Category: ADVERTISING

  • Text100 named digital consultancy of the year

    By A Correspondent

     

    Text100 APAC has been named Digital Consultancy of the Year for 2012 by The Holmes Report. The report noted Text100’s early focus on digital, along with the strength of its leadership team, product and service development, and regional campaigns.

     

    As reported by The Holmes Report, Text100 was one of the first firms to position itself as a leader inAsia’s fast-growing social media arena, launching a sophisticated range of services in 2008. And, unlike many of its global peers, many of the network’s digital efforts are led by the region, under the oversight of global social media lead Jeremy Woolf.

     

    In 2011 the firm broadened its capabilities, launching a dedicated design and digital support hub inMalaysia, expanding its digital headcount, and stepping up a digital training programme that is as advanced as any in the region.

     

    All of those efforts paid off, as its Cisco ‘Flip Your Profile’ programme landed the Global and Asia-Pacific SABRE Award recognition in the social media category, and Text grew its digital mandate for numerous clients, including IBM, Lenovo, Yahoo, Cisco and Nokia.

     

    “At Text100, we define ‘Digital’ as something that encompasses all forms of communications that are technology-enabled and we ensure all our staff are digitally certified and capable of delivering our services to clients,” said Anne Costello, Regional Director, South Asia Text100 APAC.  “Achieving this status from The Holmes Report goes a long way as we continue to follow our vision of shaping the most influential conversations in the digital age and beyond.”

     

  • Milestone stirs up Nestle’s Junior Daheez launch

    By A Correspondent

     

    The Nestle team decided to launch Junior Daheez inDelhiusing an extensive out of home (OOH) campaign with more than 50 + sites in the city. The creative of the campaign, developed by Publicis Capital, showcase an image of Toy Train carrying two cups of Junior Dahi.

     

    As a part of the campaign, the cups innovatively rotate on the train which helps in catching more eyeballs. The OOH campaign is executed by Milestone Brandcom and is spread across various outdoor formats to optimize impact. The outdoor formats include billboards, unipoles, bus queue shelters, strategically located at major arterials roads ofDelhi.

     

    Ravi Rockey Ambrose, Sr. Vice President, Milestone Brandcom said: “We are thrilled to work on the brand. The brief from the Nestle team was to deliver the most impactful plan for launch of Junior Dahi and I am thrilled that the team has ensured the same.”

     

    The on-going campaign kicked off on May 18 and continued till the first week of June.

  • Disney India eyes in-home segment

    By A Correspondent

     

    Disney Consumer Products (India) announced its association with Sunteck Realty Ltd, a Mumbai based real estate company to launch Disney-inspired homes in Mumbai. This will be DisneyIndia’s first foray to bring Disney-inspired interiors and exteriors in the Indian real estate market for Indian kids and families at the proposed property in Goregaon by Sunteck Realty.

     

    “We are pleased to be working with Sunteck to offer Indian families an opportunity to bring a piece of Disney magic into their homes. Disney’s beloved characters and stories have inspired multiple generations of fans,” said Roshini Bakshi, managing director, Consumer Products, Retail and Publishing, Disney UTV. “Our Disney Home products span across total home solutions  and we look forward to bringing more Disney inspired home environments and décor to kids and families inIndia.”

     

    “Our association with Disney in Mumbai helps us differentiate our offering from the other players in the market and breaks through the clutter to offer families their dream home. We are excited to be the first ones to bring Disney inspired homes toIndia,” said Kamal Khetan, Chairman & Managing Director of Sunteck Realty. “This association with Walt Disney reiterates our commitment to deliver niche living spaces to discerning customers.”

     

    Disney fans can choose from their favourite Disney stories or its beloved characters and own family spaces that are colourful, timeless and inspiring. Disney inspired homes will have Disney branded furnishing, home décor products, colour palettes, bedding products, bath fittings and more to bring alive the Disney experience for the family.

     

     

  • Grey wins Network18’s creative biz

    By A Correspondent

     

    Grey has won the creative mandate for the entire Network18 Group; a media and entertainment company with interests in television, internet, films, e-commerce, magazines, mobile content and allied businesses.

     

    The agency’s Mumbai branch will handle this account. The win is the result of a multi-agency pitch that saw the participation of several prominent agencies.

     

    The campaign will be primarily television-based and is expected to go on air in August.

     

  • Taproot entry sole shortlist in Film Lions

    By A Correspondent

     

    India lost a great opportunity to upgrade itself in the points tally when it found just a single nomination in the Film Lions. Of the 56 entries that were sent from India – last year it was 61 – only one entry has been shortlisted. Taproot’s ‘I am Mumbai’ campaign for Bennett, Coleman & Co is the only Indian entry that has found favour with the judges so far. This is strange given India’s past performance in this category, where it went on to win 2 metals in 2011 and 1 in 2010. Its best finish has been 3 metals in 2007.

     

    A total of 257 entries have made it to the final shortlist of the Film Lions category this year out of the 3,475 entries that were sent. The countries that have sent maximum entries include USA that have sent 966 entries, UK that has sent 329, Brazil that has sent 174 entries, Canada that has sent 172 entries and France that has sent 159 entries.

     

    Representing India at the Jury is Priti Kapur, Executive Creative Director, JWT Delhi.

    The Film trophies will be presented on June 23 in the Grand Auditorium, Palais des Festivals.

     

     

  • DDB Mudra, Leo Burnett within touching distance of each other on metals tally

    By A Correspondent [updated]

     

    With 11 out of 15 categories already finding their fate at the grand creative stage of excellence-Cannes,India’s performance at this juncture doesn’t paint an impressive picture. Out of a total 84 shortlists that India has managed to garner against its name across the 11 categories announced till date, only 12 have managed to find their way into the winners tally. A recap of India’s performance thus far shows the country having two Golds, three Silvers and 10 Bronzes in its kitty.

     

    On day 4, India managed to pick up 1 Gold, 1 Silver and 5 bronzes. The Gold was bagged by DDB Mudra Group for its entry ‘The Hinglish Project’ in Design Lions category. It also won a bronze for the same entry. The other Gold for India was bagged by McCann Worldgroup for its client ‘Western Union’ in the Outdoor Lions category. As for the Silvers, it is Leo Burnett that is leading the way with 2 Silvers including one in Press Lions for its client Bajaj Electricals and the other for Doorstep School in the Media Lions category.

     

    Leading the list among the agencies is DDB Mudra with 32 points (including 22 points from shortlists). At the second place is Leo Burnett with 30 points against its name. If not for the points accumulated from shortlisted entries, Leo Burnett would’ve been placed at the top spot. Coming in third is Ogilvy India that has a total of 19 points against its name, including 3 Bronzes that it has bagged so far. It is a close call between the fourth and the fifth spots with BBDO India sitting at 14 and McCann WorldGroup sitting at 13. Cheil Worldwide is next with 8 points including 1 Silver that it won for Samsung. Brand David is next with 4 points followed by Publicis and Bates at 2 each. The remaining ten agencies are placed at the same spot (tenth) having bagged a point each for their respective shortlists.

     

    With four more categories to go, including Film Lions, Film Craft Lions, Branded Content & Entertainment and Titanium & Integrated Lions, the table is still wide open. Whether a new contender will emerge at the top and whether India will compare this year’s metals tally to that of the past will be known in a couple of days. Note this does include the shortlists announced today.

     

    Agency Titanium Grand Prix Grand Prix, Titanium Gold Silver Bronze Shortlist Total
    Points 12 10 7 5 3 1
    DDB Mudra 1 0 1 22 32
    Leo Burnett 0 2 1 17 30
    Ogilvy India 0 0 3 10 19
    BBDO India 0 0 2 8 14
    McCann Worldgroup 1 0 0 6 13
    Cheil Worldwide 0 1 0 3 8
    Brand David 4 4
    Taproot India 3* 3*
    Bates India 2 2
    Publicis Communications 2 2
    BBH India 1*+1 1*+1
    JWT Mumbai 1 1
    Creativeland Asia India 1 1
    TBWA\ India 1 1
    M&C SAATCHI 1 1
    OMD India 1 1
    Mindshare 1 1
    Draftfcb + Ulka 1 1
    Grey Worldwide 1 1
    PERCEPT/H 1 1
    Bacardi India 1* 1*

     

     

    * Winners to be announced on Saturday late evening @ Cannes

     

  • Taproot wishful of bagging India’s second Integrated metal

     

    By A Correspondent

     

    The most coveted awards category – Titanium & Integrated Lions – found a worthy shortlist from India in the form of Taproot India. Agnello Dias and team will be vying for the top prize at Cannes Lions with their entry ‘A Day in the Life of Mumbai’ for the client The Times of India. Till date, India has won just a single metal in this category since its inception and that win too came almost four years ago in 2008.

     

    Whilst Integrated Lions will honour high standard state-of-the-art integrated campaigns, the premise for Titanium Lions remains the same: Titanium celebrates work that causes the industry to stop in its tracks and reconsider the way forward. Titanium stands for breakthrough ideas, it might be a brand new idea, or it might use an existing idea in a brand new way. Titanium is for work that is provocative, that challenges assumptions and points to a new direction. 517 entries from 53 countries, an increase of 8 per cent compared to last year, are competing this year.

     

    As for the countries with the most number of entries, it is USA that leads the board with 136 entries followed by UK at 45, Germany at 30, Brazil at 25 and Japan at 25. Rob Reilly, Worldwide Chief Creative Officer, Crispin Porter + Bogusky is the Jury President for this year while India is being represented by Agnello Dias, Chief Creative Officer, Taproot India.

     

    The awards ceremony will take place on Saturday evening 23 June in the Grand Auditorium, Palais des Festivals.

     

     

  • Bacardi India bags India’s only shortlist for Branded C&E

     

    By A Correspondent

     

    Making its first appearance, the Branded Content & Entertainment Lions awards have received a total of 18 entries from India. Of the lot, just a single entry by Bacardi India for its work around ‘The Dewarists’ has been shortlisted.

     

    New for this year, the Branded Content & Entertainment Lions award has been designed to reward creativity in branded content and entertainment, defined as: the creation of, or natural integration into, original content by a brand. The purpose of branded entertainment is to deliver marketing messages by engaging consumers via relevant content platforms rather than traditional advertising methods.

     

    A total of 800 entries from 52 countries have been submitted into the Branded Content & Entertainment Lions category in its launch year. Leading the count is USA which has sent 218 entries. Coming next is United Kingdom that has sent 58 entries, France with 52 entries, Brazil with 47 entries and Japan with 43 entries.

     

    In its first year, Avi Savar, Founder & Chief Creative Officer, Big Fuel has been selected as the Jury president while India would be represented by Cyrus Oshidar, Creative Director, Bawa Broadcasting. The trophies for this category will be presented on Saturday evening 23 June in the Grand Auditorium, Palais des Festivals.

     

     

  • Are we Duhs in Digital Media?

     

    By Tuhina Anand and Shruti Pushkarna

     

    India has once again drawn a blank in the Cyber Lions category at Cannes 2012. From the 27 entries from India in this category, none made it to the shortlist. Considering that digital is the talk at all industry forum and the future, or is it actually the present, of advertising, its dismal performance at Cannes makes one realize that India is still miles behind on this medium.

     

    Nagesh Alai

    Nagesh Alai, Executive Director – India Operations at DraftFCB Group, pointed out: “It is not surprising not seeing a shortlist in the Cyber Lions from our shores. Most in our industry continue to see and use Digital as a ‘medium of messaging’ instead of seeing and using Digital as a ‘medium to engage with and start a conversation about the brand’. It is a classic case of getting stuck in hoary mindsets of a 30-second TV commercial. The day our digital specialists get out of this mindset, I reckon one will see a sea change in the digital executions and becoming award worthy. I am sure we will see that happen in the not too distant a future.”

     

    Talking about the digital in India, Carlton D’Silva, Chief Creative Officer, Hungama Digital Services Pvt. Ltd, said: “As I have mentioned in the past, the standard of good digital work in India to compete at the Cannes can only be made possible if the playing fields are even.”

     

    He listed the factors that go against good digital creative work, which remain remains the same – the inability to acquire the requisite budget for a digital campaign, the lack of time and the lack of risk taking (both from the client as well as agency side) the digital medium is still used more for its effectiveness than creativity.

     

    A senior mobility and digital media executive with a leading media agency felt that India’s performance in Cannes Digital categories should at least have some positive side-effects. “Why this happened? If I have to sum up in short, it is because of lack of respect for the Digital medium, which comes from ignorance about the medium and its possibilities; lack of budgets, which comes from lack of respect for the medium; lack of creative talent, which stems from lack of budgets,” she added.

     

    The executive explained that there is a need for a reality check on how evolved the consumers, marketers and agencies are, as compared to Cannes shortlisted entries or winners. “Look at the short-listed entries for Cyber Lions, they come from countries which have more than 75% internet penetration, while we are celebrating our 10% mark. Of course, one can argue that the population of these countries is lesser than some of our states but one also needs to understand that their consumers are also much more evolved. Again, take a look at the Mobile Lions winners, what do you see? Smart phones and Tablets! In our country Voice is the most penetrated medium on Mobile and we have 21 million smartphones in a mobile subscriber base of 900 million plus. If rich media creatives are the tickets to Lions, I would rather design mobile campaigns that work in Indian eco-system and bring value to advertisers in terms of media effectiveness,” she said.

     

    Vikas Tandon

    Giving his take on India’s performance in this category, Vikas Tandon, Founder and Managing Director, Indigo Consulting said: “To start with, I think we should recognise that Cannes is as big as it gets, the competition is really tough with hundreds of entries from all over the world, so there is no shame in not winning. We must keep learning from the experiences and pegging away at it. Let’s not write off the Indian team because we lost one tournament. But, definitely it must serve as a reminder that we need to commit ourselves a lot more to Digital than we are now. Among Indian marketers, it is still not as important/critical a piece in the marketing game plan as it is in many other countries and hence, while it seems to get some attention, it just does not get the time or budgets. One of the most frustrating challenges that digital agency invariably have to encounter in India is lack of execution time. Once you have an idea/construct, and even detailing it takes time. Execution is, of course, equally critical for success, and the time constraints often do not allow an idea to reach its full potential.

     

    So one thing has clearly come out from this, is that for Indian marketers, digital is an after-thought and not still a critical medium.

     

    Naresh Gupta

    Naresh Gupta, Managing Partner, Bang in the Middle when asked on what ails Indian digital advertising said that he would rather look from the perspective of why the Indian digital advertising is not growing up. Giving his take, he pointed out four aspects: “The digital advertising in India is stuck in a time wrap. The traditional method of advertising is about creating awareness, to generate Interest that creates desires that leads to action. More often than not, digital campaigns are built around the same parameter. Digital behaviour is really about search and share, and that is a paradigm that marketers haven’t been able to factor in. This is part of the reason why campaigns neither aid search, nor motivate share.”

     

    Mr Gupta also mentioned that Digital engagement has been reduced to a Facebook page and a Twitter handle: “I am not saying they are not important, they are, but they are just the tools. For a lot of brands getting the followers or number of likes becomes the strategy. Now that’s not really smart. The brands have to have a strategy for social media.”

     

    His third points is that the TV-led thinking for brands where an idea is crafted for TV and then adapted to digital is actually the biggest problem. Consider this, all marketing theories were written before the advent of Internet. The need to position, the need to leverage a singular attribute and build on one are all fine with TV-centric thinking, but not so for ‘word of mouse’-centric thinking. The digital medium has its own dynamics and needs a different take. The strategic thinking that leads to ATL idea needs to be interpreted keeping digital dynamics in mind.

     

    And lastly: “Most importantly, the brand owners need to recognize the importance of digital and craft the entire strategy accordingly. The brand owners too fret to get their TV brief right, but rarely debate to get their digital idea right.”

     

  • 2 shortlists in Film Craft for India

     

    By A Correspondent [Updated]

     

    There is every chance of India putting up a good show at the Cannes Lions festival under the category of Film Craft. After sending a record 41 entries this year, two of them have found mention in the shortlisted entries so far. And both of them stand a great chance of emerging winners given the adulation it has managed to receive on its own national shores. Of the 33 entries sent last year, only Ogilvy’s entry – Train for Indian Railways received a metal in the form of a Gold.

     

    Of the two shortlists India has received this year, the first is BBH India’s entry for its client Google Chrome under the category of Art Direction. The second entry to be nominated is Ramesh Deo Productions’s entry for its client The Times of India titled ‘I am Mumbai’. The entry has been nominated under the category of Direction and Taproot India is the agency.

     

    Introduced in 2010, the Film Craft Lions honours the craft of the filmmaking process – the direction, copywriting or editing, or the skilful use of music or sound design. A total of 1721 entries from 48 countries have been submitted into the Film Craft category this year, an increase of 30 per cent compared to 2011. The countries that have sent maximum entries include USA at 640, United Kingdom at 315, France at 77, Brazil with 76 entries and Germany with 72.

     

    Representing India at the Jury is Sneha Iype Varma, Executive Producer/Partner, Nirvana Films.

     

    The trophies will be presented during the Film, Film Craft, Branded Content & Entertainment and Titanium and Integrated Lions Awards Ceremony, which will take place on Saturday evening 23 June in the Grand Auditorium, Palais des Festivals.

     

  • 1 Gold for Ramesh Deo, 1 Bronze for Bacardi

    Santosh Padhi and Agnello Dias with Arunabh Das Sharma and Sujay Ghosh receiving the Film Craft Gold bagged by Ramesh Deo Productions

    By A Correspondent

     

    The last day at Cannes Lions 2012 brought mixed cheer for the Indian contingent.

     

    So while Indian entries won a Gold and a Bronze, more metals from the five shortlisted entries didn’t happen.

     

    The Gold was won for Film Craft by Ramesh Deo Productions in the Direction sub-category. Abhinay Deo is the director of the film and the agency is Taproot India. The commercial titled ‘I Am Mumbai’ was made for Bennett, Coleman and Company Ltd for Mumbai Mirror (see entry details).

     

    And the Bronze was bagged by Bacardi India in the Branded Content & Entertainment category for The Dewarists in the sub-category “Best non-fiction program, series or film where a client has successfully created a reality, documentary or light entertainment show around a product(s) or brand(s)” (see entry details).

     

    With this, the number of metals bagged by Indian entries is 14 with the tally for Indian wins being as follows:

     

     

    Cannes Lions 2012 Winning Entrant

    Gold

    Silver

    Bronze

    DDB Mudra

    1

    1

    Leo Burnett

    2

    1

    McCann Worldgroup

    1

    Ramesh Deo Productions

    1

    Ogilvy India

    3

    BBDO India

    2

    Cheil Worldwide

    1

    Bacardi India

    1

     

     

    [updated report later in the day and tomorrow]

     

    [Photograph: www.CannesLions.com]

     

  • It’s A Real Aha Moment for Grand Prix Winner Mak

    By Delshad Irani

     

    He is perhaps one of the busiest persons at the 59th Cannes Lions International Festival of Creativity. No, it’s not Sir Martin Sorrell. He’s chatty we were told. But more importantly he’s creative. It’s Jonathan Mak, a twenty-year-old Hong-Kong based communication design student. Mr Mak is an ad aberration. At his age he took one of the most iconic images of our time and turned it, not just into a tribute to a man he admires and a global viral hit, but also an example of great design and what it can achieve.

     

    If that isn’t enough to make you feel like an under achieving member of the human race, or at least the advertising race, the following might just hit the spot. He won a Grand Prix, the highest accolade at Cannes , for the work he did for Coca-Cola and Ogilvy & Mather Shanghai. A poster that is, quite literally, a visual translation of the brief he was presented with – sharing a coke. The silhouette titled ‘Coke Hands’ is on a red background, and it’s, simply put, two ribbons of white combining to create the illusion of two hands sharing a coke. Asked to fly in on short notice, Mr Mak arrived just in time to pick up his award as thousands of advertising professionals from across the world cheered for him.

     

    However, this former teenager is no stranger to the limelight and looked like a seasoned adman. He can’t describe the process of creation, he’ll tell you, “It’s always tricky to explain a minimalist design.” The Steve Jobs image has similar design aesthetics to Coke’s poster, yes. But Mr Mak says it is an iconic image and he put a twist on it: “I always try to give viewers a real ‘aha’ moment.”

     

    Not a big fan of people typecasting his work, he says, “It’s not like Coke asked me to do something similar.”

     

     

    Source: The Economic Times

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