dear Mr. Vaughan’ (BBH India)

    Reasons for choosing: The kind of ad that every Creative Director who woke up to it that morning would have said: “I wish I had written this”. There are some things you can do impactfully in a topical yet ‘permanent’ medium like print that you can’t do anywhere else, and this ad fits the bill. Nose-thumbingly outstanding!

     

     

    Mallikarjun CR, CEO, Starcom MediaVest Group

    “This is a fantastic initiative. As media agency professionals, our lenses to view the world are different. However, what comes across is that great creative work is universal. Really enjoyed it.”

     

     

     

    TOP 5 Choices:

     

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    1) Audi – World Cup (Creativeland Asia)

    Reasons for choosing: Great connect with the Champion’s Trophy ’85 win. Most of the target audience that can buy an Audi will connect immediately with that moment. For a lot of us India ns, that was the first moment of connect with Audi.

     

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    2) DNA ISKCON Food Relief Foundation (Scarecrow)

    Reasons for choosing: A nice calculus linking smoking to food relief. Very innovative, eye catching visuals.

     

     

     

     

     

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    3) Indigo Campaign (Weiden+Kennedy)

    Reasons for choosing: Stark, consistent visuals. The colours, space everything reflects the qualities of the airlines. Nice word play that grabs your attention and makes you read the copy. The reference to price is as value and not cheap.

     

     

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    4) Nissan Micra (TBWA\ India)

    Reasons for choosing: Simple stark visuals. Driving home the relevance of a small car without talking price, affordability etc. Great, understated use of a celebrity.

     

     

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    Reasons for choosing: Great expedient use of Michael Vaughan’s comment. Superb cut through and great visuals.

     

     

    PM Balakrishna, Chief Operating Ofiicer, Allied Media

    “I think this is a wonderful initiative and exposes the fantastic creativity. It is a very different platform as it is more an appreciation of great work rather than a competition as I believe each creative is great on its own.”

     

     

     

    TOP 5 Choices:

     

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    1) Bajaj Fans (Leo Burnett)

    Reasons for choosing: The best part of this creative is the way it has integrated everyday common issues and weaved them into the core communication of the product. The creative is also very well crafted visually using the very cause of the product making it very effective.

     

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    2) Birla Cellulose (Salt Brand Solutions)

    Reasons for choosing: The sheer aesthetic treatment to the communication draws you and I like the beautiful and colourful way the creative has used nature and the human body (woman). It brings out the environmental friendly nature of the product in a very soft and appealing manner.

     

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    3)Fuji(Grey)

    Reasons for choosing: Colour and background are intrinsic material for any great creative and nothing better than drawing inspiration from Mother Nature and wildlife. The beautiful use of the animals brings the message home effectively and creatively and connects with any photographer or photo enthusiast.

     

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    4)NipponPaints (JWT)

    Reasons for choosing: They say a great picture is worth a thousand words and the effect is breathtaking when it is beautifully woven into the message making the communication very compelling and effective. In this case the product USP, a central factor in the category has been brought home very beautifully for correct impact.

     

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    5) Zee 24 Taas (Draftfcb Ulka)

    Reasons for choosing: Ganpati Bappa has a significant connect with the India n diaspora and especially with Maharashtrians who revere the elephant God. I like the way the creative has beautifully engaged the viewers in an innovative and personal manner and makes it unique and different.

     

    Punitha Arumugam, Director – Agency Business, Google India

     

    “This initiative continues the long tradition of Dainik Bhaskar – breaking boundaries and setting new trends in the industry.”

     

     

     

     

     

    TOP 5 Choices:

     

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    1) DNA Mumbai Marathon (Scarecrow)

    Reasons for choosing: The power of long copy. It brings back memories of the old era, which was marked by a great headline and the power of long copy. It inspires and bonds with its audience.

     

     

     

     

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    2) Murphy Richards epilators (Contract)

    Reasons for choosing: The power of a picture. The visual intrigues, makes you pause, demonstrates the benefit and brings a smile – all this without a single word.

     

     

     

     

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    3) MTR Spicy Pickle (Ogilvy)

    Reasons for choosing: The power of insight. A true South India n like me will see this ad and can only say “How true!” Equating spicy with ‘tears’, the way the ad captures the cultural nuances – awesome!

     

     

     

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    4) Parker – Ramnath Goenka Excellence in Journalism Awards (Lowe)

    Reasons for choosing: The power of words. While most entries used the power of the picture, this ad stands out because it uses print for what it does best – leverage the power of words and intriguing headlines.

     

     

     

     

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    5) Saffola Healthy Heart (McCann)

    Reasons for choosing: The power of an innovation. A great collaboration between the creative agency, the brand team, the media agency and the publication to convey the brand message interestingly and inclusively so as to trigger an action from the reader.

    Best of Print in Dainik Bhaskar Group’s MOSAIC
     

    Some may see India’s performance of bagging just four Press Lions at Cannes out of the 30 that were shortlisted as a drab effort, but then there are some who would like to think of it as being otherwise. After all, Press Lions as a category managed to get India its largest tally of four metals versus any other category at the awards – a valiant effort considering that India finished 2012 with just 14 metals in its kitty.

     

    While the category may have received its fair share of fame at the pinnacle of creative awards, many would agree that Indian adland has failed to laud the finesse that stems out from Print creatives over the years. While such is not the case in some large international markets where creative works across categories gets noticed and rewarded that gesture seems to be missing when it comes to India. Luckily for the creative frat in India, an opportunity to showcase their best works – besides the awards shows – were given a fillip by the Dainik Bhaskar Group that released the first of its kind creative compilation of the finest works produced in Print in the form of MOSAIC 2011.

     

     

    Elaborating on the initiative, Sanjeev Kotnala, VP & National Head, Dainik Bhaskar Group said, “This has been a first year for MOSAIC, which is a rich collection of 150 creative units part of 77 campaigns that have been submitted by 23 agencies.” The creative showcase has been made special through some individual comments and insights that have been posted by creative leaders of individual agencies.

     

    Elaborating on the thought process behind the compilation, Mr Kotnala said: “As a group, we believe that the Indian creative across mediums and media is of international standards, in its thinking, relevance and in its execution. Unfortunately there has been no single reference point for the same. MOSAIC bridges this gap and we would want it to be referred by the creative, clients, media and trade.”

     

    As for the method that was adopted in getting the agencies to submit their campaigns, Mr Kotnala said that it began with Dainik Bhaskar requesting the creative heads at the agency to send their best Print work. “They know better than us – as by placing it in MOSAIC affirms it to be their best work. Though we did have constraints on the number of campaigns we could place in Mosaic from a single agency. This has all been a by-invitation. On the other side, there were few agencies that sent lesser number of creative units as they felt others were not up to the standard to feature in such a compilation. So it was created and evaluated by the creative teams themselves.”

     

    On how print has evolved over the years as a medium, Mr Kotnala said: “Today print ads are working on all fronts of communication. They are not just for the purpose of awareness building or as a source of providing tactical information; they engage and involve the readers and are very result-oriented in their approach. We always held that the idea is more important than the medium. And it will automatically find its right medium for better efficiencies and effectively delivery of the message.”

     

    In fact, the compilation has been made special with the involvement of four media agency heads who’ve provided their assessment of the campaigns. They include Lynn De Souza, Chairman and CEO, Lintas Media Group, Chairman, Aaaren Inititative and Director, Karshma Initiative; Mallikarjun CR, CEO, Starcom Mediavest Group; PM Balkrishna, Chief Operating Officer, Allied Media and Punitha Arumugam, Director- Agency Business, Google India.

     

    With the first edition already finding appreciation within the industry, the Dainik Bhaskar group have their task cut out for the next year too. On his plans for a sequel, Mr Kotnala said, “We would want to see more regional and language work in the collection – and they still should meet the standards set. We would and could try getting clients and media owners also picking their favourites and definitely may wish to incorporate a section on media innovations. Though we have taken the task and brought out the book, in our mind it is an industry level initiative and we would want to keep it that way.”

     

    Mosaic 2011 can be accessed and downloaded at http://i10.dainikbhaskar.com /dainikbhaskar2010/books/ Final_Book.PDF

     

  • Rajendra Gupta joins Mogae

    By A Correspondent

     

    Rajendra Gupta has joined Mogae Media as Chief Value Officer from Reliance Communications. Mr Gupta will be based at Mogae’s Gurgaon headquarters.

     

    Mr Gupta started his career at Dunlop where he worked across different geographies. He then spent a few years at Wipro in their Lighting Division. In 1994, he moved to Rediffusion DY&R as national head of Business Development. His first big win at Team Rediff was a small company that had won a license to launch cellular services in Delhi- Bharti. Brand Airtel was soon born

     

    “Those were the best days of my professional life. I got to work closely with the Mittal brothers and enjoyed every moment of launching a brand that one day would become a world beater”, he said.

     

    Mr Gupta moved to Reliance Communications and spent the last 10 years there in a broad variety of functions. “Moving to Mogae is like home-coming. I have worked with Sandeep Goyal for many years and his new venture really excited me. So here I am,” said Mr Gupta.

     

    “Guptaji (as he is popularly called) is a veteran of both mobile and of advertising. It is a rare combination. And that is what makes him a really valuable asset on any team,” said Tanya Goyal, Director of Mogae Media. “We look forward to Guptaji carving out a new business out of creating customer value and delight through options on hi-value brands”.

     

    Mogae Media is the exclusive partner of Airtel, for monetization of all its mAdvertising assets, including mCouponing and mCommerce.

     

    Mogae Media was launched by Sandeep Goyal, former JV partner of Dentsu India in October 2011.