Category: ADVERTISING

  • Jaypee Cement ‘Wall Moments’

    By A Correspondent

     

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=Xbo8rqEpkrQ[/youtube]

    Jaypee Cement ‘Wall Moments’

     

    Background

    Jaypee Group has always been in the forefront of nation building activities by creating world-class infrastructure and power projects that ensure economic prosperity and energy security ofIndia. Jaypee Group is the third largest cement producer in the country and produces cement under the brand name of Jaypee Cement.

    As one ofIndia’s leading cement brands, Jaypee Cement has played a significant role in various landmark projects developed by Jaypee Group across the country.

    It was the opportune time for the group to highlight the brand’s promise of ‘Andar se solid’ in an interesting, engaging and visually arresting manner to the consumers.

     

    Insight

    While we may not realize it, the wall enjoys a special place in our lives. We all have had our share of ‘wall moments’… be it a young girl, leaning against a wall, dreamily reading a love letter; a father measuring his child’s height on the wall; a young man putting up a Rocky poster on the wall and so on.

     

    The Execution

    While the TVC comprises of various engaging, nostalgic wall moments in all of our lives, the difference comes through in the execution – in the manner in which these sequences flow seamlessly from one through the other.

     

    Right from the start of the film where a man welcomes us into a home, the treatment resembles a journey where one is being guided through from one moment to another as we move through the home.

     

    The TVC is also being supported by Print and Outdoor, along with Cinema as well.

     

    “We knew we’d hit upon a strong, resonating idea with ‘wall moments’. It was then only a matter of crafting it. The brief was opened up to the office and people were asked to dig into their own lives and pen down their wall moments. We finally picked up the best from the pool,” said Vandana Katoch, Creative Director, DDB Mudra,Delhi.

     

    Credits

    Creative team:  Vandana Katoch, Vishal Singh, Joy Sengupta

    Account Management: Gopal Krishnan, Raghunath, Anusheel Chowdhury

    Senior Film Executive: Vineeta Misra

    Client: Jaypee Cement

    Director: Nico

    Production House: Coconut Films

     

    India’s largest integrated marketing communications and services network, the DDB Mudra Group’s customized and collaborative approach helps its clients build valuable and enduring brands. Our capabilities span Advertising, Media, Digital & Data marketing, Experiential marketing (Promotions, Events, Rural), Trade marketing, Youth marketing, Localization & Pre-Media services and Brand Strategy & Design consultancy.

     

    With over 1,100 employees and 36 offices, offering direct contact across 1,75,000 villages, 4000 towns, 3500 schools and nearly 7 million students, the DDB Mudra Group was India’s most awarded agency network at Cannes, Spikes and Abbys among others in 2011.

     

    The DDB Mudra Group’s clients include Aircel, Ashok Leyland, Asian Paints, BPCL,  Bank of Baroda, Baxter, Castrol, Cipla, Colgate, Dabur, Emirates, Emami, Federal Bank, Future Group, Gillette India, Godrej, Gulf Oil, HDFC Bank, HPCL, Hindustan Unilever, HP, HUL, ITC, Jaypee, Jyothy Labs., ICICI Prudential Mutual Funds, Idea cellular, Johnson & Johnson, LIC, Lavasa, L&T, McDonalds, MSD, Malayala Manorama, Mother Dairy, Nestle, Novartis, PepsiCo,  Peter England, Philips Healthcare, Reebok,  Rotomac, Sab Miller, Shell, Star India, Standard Chartered Bank, Tata Communications, Tourism Australia, TTK Prestige, UNICEF, Union Bank, United Spirits, Volkswagen, Western Union, Worldwide Media, Wipro, Wrigley and Zydus.

     

  • MediaMind and Encore Media Metrics Announce Partnership

    By A Correspondent

     

    MediaMind, the leading independent provider of integrated digital advertising solutions, announced recently its partnership with Encore Media Metrics to deliver cross-channel, full-funnel attribution as an extension of the MediaMind platform.

     

    Marketers can now receive deep, actionable insights through robust, attribution-based reports through the partnership. As an integrated solution, MediaMind and Encore are reducing the cost, complexity and level of effort normally associated with advanced analytics.

     

    Attribution solves the ‘last-click’ problem by allocating partial credit to each impression, click and interaction that influence conversions. Through Encore’s statistically validated attribution model, marketers can see the true performance of each channel, vendor, placement and keyword. Encore also measures the optimal frequency for converters while quantifying opportunities to expand reach and increase ad efficiency. Armed with these insights, marketers can optimize campaigns effectively and efficiently while gleaning a deeper understanding of customer engagement cycles.

     

    “Advertisers and their technology partners are challenged to optimize every dollar in a media buy,” said Gal Trifon, General Manager, MediaMind and Chief Digital Officer, DG. “Collaborating with Encore provides our customers another opportunity to maximize campaign performance at a channel, vendor, placement and keyword level, as well as determine optimal frequency, engagement cycles, and KPIs for search, display, affiliate, email, social and other digital media.”

     

    “With the fragmentation of digital media, advertisers and media agencies find it increasingly difficult to track how consumers respond to cross channel campaigns,” said Steve Latham, Founder and CEO, Encore Media Metrics. “By integrating the Encore solution with the MediaMind platform, advertisers will have easy access to advanced insights into their ongoing campaigns while saving time, money and energy.”

     

    “To date, the biggest hurdle faced by our customers to full-funnel, cross-channel views is the level of effort required to deploy yet another point-solution across each campaign,” said Jordan Khoo, MediaMind APAC Regional Director. “We’re very pleased to be able to bring an integrated attribution solution to our customers to reduce their workload.”

     

    MediaMind, a division of DG (NASDAQ: DGIT), is a leading global provider of digital advertising campaign management solutions to advertising agencies and advertisers. MediaMind provides media and creative agencies, advertisers and publishers with an integrated platform to manage campaigns across digital media channels and a variety of formats, including rich media, in-stream video, display, search and mobile.

     

    Encore Media Metrics helps advertisers and media vendors optimize performance through better analytics. Encore helps clients measure performance across channels and beyond the last click, producing actionable insights while reducing the cost and complexity of media measurement.

     

  • Mindshare finds Gen Y Entrepreneurial Spirit in Trend Study

    By A Correspondent

     

    Mindshare has launched the first edition of its new quarterly trend series, Culture Vulture, which identifies the Entrepreneurial Spirit of Gen Y across 30 countries globally. The report, which was led globally out of the agency’s Asia-Pacific hub in Singapore, examines over 300 Gen Y entrepreneurial businesses across 38 cities including New York, Buenos Aires, London and Shanghai to understand how the youth’s innovative ideas can inspire and fuel game-changing communication behaviour.

     

    “At the core of this first edition is the belief that businesses need a little bit of reverse mentoring from time to time- big blue chip companies can learn from the nimble and creative entrepreneurs of Gen Y,” said Catherine Williams who heads the series for Mindshare.

     

    The report identified 14 unique global trends that Gen Y-the consumer group, in the 17 to 32 age group (The generation born between 1978 – 1995) has been pioneering to great success in small to medium sized businesses. These include tips from trendsetting tech start-ups, channeling the power of advocacy, and creating a genuine value proposition.

     

    Commenting on the launch of the series, Marco Rimini, Mindshare’s Global Business Planning Leader said, “Understanding trends and popular culture actually tell us more about consumer behaviour than media consumption data ever could.  Our Culture Vulture series has been created specifically to better inform our clients and teams of these trends and inspire original thinking in our media strategies.”

     

    “Culture Vulture is a tool that we will be focusing on in India to dial up the cultural sensitivity of our strategy teams and deliver strong communication & media solutions that leverage cultural nuances. Mindshare is in the midst of executing a study, based on Geert Hofstede’s cultural dimensions, that will bring richness to this endeavor,” said Alok Sinha, Leader, Strategy, Mindshare South Asia.

     

    The report itself draws on ideas and technologies employed by Gen Y entrepreneurs. It is being distributed as a free iPad app, an interactive PDF and as a videos series on Vimeo on Twitter and a Culture Vulture blog.

     

  • Fever FM’s new radio play – Gandhi

    By A Correspondent

     

    After the success of Ramayana, Fever FM will air a new radio play, Gandhi beginning March 12. Fever FM is said to have put together a story for the youth that revisits the life of Mahatma Gandhi. The radio play, Gandhi, is aimed to make the youngsters understand that there is an alternate way of thinking for everyday situation they come across.

     

    With celebrated artists such as Farooq Sheikh, Rajit Kapoor, Heeba Shah and Sachin Khedekar as a part of the play, Gandhi promises to be one of the most ambitious and out of the box radio projects of all time. Farooq Sheikh will be voicing the role of Bharat, Rajit Kapoor voices Gandhi, Sachin Khedekar voices Ambedkar and Heeba Shahand voiced Kasturba Gandhi.

     

    Harshad Jain, Business Head, Radio & Entertainment, HT Media Ltd said: “Mahatma Gandhi needs no introduction. He is one of the greatest men this country could possibly ever have. Through Gandhi, we are paying a tribute to the Father of Our Nation and reliving the life of the man for the present day world. This is another ‘first’ that Fever 104 FM brings for its listeners. Packaged with great music and superior production quality, I’m sure it will be loved and much appreciated across age groups”.

     

    Fever FM’s radio play, Gandhi is sliced over 60 episodes. The first episode will be aired on March 12. Gandhi will be a two month long series with episodes airing every day.

     

    Fever 104 FM (radio operated by HT Media Ltd.) is available in Delhi, Mumbai, Bangalore and Kolkata with a vibrant, youthful, creative and interactive programming, that just lets the music play! HT Media Ltd’s association with Virgin brings global strengths and expertise in radio markets across the world including Bangkok, South Africa,ParisandMalaysia. With the best quality and most quantity of music on-air, constantly playing only the top contemporary hits Fever 104 FM is synonymous with less talk, more music.

     

  • Conde Nast India launches Architectural Digest

    Deepika Padukone with Alex Kuruvilla (MD Conde Nast India) & Manju Sara Rajan, Editor of Architectural Digest India

    By A Correspondent

     

    Publishing group Conde Nast India launched their fourth magazine title, the Indian edition of AD Architectural Digest, following the success of premium luxury magazines Vogue, GQ and Conde Nast Traveller. Architectural Digest in India will position itself as the most trusted authority on design, architecture and living.

     

    AD India is the ninth edition of the magazine, after the United States, Italy, Germany, France, Mexico, Russia, Spain and China. It is targeted towards the affluent Indian population in the age group of 25 to 50 years who aspire for fashionable living spaces. The magazine aims to capture the attention of new home owners and renovators, architects and designers as well as design enthusiasts.

     

    Speaking on the launch of Architectural Digest in India, Alex Kuruvilla, Managing Director of Conde Nast India said: “Having established leadership in the luxury lifestyle magazine space with Vogue, GQ and Conde Nast Traveller, we are happy to extend our portfolio and bring Architectural Digest in India, recognized as the world’s design bible – the most trusted authority on design, architecture and living to Indian homes.”

     

    The bi-monthly magazine will be priced at Rs150. AD’s editorial content is broadly divided into four key parts, including AD Discover with a focus on news, trends and lifestyle; AD Perspective bringing to light the people who matter; AD Spaces featuring the most beautiful homes and the AD Inside section sharing advice and tips on the must-have products. Key target markets for the magazine include metros like Mumbai, New Delhi and Bangalore.

     

    Manju Sara Rajan, editor of Architectural Digest India shared: “The editorial content of this bi-monthly magazine will contain photo spreads of the best homes in the world, feature stories on the latest trends and people in design plus advice on practical solutions for home improvement. AD will become an essential resource for refined home-owners planning luxurious spaces.”

     

    “By showcasing the best of contemporary Indian design and key international trends, AD will help readers visualise, plan, adapt and innovate homes to reflect the personalities of the people who live in them,” she added.

     

    The launch event of AD was held in Delhi on March 9 at the Aman in association with India Design Forum (IDF) and supported by Absolut elyx and Maserati.

     

     

    Architectural Digest, an interior design magazine published by Conde Nast was founded in 1920. The magazine is aimed at an affluent and style-conscious readership. AD is positioned as the most trusted authority on design, architecture and living. The Indian edition of AD Architectural Digest will present the very best of international and Indian architecture and design.

     

    Conde Nast, a division of Advance Publications, sets the benchmark for magazine publishing excellence. Conde Nast currently operates in 24 countries, publishing 126 magazines, and with 98 innovative websites from Conde Nast Digital.  Recent print launches include GQ inBrazil, Wired in the UK and Italy, Vogue in Turkey, and Conde Nast Traveller in India . Conde Nast India is a 100 per cent owned subsidiary of Conde Nast International.

     

  • Debrief: IndusInd Bank: Dull and annoying

    By Anil Thakraney

     

    A rather exasperating campaign from IndusInd Bank. I know this is feature-based advertising, but that’s no excuse, really.

     

    The commercial I watched features Bollywood veteran actress Neetu Singh and young actor called Jimmy Shergill, who plays her son. Promoting ‘Cash-On-Mobile’, it has Singh shopping for a surprise gift for her son. In a rather haughty manner, she dismisses all the shop assistants, constantly claiming that ‘I know everything’. At the cashier’s desk the bravado vanishes when she realizes she’s broke. She calls her son for help, who in turn transfers money to mommy instantly, via IndusInd Bank, of course.

     

    There are multiple problems with this ad. To begin with, the actress’s continuous drone grates the ears; this is not humour, it’s irritation for the viewer. If you find Singh continuously shouting ‘I know everything’ to be funny, you need help.

     

    [youtube width=”400″ height=”200″]http://www.youtube.com/watch?v=B7GBhH4XO1g[/youtube]

    Two, the ad is totally literal and predictable, therefore it has zero entertainment value. Waste of expensive movie actors. And finally, Ms Neetu Singh is a rarity in advertising. So to cast a man who’s not her son in real life jars a bit. A better idea would have been to not use Shergill, they could have cunningly used a voice-over that sounds like Mr Ranbir Kapoor. That would have injected a little charm.

     

    Alas, was not to be.

     

    Rating: (On a scale of 1 to 5): 1. Complete wash out.

  • Nilesh Naik is Senior CD, Percept/H, Bengaluru

    By A Correspondent

     

    Nilesh Naik has been appointed as Senior Creative Director, Percept/H – Bengaluru, effective February 2012. Prior to joining Percept/H, he was working with Dentsu Marcom, Mumbai as Creative Director.

     

    In his new role as Senior Creative Director at Percept/H, Mr Naik will be spearheading the creative team in Bengaluru and will be focusing on developing and strategizing innovative campaigns for the clients.

     

    Commented on the new appointment, Prabhakar Mundkur, Chief Executive Officer, Percept/H, said, “Our Bangalore office is growing from strength to strength. Getting Nilesh on the team is part of our effort to strengthen the creative product at Percept/H.”

     

    Elaborated Mr Naik: “Percept/H is the right fit in terms of brands, the people, and their vision for the place. It’s a great opportunity to create work that’s refreshingly different yet works wonders for the brand.”

     

    With experience of 13 years in the advertising industry, Mr Naik has worked with leading agencies such as Everest, Euro RSCG, Ambience and Bates. He has had the opportunity to work for different verticals namely FMCG, Finance, Real Estate, Publications, Telecom and Insurance, and his creative work has won him several accolades at both local and international award shows.

     

  • Mirchi Kaan Awards to celebrate best in radio advertising

    By A Correspondent

     

    Introduced in 2004, the Mirchi Kaan Awards acknowledges and honours the contribution of individuals and organizations that have led the way in creating clutter breaking radio advertising. The awards have been instituted to encourage continued creative focus on radio advertising and are now synonymous with excellence in creativity in radio.

     

    While every year, the journey to the awards ceremony is a fun-filled, vibrant process keeping in mind the personality of Radio Mirchi, this year the focus is centred solely on the quality of work. Which is why, this year’s edition will see world renowned radio guru, Tony Hertz, conducting a workshop on the art and craft of radio advertising. Mr Hertz’s passion for radio has seen his career, which spans over 40 years and across six continents, as creative director at multiple agencies and the boss of two radio specialist outfits.

     

    With his experience, he has served twice on the Cannes Lions Radio Jury, on the 2011 D&AD Radio panel and as president of the Clio Awards Radio Jury. Apart from 22 Clios, multiple Gold and Silver ILR Awards, London International Awards and The New York Festivals Awards, Tony is also the only person to have won both D&AD Black and Yellow Radio Pencils.

     

    The country’s most prestigious radio awards, Mirchi Kaan will work towards raising professionalism and talent among writers. And their new mantra is to listen, learn and shine.

     

    The last date to send entries to Kaan Awards is March 18.

     

    Entertainment Network India Limited (ENIL),India’s leading private FM radio broadcaster, popularly known as Radio Mirchi, operates across 32 cities in the country. Launched in 2001, Radio Mirchi has the highest listenership across the country and a track record of developing innovative content, thus expanding and retaining its audiences and advertisers through the years. Radio Mirchi has delighted listeners and the industry with its exciting properties like the Purani Jeans Film Festival and the Mirchi Music Awards.

     

    Radio Mirchi’s continuous innovations across different platforms like Visual Radio or Mirchi Mobile have been instrumental in gaining leadership in the private FM Radio industry. Radio Mirchi makes its international foray with the launch of the brand in the UAE. From February 1, Radio Mirchi will be heard inDubai,Abu Dhabiand Al Ain and will the first Indian radio brand to go international.

     

  • Onida takes on rivals with comparative advertising

    By Shramana Ganguly Mehta

     

    Televisions and washing machines brand Onida is poking rivals such as LG, Voltas and Daikin through a new ad campaign as it seeks to regain share in the country’s Rs 35,000-crore durables and electronics market.

     

    “The idea is to provoke consumers to look out for products that are best for them rather than falling for brand names,” says Vipul Mathur, marketing VP at Mirc Electronics, which own brand Onida. Some advertising experts, however, feel it’s a desperate move and that such comparative advertising may not work.

     

    Onida launched its print campaign last week and TV commercials will soon be aired. It has earmarked Rs 100 crore for the campaign. One of the print advertisements says, “Let LG and Voltas debate who’s Number 2. Onida is Number 1 in AC innovations.”

     

    Another says, “Open your eyes. Are you buying any brand or a brand that actually cools,” complete with specifications of comparable AC models from LG and Daikin. While FMCG, auto and aviation companies use such comparative advertisements, it is being used in the durables space perhaps for the first time.

     

    Mr Mathur says Onida will roll out similar campaigns for its LCD, LED, washing machine and microwave ranges to establish itself as a brand that provides innovative and powerful products with substantial price advantages over competition.

     

    “We are competitive and have innovative products to offer. So we are not scared of the rivals hitting back,” he says.

     

    When contacted, LG refused to comment on Onida’s move.

     

    Mr Abhijit Avasthi, national creative director at O&M India, which worked on Onida’s campaign, says, “We’re not accusing anyone or hitting below the belt. We are just stating the facts.”

     

    Onida, like other homegrown brands such as Videocon, Godrej and Voltas, is trying hard to regain its durables market share lost to Korean rivals LG and Samsung in the 1990s.

     

    While Samsung and LG together have 34% share in ACs and 45% each in refrigerators and semi-automatic washing machines, their shares in some categories dipped last year due to tough competition from Indian and Japanese rivals. Samsung’s share in the AC market, for example, dipped to 11% in 2011 from 19% in the previous year, while that of LG slid to 23% from 28%. Voltas, at the same period, jumped to 17% from 12%.

     

    In the colour TV segment, Videocon is on the heels of market leader LG, pushing Samsung to the third position.

     

    Onida says it is the fourth largest air-conditioner brand in the country with 10% share in the market, fifth in washing machines with 8% share, and sixth in flat panel TVs with 6% share.

     

    Some experts, however, are not impressed by Onida’s new campaign. Mr Sudarshan Banerjee, business development director at DDBMudra, sees it generating little excitement among consumers. “The campaign is sad in the way it is done. It is not a nice ad,” he says, adding comparative advertising has not done well in recent times.

     

    Triton Communications’ Mr Sanjay Chakraborty says, “While it’s easy to look at a competitor and poke holes in its product or services, it’s harder, but definitely more valuable, to plug the holes in one’s own offering and build real competitive advantages.”  He says comparative advertisement helps consumers make informed choices provided it does not misrepresent the facts.

     

    Not so long ago, the advertising space saw war of words between detergent brands Uniliver’s Rin and P&G’s Tide war and health drink brands GSK’s Horlicks and Heinz’s Complan.

     

    The most brazen comparative advertising was perhaps the Jet-Kingfisher campaigns. When Jet Airways embarked on a campaign to announce: “We have changed”, Kingfisher hit back with a hoarding right besides Jet’s to proclaim: “We made them change.” The duo fought literally on one of most busiest crossroads of Mumbai in 2007.

     

    Source:The Economic Times

    Copyright © 2012, Bennett, Coleman & Co. Ltd. All Rights Reserved

     

  • Budget comes alive on moneycontrol.com

    By A Correspondent

     

    Moneycontrol.com recently launched its Budget 2012 campaign Rock the Sabha, which shows some well-known political personalities hitting the high notes.

    The latest moneycontrol.com commercial, which is currently on the air, has set the ball rolling for moneycontrol.com’s Budget 2012 campaign. With key politicians like P Chidambaram, M Karunanidhi, Mamata Banerjee and Finance Minister Pranab Mukherjee playing guitars and jiving to the beats of rock music, the rock concert effect introduces the Budget 2012 coverage on moneycontrol.com in an unexpected way.

    The bold punchline, ‘Budget Comes Alive’, brings to life the brand’s rather sober attitude and creates the right amount of curiosity towards the newly incorporated interactive elements like poll, debates, slideshows, online chats, LIVE blogging and videos on  moneycontrol.com’s budget page, said a release from the company.

    Commenting on the campaign, Lakshmi Narasimhan, CEO, Web 18, said, “Apart from communicating that moneycontrol.com presents the biggest Budget coverage online, one of the key objectives of this campaign was to give a fresh perspective to moneycontrol.com and reach out to new users.”

    Ravi Deshpande, Chief Creative Officer, Contract Advertising, said, “Moneycontrol.com is the undisputed No.1 financial portal of the nation. It has redefined the way finance is presented and consumed in today’s day and age. Which is why we thought its communication too has to make a bold, emphatic statement. If the Budget campaign is disruptive, it’s only to mirror what the brand is actually doing in the marketplace.”

    Kaushik Roy Senior Creative Director & AVP, Contract Advertising said, “It’s absolutely eye-opening! The way in which moneycontrol.com is taking the boredom out of the Budget presentation. The ‘Rock the Sabha’ campaign is an attempt to make that point loud and clear. We hope it will attract newer, younger audiences, in addition to exciting millions of existing users.”

    The ad can be viewed at http://t.in.com/budget2012.

     

  • Basil acquires 490 Limited in UK

    By A Correspondent

     

    The India-based marketing solutions company Basil Group has expanded with the acquisition of UK design and production agency Fourninety Ltd in February 2012.

    Fourninety Ltd comes into Basil’s fold with a 45-member team and two photography studios. Previously owned by MSQ Partners, they have offices in Leeds and Milton Keynes. Focusing on planning, client services, creative and production, the acquisition will bring together a team of over 100 global marketing specialists to work closely with clients including Unilever, Diversey, SC Johnson, Home Retail Group and Rentokil.

    The acquisition is a first for the Basil Group, which is aiming to build a global marketing communications group.  Before the acquisition of Fourninety Ltd, Basil had a 70-strong team with clients in North America, UK, Europe and India. The group aims to use an acquisition strategy to give clients the leverage of right-shoring and decoupled pricing to manage their marketing communications budgets. Basil would probably be the first agency group which will deliver a de-coupled service option to customers at the beginning of every relationship.

    Ramesh Krishnamurthy, managing director of the Basil Group, said, “Fourninety represents an excellent acquisition for us. It brings together a team of people with the same passion for thinking and creativity, enabling us to work closely with our clients to develop solutions that really work for them. Our vision is to create a global network that delivers across all media platforms, efficiently and cost effectively.”

    The Basil Group is private equity funded for organic and inorganic growth in the global market. Customers in India can thus avail of London-based strategy, creative and design and India-based creative production services.

    Barbara Boyes, managing director at Fourninety Global (previously known as Fourninety Limited), said, “We’re in a very different marketing world from the one we started out in over thirty years ago. In such a rapidly changing environment, clients want clarity and cost effective solutions. We believe that our new business model will support this by simplifying complex processes, reducing pain points and offering enduring solutions. We are delighted to be a part of the Basil Group and relish the opportunity to be able to offer true global scalability to our clients.”

     

  • Dentsu Creative Impact wins Tetra Pak creative mandate

    By A Correspondent

     

    Dentsu Creative Impact, Dentsu India’s full-service advertising agency, has bagged the creative duties for Tetra Pak, the world’s leading food processing and packaging solutions company.

     

    Tetra Pak India delivers aseptic packaging material and processing, packaging and distribution solutions to the Indian food processing industry.  Their customers include leading players, both national and regional, from the private sector as well as the dairy cooperatives. Tetra Pak works in close partnership with the food processing industry to promote consumer and key stakeholder awareness on the importance of aseptically processed and packaged foods, and how they provide benefits of food safety, consumer wellness and environment sustainability.

     

    Rohit Ohri, Executive Chairman, Dentsu India Group said, “We are delighted to partner Tetra Pak in India. The communication opportunity which Tetra Pak offers Dentsu India is very exciting and clearly beyond conventional media. We’re looking at communication across every touch point in the packaged milk and beverage ecosystem. This communication approach is at the heart of Dentsu’s offering in India.”

     

    “Past communication from Tetra Pak has focused on the key message of how Tetra Pak aseptic technology best protects foods like milk and juices.  Our plans are to continue strengthening communication around the Tetra Pak credentials and around our brand promise ‘protects what’s good’”, said Jaideep Gokhale, Communications & Environment Director, Tetra Pak South Asia Markets.

     

    On the choice of Dentsu Creative Impact Jaideep added, “With this premise in mind, we were looking at how the communication task could be addressed with a fresh perspective without losing focus of the imperative to remain consistent and true to our brand personality. With our new agency partner Dentsu Creative Impact, we are now in the process of developing our 2012 campaign which will explore communication channels beyond the conventional.  Our media buying will continue to be handled by Carat.”