Category: ADVERTISING

  • VML India wins Wendy’s mandate in India

    By A Correspondent

     

    VML India has been awarded the Digital AoR responsibilities by Wendy’s India, after a multi-agency pitch.

     

    Wendy’s, an iconic American brand of burger restaurants, made its debut in India on 6th May, with its first restaurant in Gurgaon. Wendy’s has chosen to launch in India, with a restaurant experience and India customized menu, in keeping with its brand philosophy of always being “A Cut Above”. Digital is a key component of Wendy’s marketing leading upto launch and as it grows its business across India.

     

    Jasper Reid, Director, Sierra Nevada Restaurants Pvt. Ltd. – the holding company for Wendy’s in India,said, “We chose to work with VML because we liked their fresh thinking and their sole focus on digital. And we liked their team – young, smart, willing to think differently and with an innate understanding of the online community. True digital natives. Wendy’s and VML have formed a productive partnership and one where everyone is able to challenge, debate and interact…which is precisely what our customers do online.”

     

    Wendy’s tasked VML with bringing alive the brand on digital and create anticipation for the launch, through social channels. Facebook is a lead channel, as a large part of the Wendy’s core target audience is actively engaging with content and already discussing food related topics on this platform.

     

    As a lead up to the launch, VML &Wendy’s decided to go out on the streets of Delhi 7 Gurgaon and make new friends. In a series of teaser videos, it asked Delhi-ites if they know Wendy’s. The answers ranged from funny to clueless. This campaign created curiosity about Wendy’s which opened to enthusiastic crowds earlier this month.

     

  • Maxus bags media AOR for Shopclues

    By A Correspondent

     

    Maxus has won the prestigious media planning duties for India’s first and largest managed marketplace, Shopclues.com. The Maxus Delhi team will be managing the account under the aegis of Navin Khemka , Managing Partner Maxus .This was won by maxus after a multi agency compettive pitch.

     

    On winning the worthy account Kartik Sharma, Managing Director, Maxus South Asia expressed, “It is indeed a prestigious win for us and we are thrilled to partner with the Shopclues team and to grow with them as their business scales newer heights. We are particularly excited to bring out the best business-oriented solutions for them.”

     

    Radhika Aggarwal, Co-founder and Chief Business Officer said “We are on a very rapid growth orbit and after careful evaluation we decided Maxus will be an ideal partner for driving this growth engine. We are excited to have Maxus on board and confident that their innovative strategic and creative inputs will create the right buzz that we as a brand need today. We expect a lot of superlative work on our brand. Congratulations to Maxus once again”

     

  • Havells raises awareness via #WINDSOFCHANGE

    By A Correspondent

     

    Havells is known not just for quality products but also for their communication, which plays an important role in spreading the right social message. In its latest communication, Havells Fans has extended their campaign thought through ‘HawaBadlegi’ (Winds of Change).

     

    The campaign showcases the range of Havells Fans and confirms how the brand is aligned with a new and progressive way of thinking when it comes to our society at large. This year Havells has taken its communication pan India, focusing on the south markets as well.

     

    The subject taken in the TVC for southern markets is delicate and something every girl in south India will relate to. Havells has gone a step ahead and shown how a change in the mindset of a family can help a girl child feel as a part of the family.

     

    The communication developed by Lowe Lintas has four TVCs all catering to one issue each that still exists in the society. It subtly states the issues and how they are slowly being rejected by progressive thinking, by people of the modern India.

     

    The media objective of the campaign is to create awareness and amplify the #WINDSOFCHANGE proposition. Media agency Motivator is currently running the campaign on TV and it is gaining high visibility through mass reach platforms like IPL and sponsorship of celeb dance show Nach Baliye on Star Plus. The brand proposition of “HawaBadlegi” is brought alive through content integrations on Nach Baliye. Buzz is also being created on digital platforms like Twitter, Youtube and Scoopwhoop.

     

    The campaign urges viewers to change their attitude towards the women in their lives. For e.g. a take on the way women are perceived and portrayed in Bollywood, through the lens of jury members of the censor board – in the communication developed by Lowe Lintas, the film has attempted to keep it light and still get the message across. The other TVCs take one issue at a time and show “how the winds of change” are blowing issues away from society. One of the TVC’s picks a controversial topic like ‘conversion’ and still manages to keep it within the realm of our everyday lives, so everyone can relate to it. The last TVC focusses on austerity and is a take on the kind of charity that is truly valuable and that which has a lasting impression. Each TVC builds on an issue seen in society today and how simple changes in the mindset by people can solve these issues.

     

  • Iraj Fraz now at Scarecrow to head creative in Delhi

    Iraj Fraz

    By A Correspondent

    Scarecrow has appointed Iraj Fraz as head of creative operations in Delhi. Fraz started his career at Leo Burnett in 2002,moving on to McCann, Mumbai and in 2006, shifted to Contract Delhi working on brands like Dominos, NIIT and Dabur. Following that, he spent about five years as a CD at JWT Delhi (till Jan 2013), where he did many popular as well as award-winning campaigns for Airtel DTH, Pepsi, Horlicks and Nokia.  His next stop was Y&R, Dubai, to work on Coke, Emaar properties and Mashreq Bank.

     

    Raghu Bhat

    Says Raghu Bhat, Founder Director, Scarecrow Communications, “I have followed his career closely since I first worked with him in McCann. And he offers the perfect mix of world-class creativity, an instinctive understanding of the marketing problem, people skills and the hunger to do more.” Adss Manish Bhatt, also Founder Director, Scarecrow Communications, “We have five brands in Delhi. It’s a decent base. Under Fraz and Anuj Mehtani, who heads account management in Delhi, we now have the people who can power Scarecrow Delhi to the next level.”

     

    Says Fraz, “I came back because I love advertising. Here, in the bylanes of Chandni Chowk and the boardrooms of banks, people discuss ads. We care about advertising, and that makes our country the it place to create interesting work.”

     

    Why Scarecrow? “Because here, the focus hasn’t just been on let’s-do-work-that-keeps-the-business but on let’s-create-work-that-starts-conversations. And I’d like to keep the momentum going.”

     

  • DDB Mudra Group adds girl power to the Cannes Lions Festival 2015

    By A Correspondent

     

    Shivani Singh
    Stephanie Fernandes

    The DDB Mudra Group has announced that four of its female employees will be representing India at Cannes Lions Festival of Creativity this year.

     

    Shivani Singh and Stephanie Fernandes from DDB Mudra West have been announced as the winners of the Young Lions Print contest. The Young Lions Festival is a country-wise competition hosted every year  by the Times Group, for advertising and marketing’s next generation including all those under the age of 28 and age 30 respectively. Each country sponsor selects the best team from their respective country through a rigorous judging process that includes the country’s most well-known Creative Heads.

     

    Nivedita Agashe

    Out of the top three winning teams chosen by the jury, two teams were from the DDB Mudra Group. The winning team – Shivani Singh, Art Director and Stephanie Fernandes, Creative Supervisor, presented their campaign called ‘Sticky Solutions’ with the idea to expose stupidity, in and around things that have been said to ‘Cause Rape’, for e.g. Chinese Food, Jeans etc. This, hence leading to more social conversations.

     

    Selected as second runner up in this highly competitive contest are Pankaj Nihalani and Prasad Kamtekar, also from DDB Mudra Group.

     

    Nivedita Agashe of DDB Mudra West has been chosen as one of the 12 women from across the world, invited to Cannes Lions’ ‘See It Be It’ initiative.

     

    Initiated in 2014, the ‘See It Be It’ initiative aims to highlight the talented creative women in the industry, accelerate their careers; expose the powers these women bring to the work, and encourage agencies to nurture women’s careers from the inside. As part of See It Be It initiative, across three days (June 21-24, 2015), Nivedita and the rest of the 11 women invitees will be part of an inspirational and educational programme which will take place during Cannes Lions. The agenda will include guided access to the jury rooms, meet and greets with VIP speakers, dedicated sessions by industry leaders and by the Berlin School of Creative Leadership, and a mentorship event supported by SheSays.

     

    Deboleena Chatterjee

    Deboleena Chatterjee, a planner with DDB Mudra West, gave DDB Mudra Group its fourth accolade by being named as one of the winners of the Cannes Confessionals contest, where participants were told to upload a simple 15-second film of themselves to Instagram or Twitter, tagged with #CannesConfessionals, explaining why they were in need of some Cannes Lions inspiration to become better at their job. The winners will be jetted to Cannes for a week of intense exposure to excellence as an official delegate of the Cannes Lions International Festival of Creativity.

     

     

    Sonal Dabral

    Commenting on this achievement, Sonal Dabral, Chairman & CCO, DDB Mudra Group, said, “We are extremely proud that not one, not two but four of DDB Mudra Group’s young women professionals will be representing the country at this year’s Cannes Lions. This is not only a great achievement, it’s also testimony to the fact that within the new DDB Mudra Group we have some amazing world beating young talent that’s starting to write the future of advertising in India. In a year that Cannes Lions is focusing on gender equality issues by introducing the Glass Lions and commendable initiatives like See it Be it, an all women achievers team from India will be a great example. More power to DDB Mudra. More power to woman power.”

     

     

  • Zee, MSM steal spotlight at PromaxBDA Awards 2015

    By Dyanne Coelho

     

    Zee and MSM walked away with 14 and 13 awards respectively at the PromaxBDA India awards held on Wednesday. Awards across 37 different categories were were presented with Star India coming in third with 10 awards and UTV Entertainment Television Limited and NGC Network won 8 awards each. While Zee bagged 9 Gold and 5 Silver Awards, MSM won 6 Gold and 7 Silver Awards. In all, 31 gold and 31 silver MUSE trophies and six gold and six silver ISIS trophies were awarded.

     

    Earlier, the 12th edition of PromaxBDA India kicked off at the Westin, Mumbai with an opening address by Conference Chair and Colors CEO Raj Nayak. “Short form storytelling has come of age,” he said, “The viewer today has evolved. It’s up to you to catch them head on.”

     

    David Shing, Digital Prophet, AOL began the morning session on an energetic note talking about the various futuristic ideas that are revolutionizing the world. “Personal experience is the new form of entertainment,” he said. Shing highlighted the word ‘Pizzled’ which is a combination of the words pissed and puzzled to describe the feeling a person gets when the person he/she is talking to is constantly busy on the phone during a conversation. “There is an information overload today and bad ads are the uninvited guests to the party.” Shing spent the most part of his talk discussing smart objects like a ring that switches on your television when you write TV in mid-air while wearing it or the same with your fan. Smart objects like the Power Suit, doesn’t require you to carry a wallet around, you merely move the tip of your coat sleeve over the billing machine and your meal is paid for, Shing explained pointing out that we would never see influential persons like President Barack Obama walking around with a wallet. “The new generation is who we should give a shit about,” Shing said, explaining that they are the ones who will be the users of these products in the future. It is all about engaging people in the calm and the chaos, he said.

     

    Nicole Velik of The Ideas Bodega followed, opening with a line that left everyone a little puzzled. “Creativity is everyone’s business,” she said. She went on to explain how once at her workplace, the creative team invited all the other teams; HR, Admin, finance, etc to join them in their brainstorming session, and some amazing ideas popped up. Creativity diminishes as age increases, she pointed out highlighting a few statistics, and it is most often an influential person like a teacher or a parent that kills some part of your creative self by telling you seemingly harmless things like draw within the lines, she said. “When all else fails, role-play,” she said. It helps to thoroughly understand the brand you are trying to sell. Come up with ideas that will get you fired and then pull those ideas back into reality, she advised. “It is much better to tame a wild idea, than to make a boring idea great.”

     

    Liz Dunning of Dunning Penney Jones shared stories of branding across the globe. America doesn’t like foreigners buying into their brands and companies, she said. Europe on the other hand is facing a major invasion by China, as a multitude of Chinese manufacturers are buying into European brands. “Indians sometimes take over a foreign brand and handle it way better than the home country ever could,” she said pointing out India’s vast growth in the industry. American brands are failing because they are not ready to spend, she pointed out. You have to spend on your product and on advertising and branding to make it a success. She cited the example of Cartoon Network and its sister channel Boomerang highlighting how each has a very different approach to branding, yet when you see the advertisements for either you will know they are connected.

     

    The post-lunch session of the day saw two panel discussions. The first one was titled, The Shift: Exploring new demographics, audiences and mind sets. Rajiv Bakshi, VP-Marketing, Discovery Networks, Asia Pacific, South Asia and Ajay Vidyasagar, Regional Director, APAC, Youtube Partnerships, Google were the participants of this discussion. It was moderated by Meenakshi Menon, Spatial Access. The session highlighted key aspects of the digital versus the television medium. The speakers shared relevant insights into each, including costing of content creation, consistency in programming, audience response, advertising, revenue streams and the growth of technology. “If you can bring consumers to have the conversations that you want them to have, then it is a job well done, whether on the internet space or on a TV set,” Menon said, concluding debate one.

     

    The next debate concentrated on the art of making a pitch to a client. ‘Pitch Therapy: A two-way conversation about the challenges of engagement’ was the topic of discussion which saw four participants; Kartik Sharma, MD, Maxus, South Asia, Paritosh Painter, Network Creative Director, Reliance Broadcast Network, Abhijit Joshi a former Ogilvy employee and Namit Sharma a former Zee employee. During the due course of this session  moderated by Tarun Katial, CEO, Reliance Broadcast Network, pointers on what to do and what not to do during a pitch were discussed. Know what your client wants, have a conviction and transfer that conviction to your client and believe in your pitch is what was unanimously agreed upon. “You have to sell your idea in the first 20 seconds,” Painter said. Pitching an idea is just like wooing your boyfriend or girlfriend, Joshi added.

     

  • Havas wins integrated media for iOrderFresh

     

     

    Havas Media Group India announced the win of the integrated media duties of iOrderFresh, a mobile-first commerce venture in the fresh perishable foods and groceries retail space. The mandate includes integrated media buying and planning across traditional media and digital solutions for search, social and mobile. The account will be handled by the Havas Media New Delhi office.

     

    Nitin Sawhney, Founder and CEO, iOrderFresh, explained, “iOrderFresh has a simple promise to the consumer; fresh produce directly from the farm to your kitchen in a few hours. The business is built on the premise of freshness and convenience. It aims to create a whole new experience for shopping for food and groceries available at your doorstep by just downloading the app from any smartphone. Currently available in Delhi and Gurgaon, on both Android and iOS platforms, we are looking to consolidate our presence in the NCR region before expanding to other cities. Havas Media carved out a compelling mobile-first, integrated media strategy to get more people to download the app and also to scale the brand.”

     

    Anita Nayyar, CEO, Havas Media Group India and South Asia said, “Getting home delivered fresh fruits and veggies in our hurried lifestyle and traffic bound commute is a blessing. The Indian shopper’s attitude to online retail is very positive today so the perishable retail space is only set to grow. Havas Media with its digital strengths and integrated media offering is well geared to engage this shopper and add to the shopper basket.”

     

    Mohit Joshi, Managing Director, Havas Media India, added, “It is a good win in a challenging category. We are happy that our rich experience in the dotcom domain is helping us get more clients in the category. We look forward to a great association with them.”

     

  • Sunil and Jayal to partially exit Wieden+Kennedy’s

    By A Correspondent

     

    Advertising agency Wieden+Kennedy’s (W+K) India office is headed for a shake-up as its top two executives, Mohit Dhar Jayal and V Sunil, are set to move on “partially” from the agency to start a new venture of their own. “We will move on only partially and be directors at W+K,” said Jayal, who has been managing director at W+K Delhi.

     

    Jayal and Sunil, currently executive creative director at W+K Delhi, have already started the process of transition to shift focus to their new initiative that “will not be related to advertising and communications”.

     

    Sunil will also become a director with W+K when the new leadership team arrives. The agency is looking to bring in some global talents for leadership roles, which is expected to take place in about a month, Jayal said.

     

    “The new structure will require us to oversee the businesses that we have helped grow and some of the new business too, although we won’t be involved in the day-to-day operations of handling accounts,” Jayal said. “We will be like the old uncles hanging around in the building.”

     

    Some senior industry sources alleged that Jayal and Sunil decided to move on due to growing differences with the agency’s head office in Portland.

     

    Jayal dismissed any such speculation. “For the record there cannot be anyone we respect more than our cousins in Portland. Dan is like a sage and Kennedy a fine man; I would love to be led by him,” he said. “In fact even in our new venture W+K will be partners with us, so our relationship will be like a double-decker thing.”

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Journalists awarded at 3rd Shriram Sanlam Awards

     

     

    Shriram Sanlam Awards for Excellence in Financial Journalism was conducted in a widely attended glittering function at the Shangri-la’s Eros in New Delhi last week. The highlight of the event was a key-note address delivered by Gideon Rachman, Chief Foreign Affairs Commentator, Financial Times.

     

    For the first time ever, the top 100 nominations found its coverage in a special booklet released on the occasion by Suresh Prabhu, Hon. Union Minister of Railways, Government of India.

     

    TCA Srinivasa Raghavan was conferred with the prestigious Lifetime Achievement Award and A V Rajwade was conferred with the special Hall Of Fame Award at the Shriram Sanlam Awards for Excellence in Financial Journalism by the Chief guest, Hon. Union Minister of Railways, Government of India, Suresh Prabhu in the presence of Ajay Piramal (Chairman, Shriram Capital Limited) and Ian Kirk (Deputy CEO, Sanlam Group) amongst others. Winners and runner-ups in various categories included:

     

    1. Economic Policy – No Winner Announced

    2. Financial Markets –Winner : Debashis Basu , Runner Up -: Devangshu Datta
    3. Financial Institutions – Winner: Raghu Mohan, Runner Up: Atmadip Ray & M. Rajshekhar
    4. Sectoral Issues – Winner:  Aarati Krishnan , Runner Up : Goutam Das & N. Madhavan

     

    G.S. Sundararajan, Wholetime Director, Shriram Capital Limited said, “The winners of Shriram Sanlam Awards for Excellence in Financial Journalism 2014 represent the best of that fraternity. Shriram Capital and Sanlam recognize that the potential of Financial Journalism and the positive impact it can create to the economy as a whole. These awards are aimed at encouraging a transformational approach to Financial Journalism in the medium term.”

     

    Institute for Financial Management and Research (IFMR), Chennai played an important and independent role in the selection process by scrutinizing the nominations and making them available for the Jury Members for their consideration.

     

    The distinguished panel of independent jury members comprises Gopal Srinivasan (Chairman & Managing Director – TVS Capital Ltd.); Srinivasan K. Swamy (Chairman & Managing Director, R. K. Swamy BBDO); Ashu Suyash (MD & CEO, CRISIL); Adit Jain (Chairman, IMA Asia), Swaminathan S. Aiyar, Consulting Editor of Economic Times and T. N. Ninan (Chairman, Business Standard).

     

  • Zee Entertainment launches new corporate brand film created by FCB Ulka

    By A Correspondent

     

    You hear Prime Minister Narendra Modi talk of ‘Vasudhaiva Kutumbakam’ in most of his addresses internationally. Just last week, speaking to the Indian diaspora in Shanghai, China, the Prime Minister spoke of Vasudhaiva Kutumbakam which can be translated from the Sanskrit as The World is My Family.

     

    Interestingly, Vasudhaiva Kutumbakam is also the corporate credo of Zee Entertainment Enterprises Limited (ZEEL).  Now building on its global positioning of ‘Vasudhaiva Kutumbakam – The World is My Family’, ZEEL has announced the launch of its new corporate brand film. Currently reaching over 959 million viewers across 169 countries, the film reiterates Zee’s role as a global brand, a cultural ambassador, uniting people in India and across the world through its wide network of 33 domestic and 36 international channels.

     

    Zee Entertainment had unveiled its corporate brand positioning and identity,‘Vasudhaiva Kutumbakam – The World is my Family’, in 2013.

     

    Roland Landers
    Satbir Singh

    Speaking on the new brand film, Roland Landers, Head – Corporate Brand, ZEEL said, “In its journey of 22 years, Zee has made a significant place in the hearts and minds of millions of viewers across the world. Through this film, we not only cherish their presence, but also welcome the world to be a part of this family.”

     

    Satbir Singh, Chief Creative Officer, FCB Ulka, the communications agency that created the film said, “Zee is today this massive family with millions of family members around the world, connected through highly engaging television and movie content. We are celebrating this inclusive value of Vasudhaiva Kutumbakam, or the World is a Family, with this film.”

     

    The film will be aired on all Zee Entertainment and Zee Media channels starting today (May 18). The film’s roll-out will be supported by a print ad as well as intensive promotion on YouTube and other social media platforms.

     

     

     

  • Indians cut spending on discretionary goods. Consumption at 10-yr low. Sale of consumer goods down to 7.5% in FY15

    By Ratna Bhushan and Sagar Malviya

     

    Sales of consumer goods have slowed the most in about a decade, suggesting that Indians are making cuts in spending — especially on discretionary products — amid high inflation and a sluggish economy. Most company bosses expect things to get better soon, but a bad monsoon looms as a threat over rural consumption.

     

    The overall consumer products market slowed to 7.5 per cent in the year to March from 10.6 per cent in the previous year, according to Nielsen data. The declining pace is across urban and rural markets and covers all three broad categories — food, home and personal care, and over-the-counter products.

     

    “The last time FMCG (fast-moving consumer goods) saw singledigit sales growth was in 2004-05 when it grew 8 per cent soon after a drought situation,” said Abneesh Roy, associate director at Edelweiss Securities. “Hence, last fiscal’s growth is the slowest in over a decade after strong double-digit growth of 15-17 per cent, especially with the rural market opening up.”

     

    The trend has hit consumer stocks — the BSE FMCG index rose 13 per cent in the year compared with a 63 per cent jump in the Sensex.

     

    “A lot of discretionary spending slowed down because economic sentiment hasn’t been positive for the most part of last year,” said Chittranjan Dar, CEO of ITC Foods, which makes Sunfeast biscuits and Bingo snacks. Things may be turning around, he suggested. “Indicators that things are looking better, though, are reflecting in the latest quarter and we should see a brighter picture going ahead.”

     

    Annual performance figures also reflect the direction of the market. Nestle and Godrej Consumer posted decade-low sales growth in FY15. Dabur posted its lowest revenue in nine years. Hindustan Unilever’s income growth in the past two fiscal years was its worst since 2005.

     

    Within the overall picture, companies report two contrasting trends — a shift to the value segment and premiumisation, or higher-priced products in the same category.

     

    “Over the past two years, the market has shifted more towards mass and popular pricing and towards sachets as opposed to large packs,” said HUL Managing Director Sanjiv Mehta. “(But) there are consumers who still have the capacity to consume brands such as TRESemme (hair care products) and Magnum (ice cream). We focus a lot on unlocking the potential not just at the bottom of the pyramid, but also at the top end of the fill.”

     

    More pain could be in the offing if predictions of a deficient monsoon come true, derailing any positive growth sentiment. Consumer goods firms are taking steps to hedge themselves against this risk, especially since the Nielsen data suggest rural market growth has outpaced that of urban areas, albeit on a smaller base.

     

    Leaning on urban demand

    Companies are leaning on urban demand to improve the numbers as it accounts for nearly 65 per cent of the total market. “We believe revival in the FMCG sector will be led by urban markets as the sector is expected to be at the forefront of development and growth,” said Sunil Duggal, chief executive of Dabur, the maker of Vatika hair oil and Real juices.

     

    He too is optimistic about things improving soon. “While the overall macro environment continues to remain challenging, consumer demand has started showing signs of a recovery,” he said. A gradual improvement in the consumption environment has helped the company perform well on several operating parameters.

     

    Dabur has piloted a new sales and distribution initiative, called ‘Project 50/50’, aimed at leveraging the potential of the top 130 towns that account for 50 per cent of urban consumption. The project involves segregating the grocery channel teams for wholesale and retail as both trades have differing requirements. “At the same time, rural demand has proved to be resilient, and we plan to focus on 60,000 high-potential villages over two-three years,” Duggal said.

     

    The economic situation has meant that the urban poor, who account for nearly 20 per cent of the market for most consumer product companies, have been facing a squeeze.

     

    “A lot of the urban poor or people like construction workers, because of job challenges, ended up moving back to villages or cutting down spends,” said Godrej Consumer Managing Director Vivek Gambhir. “While we would all love to see much faster growth, at least it is trending in the right direction with higher growth every quarter. It is achallenging environment.”

     

    Some analysts have been sounding a note of cautious optimism.

     

    “Consumption demand, until recently, was seeing a continuous decline despite lower inflation and improved consumer sentiment. However, Q4 results imply that demand in at least consumer staples has clearly bottomed out. The worst is possibly over (if monsoon is normal), but it would be a long wait before the party begins,” Axis Bank analysts Sanjay Singh, Ajay Thakur and Mihir Shah wrote in a recent investor note.

     

    Source:The Economic Times

    Copyright © 2015, Bennett, Coleman & Co. Ltd. All Rights Reserved

    Licensed to republish

     

  • Assoc of Indian Magazines wins 2015 FIPP Insight Award for Engagement Index

    By A Correspondent

     

    The Association of Indian Magazines (AIM) has won a Silver Award for its Engagement Index at the FIPP’s 2015 Insight Awards held yesterday (May 18) at Amsterdam, the Netherlands. FIPP, the worldwide magazine media association, conducts the FIPP Insight Awards (formerly known as the Research Awards) to award the best research studies published that promote the use of magazine media as an advertising medium, anywhere in the world. ‘Magazine media’ includes print, digital platforms and/or any other relevant publisher channel.

     

    Global media owners including Condé Nast, Immediate Media and Axel Springer were awarded in addition to the national magazine media associations of Germany, Spain, other than India’s AIM and Belgian media agency, Space. The awards were presented by FIPP’s president and CEO, Chris Llewellyn.

     

    The full list of FIPP Insight Award winners is:

    GOLD AWARDS

    Condé Nast Spain
    The Q Factor

    VDZ Germany
    Digital Editorial Media

    GIK Germany
    Best For Planning

    ARI Spain
    Magazine websites: usage & perception 

    SILVER AWARDS

    Association of Indian Magazines
    Engagement Index For Media

    Immediate Media UK
    Generation Wealth

    Axel Springer Germany
    Auto Bild Tablet Study

    Space Belgium
    Pulsar 2.a: Strategic Value Of Magazine Advertising

     

    Said Mr Llewellyn: “In a world of big data and ever more granular metrics, making the case for the effectiveness of advertising in magazine media has never been more demanding. The challenge to magazine media researchers and national magazine media associations is to come up with solutions that cut through the complexity and deliver insightful conclusions that demonstrate the unique qualities of our brands and the medium. FIPP’s Insight Awards are designed to recognise such outstanding work which we believe will benefit magazine media groups everywhere.”

     

    Guy Consterdine, FIPP’s insight consultant, added: “The FIPP Insight Awards, now in their sixth year, have proved an excellent showcase for some of the best research on magazine media worldwide. We are also seeing evidence that studies published in previous FIPP Insight Awards have inspired and influenced new projects conducted in other countries. We can all learn from each other.”

     

    Summaries of all FIPP Insight Award shortlisted entries are available to view at: http://www.fipp.com/news/fippnews/awards-entries-from-fipp-insight-forum-awards-2015

     

    The FIPP Research Awards followed the first day of the FIPP Insight Forum at Sanoma’s offices – a two-day event for publishers, researchers and marketing executives in the magazine media business.